Alessandra Di Sanzo
Vera lives in the shadow of her famous father. Tired of her superficial life and relationships, she drifts through Roman high society. When she injures a child in a traffic accident in the suburbs, she forms an intense relationship with an eight-year-old boy and his father. But soon she must realize that also in this world she is only an instrument for others.
"The Whores" - The prostitutes of Palermo are pictured in this episodic Italian drama. The film lacks a real unifying thread as it presents scenes from the lives of 7 hookers. Five are women. One is a man, and one is a transvestite. In one episode, an aging ill-mannered Neapolitan, Orlanda, entertains North African visitors in her home. They do not seem to mind her constant barrage of racist comments. One of her clients falls for her and protects her from a client who stalks her. She is surprised. The male prostitute finds himself becoming violent after his client is too attentive. Liucca gets beaten in lieu of a payment. A mother struggles with her profession and homelife. Grimaldi dehumanizes clients.
Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?
A teacher discovers his calling. Marco relocates to Palermo from Milan and takes a job teaching in a reform school while he waits for a high school position. He tries to understand and motivate his handful of students, reading them colloquial poetry, encouraging them to stand up for their rights, finding out about their histories. Natale, in for murder, enamoured of the Mafia, the King Rat within the group; Mery, a drag queen, arrested for assault when defending himself, in love with Mario and, in daylight, rejected by all; Pietro, illiterate, muscular, believing his destiny is set; the callow Claudio, vulnerable, learning to harden himself. What can Mario learn and do in such a short time?
