Álex de la Iglesia
Carlos Boyero is one of Spanish cinema's most followed and feared figures. Controversy has hounded him since he published his first article more than forty years ago, and he has remained in the eye of the hurricane ever since. Is he the last representative of a disappearing time? Has social media put an end to the traditional influence of the critics. Taking the background and personality of this very controversial figure as its basis, El crítico / The Critic will also endeavour to reflect on the enormous changes taking place in Spain in the field of film criticism.
After a couple finds a traumatized child of unknown origins, wife Paula must decipher the girl's strange behaviors to unlock her identity and dark past.
With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.
Raquel is desperate: a series of unfortunate events have led to her daughter being taken and she needs a large amount of money to get her back, and fast. After a desperate plea to the bank, she manages to secure the loan she needs. The problem is that precisely at that moment, a peculiar couple of robbers enter the branch: the drug-addicted Jonan and his partner Lola, who is a deadly combination of smart and psychotic. But Raquel’s stakes are too high, and she knows she must think carefully to outsmart them, save herself and get her money.
A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.
Basque Country, Spain, 1843. A police constable arrives at a small village in Álava to investigate a mysterious blacksmith who lives alone deep in the woods.
Film fans work to restore the set of the climatic graveyard scene from the iconic spaghetti western “The Good, the Bad and the Ugly,” directed by Sergio Leone in 1966.
A documentary for the 20th anniversary of The Day of the Beast which put Álex de la Iglesia’s name on the global film scene. The production personnel recall via archives and interviews what happened before and after the premiere.
How the Uruguayan-Spanish actor, writer, producer and director Narciso “Chicho” Ibáñez Serrador (1935-2019) changed forever the way of producing programs for Spanish television.
Remake of the Italian movie "Perfetti sconosciuti (2016)". During a lunar eclipse, seven friends gather for dinner and decide to play a game in which they must share with each other the content of every message, email or phone call they receive throughout the evening.
Coslada, near Madrid, Spain, October 2015. Hundreds of extras are trapped in a huge stage where they pretend with hysterical joy that they are celebrating a party that will be broadcast on television on New Year's Eve. But more than a week later, the clash between several staff members threatens to prolong indefinitely such a maddening nightmare.
Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.
His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.
The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his/her god or gods...or the lack thereof. In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.
Spain, 1950s. Montse's agoraphobia keeps her locked in a sinister apartment in Madrid and her only link to reality is the little sister she lost her youth raising. But one day, a reckless young neighbor, Carlos, falls down the stairwell and drags himself to their door. Someone has entered the shrew's nest... perhaps he'll never leave.
In this heist film turned horror fest, director Álex de la Iglesia's love of mayhem is on full display as a gang of gold thieves lands in a coven of witches who are preparing for an ancient ritual -- and in need of a sacrifice.
Roberto is an unemployed publicist who achieved success when he thought of a famous slogan: "Coca-Cola, the spark of life." Now he is a desperate man, trying to remember the happy days, back to the hotel where he spent the honeymoon with his wife. However, instead of the hotel, he finds a museum built around the Roman theater in the city. While walking through the ruins, he has an accident, an iron rod sticks into his head and leaves him completely paralyzed. If he tries to move he would die. Roberto becomes the focus of the media, which will change his life ...
The journey of Javier, the obese Sad Clown, starts during his childhood in the midst of the Spanish civil war in 1937. His father, one of Spain’s most prominent jesters, is detained and tortured by the fascist regime.
Grandes dosis de humor, ingeniosos guiños a nuestro cine patrio más reciente, un elenco artístico altamente ligado a la comedia y una elevada reserva de sorpresas constituyen los ingredientes de esta disparatada comedia: Spanish Movie.
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
At Oxford University, a professor and a grad student work together to try and stop a potential series of murders seemingly linked by mathematical symbols
How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.
A couple with a newborn child arrives at a big old house, the ideal place to start a real family life. Before going to bed, the couple checks the operation of the listening device installed in their baby's room, whom they can listen to and watch. They soon discover that there is someone else in the house who sits next to the baby's crib every night.
A playboy has the tables turned on him when he finds himself being used as a plaything by an undesirable woman in this black comedy from Spain.
Julián Torralba is a former movie stuntman in Almeria, Spain. He and several of his colleagues, who once made a living in American Westerns shot in Spain, now are reduced to doing stunt shows for minuscule audiences on the decaying set built for those old Westerns. Julián wrestles with dark memories of the death of his son, also a stuntman, and with estrangement from his daughter-in-law Laura and her son Carlos. Carlos, a young boy, becomes intrigued with his late father's life and runs away to join Julián and his band of has-beens. There Carlos is initiated into the rambunctious life of these hard-drinking faux cowboys. But when Laura, a powerful executive looking for a new site for a tourist resort, learns that Carlos has joined the hated Julián, she moves to destroy even this remnant of Julián's once-proud career. Julián and the cowboys decide to fight back the only way they know how.
Julia, a real estate agent, finds an enormous amount of money hidden in a dead man's apartment, a stroke of luck that will force her to face the wrath of the very peculiar inhabitants of the condominium, headed by an unscrupulous administrator.
Nino and Bruno are two comedians who reach the heights of success with their duo act, turning them into huge TV celebrities. However, the hate between them grows as fast, and as much, as their fame
A psychotic criminal couple kidnaps a random teenage couple. The woman rapes the male captive, and lets him watch his lover being raped by the man. They then plan to sacrifice the couple
The story revolves around a Basque Roman Catholic priest dedicated to committing as many sins as possible (Angulo), a death metal salesman from Carabanchel (Segura), and the Italian host of a TV show on the occult (De Razza). These go on a literal "trip" through Christmas-time Madrid to hunt for and prevent the reincarnation of the Antichrist.
Waging war against all things glamorous and beautiful, crippled terrorists Acción Mutante plot a series of attacks on society's elite, and attempt the kidnapping of a wealthy socialite at her elaborate wedding reception.
A man enters a bar where only the waiter and another customer are present and asks for an orange soda called Mirinda; but then refuses to pay by offering a surprising argument.
After a robbery at a bingo hall, the girlfriend of one of the robbers escaped with the help of another woman tries to recover the loot from the raid. The problem is that some cops also want to do with the loot, to finance political assassinations.
Like mosquitoes drawn to the brightest light, tourists follow the light of the most beautiful city in the world,” it says, referring to Venice. That, however, has a downside. Compounded by the anguish of the last decades, the rage of the Venetians against this foreign invasion has now reached a flashpoint, with some now giving full rein to their instinct for survival. Oblivious to this, a simple group of Spanish tourists travel to Venice to have some fun. They will soon be fighting for their lives.
Julián, a 50-year-old divorced man with financial problems, uses an app to share his car with strangers and, especially, with someone who is no longer so: Lorena, a young woman who travels often to Madrid. For months he has had a fixed seat in his car and lately also in his heart. Julián wants to take advantage of the trip to be honest with her, but a mistake when choosing the rest of the occupants includes a disturbing passenger, who will cause a radical change in the course of events.
