Alexandr Faintsimmer
A tavern on Pyatnitskaya street is a meeting place for all kind of criminals. The only way for police to infiltrate the criminals is to send an undercover agent to the tavern.
A Soviet KGB agents are trying to prevent British-American operation of stealing information about an important scientific project from USSR.
After a shy bank employee helps to catch two robbers he becomes a totally different person.
A romantic story about the girl working in the musical instruments store.
Italy, XIX century. The country is occupied by Austrian troops, the resistance movement is actively developing. Student Arthur Burton is involved in the activities of the underground organization “Young Italy”, envies its leader, Giovanni Bolla, and is jealous of his bride Gemma. He talks about this at a confession to a priest, as a result of which gendarmes take revolutionaries under arrest...
Young railroad worker, seemingly accommodating to Nazi overlords at a captured rural depot, secretly spearheads acts of sabotage against the evil occupying forces.
The film is about the sailors who fought on torpedo boats in the Great Patriotic war.
A sarcastic comedy about the Russian-Soviet bureaucracy, based on the eponymous novella by Yuri Tynyanov. Set in the reign of Emperor Paul I. A copying error by a military scribe turns the Russian words for "the lieutenants, however" into what looks like "lieutenant Kizhe". The Tsar reads the error, and wants to meet this (non-existent) Lieutenant Kizhe. His courtiers are at first too frightened to contradict the Tsar, but then the fiction turns out to be all too convenient for them. So Lieutenant Kizhe gets himself exiled to Siberia, recalled from exile, promoted, and married. He dies and receives a state funeral. In many ways, he is the most charming and lovable character in the film, even though he remains throughout the film a "confidential person, without a shape".
The End of St. Petersburg (Russian: Конец Санкт-Петербурга, translit. Konets Sankt-Peterburga) is a 1927 silent film directed by Vsevolod Pudovkin and produced by Mezhrabpom. Commissioned to commemorate the tenth anniversary of the October Revolution, The End of St Petersburg was to be Pudovkin's most famous film and secured his place as one of the foremost Soviet montage film directors. The film forms part of Pudovkin's 'revolutionary trilogy', alongside Mother (1926) and Storm Over Asia (1928).
