Alfredo Bianchini
While walking in a garden of statues of women, Ester and her friend Adele see two women kissing. Ester then dreams of kissing Adele and later imagines making love to her while she is in the arms of Oscar, her husband. She confesses her passion to Adele and also tells Oscar that she loves another. His jealousy takes over: he assumes it's a man, and he begs Adele to help him discover this rival's identity. Eventually Ester tells him she loves a woman. This makes him even less reasonable: he jumps between bewilderment ("Am I a cuckold?") and violent anger. After he gets drunk and figures out that Adele is the object of Ester's unconsummated desire, he becomes dangerous.
This is a dramatization of events in the life of St. Francis of Assisi from before his conversion experience through his audience with the pope, including his friendship with St. Clare.
Benedetto is a child who came out of an accident uninjured on his first communion's day. The people of his village attribute that to a miracle and made him undergo a strict religious upbringing. That fact will determine his life, which will be affected by inner torment caused by the confrontation between sexual desires and sacrifices of faith, sin and grace.
On the streets of a damp metropolis lie the corpses of hundreds and hundreds of boys and girls. No one can give them a resting place because of a law enacted by a repressive State. But the young Antigone, with the help of a foreigner, Tiresias, violates this rule in the name of pietas, undermining the established order.
Agostino is de facto head of a censorship board whose double life as a nightclub owner might raise some questions as to his censorial judgment. The titular head of the organization is not that interested in running it himself, being more interested in women.
