Alice Faye
Highlights from the great musicals of the 1940s. Stars featured include Judy Garland, Mickey Rooney, Fred Astaire, Gene Kelly, Bing Crosby, Doris Day, Danny Kaye, Jimmy Durante and Frank Sinatra.
A biography of the Portuguese-Brazilian singer Carmen Miranda, whose most distinctive feature was her tutti-frutti hat. From her arrival in the US as the "Brazilian Bombshell" to her Broadway career and Hollywood stardom in the 1940s.
There never was a star quite like her. Adored by adults and children alike, at four she already led at the Box Office - ahead of Gable and Cooper. Her films saved a movie studio from bankruptcy, and a President credited her with raising the morale of Depression-weary Americans. Her earliest movies gave a foretaste of her talents and soon would become the songs and dances that helped make those movies immortal. Here she is at her heart-stirring best in films like Little Miss Marker, Now And Forever, The Little Princess, and The Bachelor and the Bobby Soxer.
Promo film for Pfizer Pharmaceuticals, with host Alice Faye. Faye looks back on her career in Hollywood.
Lassie is claimed from his family by a "former owner" and then braves a cross country trip to rejoin the ones that love her.
A merry who-done-it diamond caper unfolds after a woman's million dollar necklace is stolen while she is having her portrait done.
A would-be filmmaker and actress shake up the industry with a trick dog who gets discovered by a studio bus driver in the 1920s.
Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.
The third film version of 'State Fair' (and the second musical version).Margy Frake this time round is played by newcomer Pamela Tiffin, who has her voice dubbed as Jeanne Crain did 17 years earlier. Her squire at the fair this time round is called Jerry and works for that new-fangled media, the 'tube' or TV. He's played by Bobby Darin who looks far too old to be chasing Tiffin - perhaps that is why a couple of references were added in this version about her age.
An unemployed drifter, Eric Stanton wanders into a small California town and begins hanging around the local diner. While Eric falls for the lovely waitress Stella, he also begins romancing a quiet and well-to-do woman named June Mills. Since Stella isn't interested in Eric unless he has money, the lovelorn guy comes up with a scheme to win her over, and it involves June. Before long, murder works its way into this passionate love triangle.
An aircraft carrier is sent on a decoy mission around the Pacific, with orders to avoid combat, thus lulling Japanese alertness before the battle of Midway.
A young husband becomes a game-show participant in the hopes of winning the cash to pay his pregnant wife's doctor.
Reenactments of actual USO experiences of its female stars entertaining troops overseas.
In turn-of-the-century San Francisco, an ambitious vaudevillian takes his quartet from a honky tonk to the big time, while spurning the love of his troupe's star singer for a selfish heiress.
Playboy Andy Mason, on leave from the army, romances showgirl Edie Allen overnight to such effect that she's starry-eyed when he leaves next morning for active duty in the Pacific. Only trouble is, he gave her the assumed name of Casey. Andy's eventual return with a medal is celebrated by his rich father with a benefit show featuring Eadie's show troupe, at which she's sure to learn his true identity...and meet Vivian, his 'family-arrangement' fiancée. Mostly song and dance.
After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together.
A ship company employee, Jay Williams, is sent to Florida where one of the company cruise ships is stuck on a reef off of the coast. He obtains waivers from all of the passengers with the exception of Nan Spencer, a department store salesgirl who wants her vacation NOW, not later. Jay is instructed to take Nan to Havana and set her up in the best hotel and keep her entertained. She visits a night club where the star attraction is Rosita Rivas, and meets Rosita's worthless manager, Monte Blanca, who makes a play for her. Trouble also comes in the form of Jay's fiancée, Terry McCracken, when a romance develops between Nan and Jay.
An entertainer in Rio impersonates a wealthy aristocrat. When the aristocrat's wife asks him to carry the impersonation further, complications ensue.
Alice Faye plays the title role in this 1940 film biography of the early-20th-century stage star.
Songwriters Calhoun and Harrigan get Katie and Lily Blane to introduce a new one. Lily goes to England, and Katy joins her after the boys give a new song to Nora Bayes. All are reunited when the boys, now in the army, show up in England.
Inventor Robert Fulton (Richard Greene) receives support from a tavern owner (Alice Faye) and a shipyard worker (Fred MacMurray) to help realize his dream of a high-powered steamboat.
Rose Sargent, a Roaring '20s singer, becomes a Ziegfeld Follies star as her criminal husband gets deeper in trouble.
Starting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.
The O'Leary brothers -- honest Jack and roguish Dion -- become powerful figures, and eventually rivals, in Chicago on the eve of its Great Fire.
Roger Grant, a classical violinist, disappoints his family and teacher when he organizes a jazz band, but he and the band become successful. Roger falls in love with his singer Stella, but his reluctance to lose her leads him to thwart her efforts to become a solo star. When the World War separates them in 1917, Stella marries Roger's best friend Charlie. Roger comes home after the war and an important concert at Carnegie Hall brings the corners of the romantic triangle together.
Manicurists Sally, Irene and Mary hope to be Broadway entertainers. When Mary inherits an old ferry boat, they turn it into a successful supper club.
A Broadway producer is in a quandary when he discovers that the opening of his newest big production coincides with that of a major charity event. He despairs that the show will close after opening night until an ingenious writer suggests that he simply give the production snob-appeal by making the tickets nearly impossible to get by fabricating a story that they were all purchased by a flamboyant Texas oil baron who is totally besotted by the show's star.
Satire on radio, built around the supposed feud between bandleader Ben Bernie and journalist Walter Winchell.
A new Broadway show starring Gary Blake shamelessly lampoons the rich Carraway family. To get her own back, daughter Mimi sets out to ensnare Blake, but the courtship is soon for real, to the annoyance of his co-star, hoofing chanteuese Mona Merrick.
Actor Lee Tracy presides as ringmaster over a show that combines the best elements of cinema with the circus, what he calls a Cinema Circus. Tracy introduces a number of professional circus acts, plus a cavalcade of movie stars who have side shows under the open air big tent. There is as much action in the audience as Tracy identifies a number of movie stars watching the proceedings incognito, having their own fun in the stands, and sometimes interacting with the circus acts.
Starving playwright Judith Wells meets playboy writer of musicals, George Macrae, over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds" just to improve his romantic chances, and even persuades her to sing in the sort of show she pretends to despise. But just when their romance is going well, Gordon's former flame Lulu reveals the ace up her sleeve...
Warner Baxter plays the ambitious producer of a burlesque show who rises to the big time on Broadway. Alice Faye is the loyal burleycue singer who helps make Baxter a success. His head turned by sudden fame, Baxter falls under the spell of a society woman (Mona Barrie) who has theatrical aspirations of her own. She marries Baxter, then convinces him to produce a string of "artistic" plays rather than his extravagant musical revues. The plays are flops, and the woman haughtily divorces Baxter. Faithful Alice Faye, who'd gone to London when her ex-beau was married, returns to the penniless Baxter. She and her burlesque buddies team up to pull Baxter out of his rut and put him on top again.
The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).
Cossetted and bored, Barbara Barry is finally sent off to school by her busy if doting widowed soap manufacturer father. When her nurse is injured en route, Barbara finds herself alone in town, ending up as part of radio song-and-dance act Dolan and Dolan sponsored by a rival soap company.
An aging star finally recognizes the truth when she is replaced in her new movie by a girl from the chorus.
A Brodway producer discovers new talent in a small Georgia town and brings them to New York for his new show.
Three young girls working in an agency have build a singing trio. They want to "lease" the Dictaphone of their boss to make a record of their singing, but they are caught and fired. When they are not able to pay their rent any longer, they decide to try it on an amateur contest at a radio station.
Opening with a credit line that reads "Entire production conceived, created and directed by George White," a film evolves where the only plot line is a thin backstage romance between Jimmy Martin and Kitty Donnelly in and around a dozen or more sketches, revues, black-outs and singing and dancing turns. Made before the birth of the production code, reviewers of the day found much to object about in the implications of Alice Faye's "Nasty Man" song with the Meglin Kiddies, and the dog action in the "Your Dog Loves My Dog" number by Vallee, Faye, Jimmy Durante and Dixie Dunbar. The geometric dance arrangements used in the Vallee, Durante and Cliff Edwards "Every Day Is Father's Day" was not cause for Busby Berkeley to lose any sleep.
Down-on-his-luck film director Jimmie Dale takes a job at a fly-by-night acting school. He is drawn into the plans of the school's owner to bilk a wealthy young man out of the funds he has supplied to shoot a movie starring pretty student Alice Perkins. But Jimmie hopes to bilk the bilkers by actually completing the movie as ostensibly planned.
A parade highlights the Screen Actors Guild's Film Stars Frolic, hosted by Walter Winchell as Master of Ceremonies.
A two-bit gambler somehow claws his way to the top. His love for riches is only matched by his love for his wife, but he is sometimes confused by which he loves most.
Shanghai nightclub singer Jean falls in love to a sailor, but after his ship left Shanghai, he is of the opinion that he cannot support her in the States, so he writes her in a letter, that he will not see her again, but two practical jokers intercept it and write another with an opposite content. Jean comes to the states, but her sailor doesn't acknowledge her, but the two don't give up trying to bring Jean and sailor back together.
