Alina Janowska
When his grandson is beaten by gangsters, a Warsaw veteran gathers his war buddies to take them on.
The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.
Brilliantly funny comedy finds humor in what was otherwise a terrifying time, the outbreak of Martial Law in Poland in 1981.
Karol has everything. He has three mistresses in addition to the bride. He is charming, loves sex and enslaves women in the blink of an eye. He's also well aware of that women like and uses it for his benefits.
Sampson is one of several Andrzej Wajda films harking back to his youth during the Nazi Occupation of Poland. Many of these concern not only the struggle between good and evil, but also between passive and impassive. The hero is a Jewish youth. He, like his family, has always been silent and undemonstrative in the face of prejudice. Now he stands up for his right to survive, and in so doing represents the fighting spirit that culminated in the 1943 Warsaw Uprising. It was originally titled Samson, but re-spelled as Sampson upon its American release to avoid confusion with a sword-and-sandal epic of the same name.
The first Polish post-war comedy. Witek and Krysia, a married couple, move to Warsaw and have nowhere to stay. They rent a room in a house with many other lodgers. Witek dreams of their own house and draws a sketch of their future home, marking the place where his wife will sleep with the word "treasure". The other lodgers find the draft and a frantic search for the treasure begins.
Martha Weiss, a Jew, is sent to Auschwitz concentration camp with her family. On the first day of their arrival Martha is, by a coincidence, chosen as an interpreter, but her entire family is killed. Waiting for the Red Army to deliver them from the prison camp, the film depicts Martha and her friends' struggling life under the tyranny of camp guards and equally bad 'capos', administrative personnel chosen from among the prisoners.
