Alison Maclean
First-year acting student Stanley mines his girlfriend's family scandal as material for the end-of-year show at drama school. The result is a moral minefield.
A documentary concerning the detention of Muslim-Americans in the wake of 9/11.
A young man turns from drug addiction and petty crime to a life redeemed by a discovery of compassion.
The actual experiences of New York City subway riders are dramatized in a collection of 10 intriguing and very different vignettes. The tales showcase an ensemble of familiar faces, and range from stories of compassion and love to reflections on violence and loss. Among them: a disabled beggar quarrels with a woman and ruins her shoes with his wheelchair, provoking onlookers to wrath and pity; a skittish tourist proves to be her own worst enemy; a newlywed trysts with a mysterious sexpot; a commuter helplessly witnesses a suicide attempt; and, in the most affecting segment, a young woman grieves over her mother's imminent death.
From the bowels of the kitchen sink, comes a dark and tender love… An original and full-blooded short film that combines humour with surrealism and leads the viewer towards the fantasy of horror.
Nan, recently widowed by Rud, a religious eccentric, treats her idolised son Mark and his family to a Sunday roast. An ironic comedy about a disconnected New Zealand family.
Mystery and menace abound in this debut film from Alison Maclean (Crush, The Rehearsal). Made when Maclean was an Elam art student, the experimental short plays with gender and racial stereotypes by constantly thwarting narrative expectations. What there is of a plot consists of a woman emerging from the sea and a 'centrepiece' pursuit leading to a confrontation between two characters: a man and a woman.
