Allan Monk
L'ITALIANA IN ALGERI is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli. Rossini composed L'italiana in Algeri when he was 21 in either 18 or 27 days, depending on which source one believes (Rossini, not surprisingly, pegged it at 18). It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies. The plot, in brief: Isabella’s lover Lindoro has been kidnapped, and in her search for him she is shipwrecked and taken captive by Mustafa, Bey of Algiers. To her amazement and delight, she finds Lindoro among the Bey’s prisoners. Isabella hatches a plot that involves flirtation and stealth, and together she and Lindoro escape. Marilyn Horne, Pablo Montarsolo, Douglas Ahistedt, and Allan Monk star in this legendary Metropolitan Opera production conducted by James Levine.
Berlioz’s colossal masterpiece requires stupendous forces—dozens of soloists, enormous chorus, orchestra and ballet, a superb conductor who understands the uniqueness of the score—plus a production that does visual justice to the work. “A stupendous achievement” was one critic’s assessment of Peter Wexler’s inventive production. And with James Levine’s wizardry galvanizing the marvelous all-star cast, this is truly a gem. Plácido Domingo is the legendary hero Aeneas, Jessye Norman the obsessed prophetess Cassandra, and Tatiana Troyanos is Queen Dido, who commits suicide when Aeneas leaves her.
"La Bohème" is one of Giacomo Puccini's most popular and timeless works and the second-most performed opera at New York's Metropolitan Opera. This production, directed by the legendary Franco Zeffirelli, features José Carreras, Teresa Stratas, Renata Scotto and Richard Stilwell. The opera is replete with extraordinary visual beauty as it presents the tragic story of young bohemians struggling to make it in the world.
This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film.
Plácido Domingo accomplishes the rare feat of singing both leads on the same night at the Met in 1978 on opera's most popular double-bill.
Imbuing the familiar Don Juan myth with a captivating combination of comedy, seductiveness, danger, and damnation, Mozart created an enduring masterpiece that has been a cornerstone of the repertory since its 1787 premiere. An early entry in the Met’s series of PBS telecasts, this 1978 performance captures a young James Morris in a smooth portrayal of the title role, with the legendary Joan Sutherland showing off her unsurpassed technique as Donna Anna and Gabriel Bacquier as a masterful Leporello.
Puccini’s heartbreaking story of young love in the garrets of Belle Epoque Paris has attracted many famous singers through the years. But with James Levine at the helm and the starry duo of Luciano Pavarotti and Renata Scotto as Rodolfo and Mimi, every bit of emotion in the score pours across the footlights and seduces the audience. In this case, the audience was in the millions since this was the very first in the “Live from the Met” series of telecasts. The evocative production is by Fabrizio Melano, designed by Pier Luigi Pizzi.
