Alvaro Freire
The film shows the drama of the young and fragile Lalinha. After being abandoned by her husband, who ran away with another, the girl seeks comfort on the farm where the two in-laws live and the widowed father-in-law. There, the girl discovers a new world.
The relationship among three friendly couples turns upside down when two of the men get a job on TV. Their girlfriends leave them, looking for more action in their lives.
A senator having contacts with illegal betting activities is killed by the man who is his right arm, who wanted to get his position. But the power structure resents this disturbance and can fall apart, specially since there's a witness.
A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro. Among its costumers, we find Ana, an actress, and her husband Zeca, a writer in crisis about his work.
A military man picks up a Native Brazilian woman and heads to a gold panning site where he has undisclosed business to attend to.
Based on fact, this is the story of the struggles of Japanese immigrants who traveled to and settled in Brazil looking for a better life.
During the Carnival, in Niterói, the son of a Lira do Delírio nightclub dancer is kidnapped. With the help of a journalist friend, she dives into Rio de Janeiro's underworld and meet all kind of criminals. She also goes back in time, to a past carnival, where she thinks she might pin-point the culprit among a group of people.
Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.
In the beginning of the 20th Century, in the Northeast of Brazil, one of the first Brazilian industrialists is persecuted because he refuses to sell his business to a British company.
The story of a poor woman living in the backwoods of Brazil and working as a maid. One day she is unfairly fired from the house where she was working and goes to the big city, facing a cruel and hostile world, working in factories, bars and bordellos.
In a small city of Brazil, Flor, a cooking teacher, marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing who takes all her money to gamble. After his death, Flor misses the goods of the marriage so she marries again with a very correct gentleman - the owner of a drugstore. Now she's very happy with her man, but misses the erotic moments with her previous husband. One day, Vadinho comes back as a ghost to quench her desires.
An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.
