Amedeo Pagani
A Sardinian fisherman has promised the moon to the woman he loves. And Sardinian men always keep their promises.
Threatened by creditors, a newly unemployed man agrees to work for a debt collector, but soon discovers his deal with the devil has unexpected costs.
This is the first film of Theo Angelopoulos' trilogy. The story starts in 1919 with some greek refugees from Odessa arriving somewhere near Thessaloniki. Among these people are two small kids, Alexis and Eleni. Eleni is an orphan and she is also taken care by Alexis' family. The refugees build a small village somewhere near a river and we watch as the kids grow up and fall in love. But difficult times of dictatorship and war are coming...
A beautiful Argentine activist receives preferential treatment from a man supposed to torture her.
Alexander, a famous writer, is very ill and has only a few days to live. He meets a little boy on the street, who is an illegal immigrant from Albania. Alexander then takes the boy home.
"A," a Greek filmmaker living in exile in the United States, returns to his native Ptolemas to attend a special screening of one of his extremely controversial films. But A's real interest lies elsewhere--the mythical reels of the very first film shot by the Manakia brothers, who, at the dawn of the age of cinema, tirelessly criss-crossed the Balkans and, without regard for national and ethnic strife, recorded the region's history and customs. Did these primitive, never-developed images really exist?
A woman, who has been the mistress of a man who has just died, thinks about leaving the little Italian village where they lived and moving to another place. An old and rich man offers her a place in his house, however, she will have to listen to him telling his past love stories.
Two children search for their father who is supposed to live in Germany. Their obsession for this father figure will take them to the boundaries between childhood and adolescence.
Luca Manzi is a fourteen year old boy when the Northern Italy Republic of Salò is governed by the Fascists. He becomes a partisan but when the war ends he is disappointed because things have not changed as he had hoped they wood, and he decides to let himself die. He is saved by Edith who tries to introduce him to sex. Based on the novel by Alberto Moravia.
In Africa, Slim and Tom don't like it when a German tyrant starts selling all of the African wildlife to Canadian zoos. Slim and Tom must teach this guy a lesson by beating the hell out of him and his gang.
A young girl and her mother run a hotel during the war. When the mother dies, the girl finds herself at the mercy of her sex-crazed guests. Soon enough, a cloaked figure starts killing off everyone that tries to harm her.
The family of a wealthy nobleman tries to take away his land away after learning that he is having an affair with an imaginary woman.
Two racy women decide to chuck their mundane lives and go on a wild adventure.
The Master and Margaret (1972) is based on the eponymous book by Mikhail A. Bulgakov. The film is set in the Soviet Union under Stalin, it has several story-lines, that are intertwined. Maestro Nikolai Masoudov, a talented writer, and his assistant Margaret, are working on a biblical story of Pontius Pilate. The Satan — Woland, and his lieutenants, are harassing Master by surveillance, by killing his friend, and sending another friend to Gulag prison in Siberia. Victimized by their harassment, Master becomes paranoid, and is locked up in a mental institution. Margaret is trying to save him regardless of the danger.
The "Trinity" crew makes another modern era film. Plata and Salud are pilots ditching aircraft for insurance money. They wind up crashing for real in the jungles of South America. The plot involves "Mr. Big", who is buying the diamonds from the miners for much too little, and has thugs who keep the price down. Of course, Plata and Salud side with the miners
Story of a man with a double personality, on one side his character is honest and sincere, which makes him appreciate reality and participates with sorrow in the tragedies of our times: his other side is that of a dreamer and he identifies himself with Swift's hero Gulliver.
The story of Mary is reinvented, no longer a spectator but a courageous architect of her own existence.
