Amparo Valle
Coque Malla meets with a number of female artists during the creative process of his new musical work. Intimate essays, confidences, complicity, sense of humour and creative passion that will culminate in the live recording of the album "Mujeres" ("Women"). A journey through the life of an artist with songs and women as absolute protagonists, with the exception of his close friend, Antonio Dyaz.
Manuela is a young photographer and artist who lives confined in her dark past. Daniel is a French writer who spends his days between the novels he writes, and returns to the small town to meet Manuela, with whom he shared an sinister experience long ago. By knowing the distant, hostile and self-destructive world of Manuela, the writer is deeply mesmerized by the dark side of his partner and try to explore its limits. They build a relationship of light and shadow, profoundly marked by the common past and the universe of Manuela. While Manuela remains trapped and tries to overcome her present, Daniel will find a way of life to the extreme and will end facing a tough test.
In the 16th century, the daughter of a Spanish nobleman joins a convent and becomes a spiritual leader.
La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.
Adela does not bear Bernarda. Bernarda does not bear Adela. They fight. Adela discovers a purse. The purse discovers wheels. Adela flies.
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.
Set during the unsettling disappearances in Buenos Aires during the dictatorship of the 1970s, the film involves theater director Carlos Rueda and his wife Cecilia. Shortly after Cecilia writes an editorial commentary questioning the mysterious abductions, she is herself abducted and taken into police custody.
Good humor and joy reign in the Quirós family, as they are about to receive a fortune that will substantially improve their poor living standards. In addition, for greater happiness, Glorina is going to get married, which means a mouth less to feed, and, to celebrate her wedding, the family has decided to go all out
Patricia, a woman from Dominican Republic, needs a home and an economic security that her illegal status in Madrid does not provide her. Milady, twenty, born in Havana and dying to travel the world. Marirosi has a job, a home, and the most complete solitude... just like Alfonso, Damián and Carmelo, men from the St. Eulalia, a village lacking both marrying women and future. A bachelors' party forces the encounter between them and the beginning of this bittersweet story of sharing a living.
Pablo hates everything. When Lucia comes into his life, he thinks she's the woman he dreams of, and sees the solution to all his problems. But Lucia, who is rather manipulating, is just what will make Pablo explode. Nobody believes in the ideal couple, not even Pablo's friends, who live all in couples, and all with problems: Between Ariel and Lola there is a professional rivalty they don't know how to cope with; Claudio lives on Natalia, and none of them feels good about it; what's wrong with Alejandro and Beatriz is just the big age difference between them two. Nobody is happy with his partenaire, but everyone will let it be, maybe for conformism, maybe for fear, maybe for lazyness, or maybe because Everything is false.
A film team arrives at a more authentic and old square in Madrid to shoot a film. The area is full of children, working families and simple people who see the cinema as something unattainable. From his balcony, Paloma, does not lose detail of the shooting, nor of the movements of the gallant, for which he feels a strong attraction.
A girl, who lives together with her cousin who earns some money by dealing and her boyfriend who is a policeman, is regularly transporting some drugs from Marocco for her cousin. As all of them smoke grass from time to time there is need for more. Deciding to take a friend of hers who has just left home down to Marocco for a transport she gets problems because it is the first time for her friend and this makes it difficult. But as all are very open minded there is no problem they would not try to solve. Written by Volker Boehm
Pepe Soriano plays a Madrid shopkeeper who is kidnapped by henchmen of Franco in this political comedy. After his kidnapping, he is forced to become the dictator's double for many official ceremonies. Due to his long and unexplained absence, Pepe's wife believes her husband has been abducted and killed, so she tries to reach her husband through spiritualism. After Pepe surprises her with a nocturnal visit, he tells her he will touch his ear to signal it is he and not Franco in public appearances.
This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.
A political prisoner in a South American dictatorship escapes and is pursued throughout the country by a bloodthirsty dog.
