Amy E. Duddleston
Young Rosemary Woodhouse and her husband Guy move in with a rich couple, who soon take an unusual interest in the Woodhouses' attempts to have a second baby after Rosemary miscarried the first one. Guy soon has unusual success and Rosemary becomes pregnant, but it becomes clear that the two are connected and that the pregnancy may not be all that Rosemary hoped for...
A twenty-nine year-old slacker who lives with his mom realizes his sweet set-up is threatened when she hears wedding bells with her self-help guru beau.
Con man Ray Elliot decides to leave crime behind to start a company that sells fake alibis to clients who have been unfaithful to their significant others. It seems that the streetwise Ray has found his calling, until he unexpectedly becomes a murder suspect in a case involving one of his most influential customers. Now, as the police and an assassin called "The Mormon" track Ray, he and his attractive assistant, Lola, must clear their own names.
A traumatic event sends a musician back to her hometown in an effort to reunite with the daughters she abandoned. To do so, she must confront her abusive ex-husband, from whom she fled years ago.
Laurel Canyon focuses on Sam and Alex, a pair of upper-middle class lovebirds from the East Coast who relocate to Los Angeles. Enter Jane, Sam's estranged mother, a successful record producer, who's more than willing to put the couple up in her lavish digs. As Sam and Alex settle in at Jane's, they gradually lose their straight-and-narrow approach to life and begin to experiment.
Five hapless inner-city low-lifes attempt to burgle a pawnbroker's safe, but end up being plagued by bad luck.
A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own. Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, Gus Van Sant often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a gay hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
