André Charlot
Linda Darnell plays a beautiful Russian peasant in this moody Sirk melodrama, based on Chekhov's "The Shooting Party." Trying to pull herself out of serf-ish poverty, she works her charms on an engaged aristocrat (George Sanders) with tragic results.
Reporter Michael Gordon uncovers intrigue in Damascus, where the Allies and Nazis struggle for control of Arab sympathies.
The daughter of a musical mentor adores a promising composer, who is quite fond of the adolescent. When her father dies, an uncle arrives with his own grown daughter, who begins a romance with the composer which culminates in marriage but creates an emotional rivalry that affects the three.
In this wartime musical, a feisty singer working in a London dive swears that she will become a star. She gets a job in an airplane plant when she learns that her fiance, a producer, and his partner are looking for new talent at the war factories. While working there, the woman meets a handsome RAF officer and falls in love. This causes some trouble.
A honeymooning couple in Europe is asked to spy on the Nazis for the British intelligence in pre-war Europe. Initially finding the mission fun the trail gets them in real danger soon.
An Australian blowhard raises two orphaned children as his own in the years leading up to WWII.
The Falcon is framed for the murder of a banker and the theft of war bonds. He makes his escape into the mountains where he hides out in a rustic lodge. From here he uncovers a phony war bond operation.
A series of 19 musical and comedy "vaudeville" sketches presented in the form of a live broadcast hosted by Tommy Handley (as himself). There are two "running gags" which connect the sketches. In one, an actor wants to perform Shakespeare, but he is continually denied air-time. The other gag has an inventor trying to view the broadcast on television.
Ballet Mécanique (1923-4) is a Dadaist post-Cubist art film conceived, written, and co-directed by the artist Fernand Léger in collaboration with the filmmaker Dudley Murphy (with cinematographic input from Man Ray). It has a musical score by the American composer George Antheil. However, the film premiered in silent version on 24 September 1924 at the Internationale Ausstellung neuer Theatertechnik (International Exposition for New Theater Technique) in Vienna presented by Frederick Kiesler. It is considered one of the masterpieces of early experimental filmmaking.
