Ángeles González-Sinde
Icíar and Fernando are young. They are both going through the most traumatic experience of their short lives: the loss of a parent. But Fernando and Icíar can neither share the pain nor the strategies for dealing with it. They live in different times. Fernando in 1977 in Bilbao faces the kidnapping of his father by ETA. Icíar in 2011 in Navarra faces her mother's fulminating cancer.
How Don Quixote de la Mancha, the immortal character created by Miguel de Cervantes in 1605, has been depicted in cinema, television, cartoons, theater, opera, ballet and other artistic disciplines. An adventure that began more than four hundred years ago in the pages of a book and is far from coming to an end…
On the occasion of awarding the Cervantes Prize to the Catalan writer Juan Marsé on 23 April 2009, family members, friends and writers offer a sincere portrait of the best chronicler of life in Barcelona, Catalonia, during the post-war period and the worst days of the General Franco dictatorship, in the forties and fifties, and during the economic development and the hard conquest of freedom, in the sixties and seventies.
A youth group is preparing for what will be the summer of their life, including secrets, lies, sex, confusion, evenings and holidays.
¿Bastan 7 minutos para enamorarse? Los protagonistas de esta comedia coral y romántica no lo tienen claro. Pero lo van a intentar. Por eso acuden a una sesión de "citas rápidas", encuentros entre hombres y mujeres que quieren conocer gente, huir de la soledad y encontrar el amor.En estas veladas, cada uno tiene siete minutos para hablar con cada una, y viceversa. Luego, todos se van a casa y votan por Internet a aquellas personas que les han gustado. Si el voto es coincidente, la empresa que organiza los encuentros remite a los interesados los e-mails respectivos, y a partir de ahí, puede surgir o no una historia...
The role of Milagros (Esperanza Pedreño) is really very touching, creating a bond between the audience and the reality of the character and plot, on the other hand Rosario (Malena Alterio), his mother (Maria Alfonso Rosso), the first is all plot, also Morsa (Antonio De la Torre) is a ground for Rosario and makes the film a tragedy for life which ended in abiding by what comes. Each role has its own tragic history (the movie don't explore) but try to reflect the main characters from what happens with their surrounding environment To End, that is an existential search to find a place in a society that is not for everyone and understand that we are not alone in the world I like this movie, because is simple and leaves a good taste in the mouth.
Spain. The Basque Country. Sometime in the 90s. Josu Jon, a young member of a terrorist organization, has suffered an almost complete memory loss after being wounded in a shooting with the Spanish police. As he awaits for his trial, his condition is being treated at the prison hospital. Other inmates belonging to the same organization try to make him remember how brave a "gudari" -a Basque soldier- he is and how he must go back to the armed fight for the independence of their country as soon as he gets out of prison. Meanwhile, Xabier, a college professor who has been death-threatened by the terrorists due to his political views on the Basque situation, is having an affair with Francesca, a young psychologist who happens to end up trying to help Josu Jon recover his memory. A warm feeling of mutual affection grows between her and her patient. At a point, it doesn't seem to be clear whether Josu Jon really wants to recover his memory or rather forget forever who he actually is.
When Ana married Felix, the leader of a rock band and son of a travel agent, she thought her life would be plenty of excitement and travels. Now, in her forties, she leads a monotonous life with her husband and her daughter, giving cooking lessons and taking French courses. But one day she receives an invitation to give a cooking course in Paris.
In the 1980's, Pilar, an ordinary woman, married, about forty years, discovers that one of their three children are addicted to heroin. After an initial period of uncertainty, Pilar contact with other parents in similar situations who come to a precarious Civic Center helps the addict, but soon realizes that many things have to change in and out of home so your child can be saved. Thus was born the desire to do more than complain and starts along with other parents, but especially mothers, an arduous journey of withdrawal of drug trafficking in Galicia.
A fight over the calf of a prize milk cow in the close-knit and traditional Pas Valley of Cantabria leaves a cantankerous dairy farmer dead and another fearful of arrest. He and his daughter Val conspire to keep the cause of death quiet, but tensions mount when Val becomes attracted to the dead farmer's son, Rai, estranged from his father and now a hairdresser in the city. The tensions open long-festering family resentments and spur the lurid imagination of Val's younger sister, the teen Genia. "What goes unsaid, gets undone," the Pasiegos say, but is it true? Is there harm in staying silent?
A Spanish writer finds an old coffer with photographs of an Argentine man who fought and died in the Spanish Civil War, and of a woman. Her quest for answers brings Vera to the Argentine Patagonia.
Amparo, a lawyer working as an advisor in an insurance company in Madrid is grieving over a traumatic event in her past. She will have to react, however, to the world surrounding her when a young man of her acquaintance dies mysteriously while working in a mine. Amparo will take over his case and discover in the process a world of corruption and illegal measures taken by the company that the young man worked for.
On March 12, 1956, Basque Nationalist Jesús de Galíndez Suarez disappears from his apartment in New York, never heard from again. He had been working with the FBI and was about to publish a book critical of Dominican strongman, Trujillo. In 1988, a graduate student, Muriel Colber, wants to make Galíndez the subject of her dissertation. She's in Spain doing research; finding little, she goes to Santo Domingo. At every turn, the CIA, in the person of agent Robards, tries to thwart her; and, at each turn, as she considers abandoning the project, someone offers new information, often contradictory. She wants the truth behind the Galíndez mystery; will she find it?
Diego is a doctor who has fallen in love with a married man with a son. Against the advice of his boss and best friend, he continues his affair with Alberto. The consequences of this affair profoundly alter not only the two men's lives, but also that of Alberto's wife.
Marina, a woman with a glass eye, has the bad luck to be the victim of an assault witnessed by Rafael, a goodhearted butcher, who rescues her from her attacker, a man named Daniel. Rafael has physical problems of his own, but the two stay together as a couple. A baby not Rafael's, for he lost his testicles in an accident is born. Rafael looks forward to raising the child as his own if Marina will consent.
Carmen leaves her husband Julio to go live with an intellectual who has made a career in the United States. While, Julio goes away to live of rent to house of an aristocrat come to less. After meeting several colorful characters, Julio decides to recover Carmen.
Vicente and Margarita are a traditional and middle class married couple whose life is surrounded by a sea of confusion and uncertainty when their children begin to make their own decisions. They have discovered love and will not let their parents tell them what to do or who they have to love. The principles and traditions of the family will be replaced by each of the young people who will represent the different social problems of the time. Thus, the coexistence between them will change without Vicente and Marga can do anything to avoid it.
