Angelika Perdelwitz
A man and two women are trying their luck in the red room in the countryside. The older (but therefore not wiser) Fred, freshly divorced as a kisser who still desires his ex, meets the self-confident Lucy, who feels called to explore the soul of men in her novels. She lives with her intimate friend Sibil in a Vorpommern house in the countryside. Fred decides to move from Berlin to the two women and try a ménage-à-trois. They get to know each other and themselves.
Robert, a recently widowed engineer from Cologne, decides to change his life. He invests all he has in a new business in Southeast Germany - a network of coin operated telescopes, hoping to profit from the breathtaking vistas of the Saxon "Switzerland" area of the East. Once in that region, Robert meets Christiane, who uncanningly resembles his deceased wife. Christiane is also at a crossroads. She has a secret plan to recover something of great value lost after the fall of the Berlin Wall.
Seven-year-old Kati is glad that despite her spastic disability she is allowed to attend a normal school. Her parents made that possible. In her first year there, she is supposed to prove that she can get along at the school and she does her utmost to keep up with her classmates. Her disability, however, is greeted with constant mockery and disrespect. Even her teachers have a hard time treating her equally. When Kati fails math, she has to attend a special school. Katie is devastated but her friends help her to cope with the new situation.
Everything changes for fifteen-year-old Heinz Stielke, a fanatical member of the Hitler Youth, when he learns that his father, who died as a war hero, was actually Jewish. Heinz is forced to leave school, loses his friends, and worst of all, his mother dies in a bombing raid. A kind-hearted police officer tries to get him a place at an orphanage in Thuringia, but on the way there, he is picked up by the SS and sent to a training camp.
Otto Scheidel (Manfred Krug) has been captain of the Elbe steamer Jenissei for over twenty years, but his ship, the last of its kind, is going to be converted into a floating restaurant. Otto, whose his strong attachment to the ship has already cost him his relationship with his girlfriend Caramba (Renate Krößner), refuses to take another job and instead joins a railway construction brigade.
Susanne is a young single mother who lives a somewhat "carefree" lifestyle. After quitting her job, she finds herself in trouble financially and attempts a minor insurance fraud to make ends meet. Despite its rare view of everyday socialism from a woman's perspective, East German officials were critical of this frank portrayal of a less-than-ideal socialist citizen and turned down all invitations for the film to be screened abroad.
Although at first Ina barely takes any notice of Matti, the two teenagers gradually fall in love at their dance classes and begin their first real relationship. Their parents are upset about this development and try to prevent their children from seeing each other. But Ina and Matti continue to meet in secret and their first sexual experience together brings mixed feelings for Ina.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.
