Angeliki Papoulia

Aris and Anna meet one evening in a half-abandoned town surrounded by antennas. In this strange, dreamlike world, the two solitary souls gradually start to develop feelings for one another.

During the Nazi invasion of Greece, a female resistance fighter embarks on a revenge operation to assassinate her own mother, in the name of God. Inspired by Euripides’s Electra.

As cryptozookeepers struggle to capture a Baku (a legendary dream-eating hybrid creature) they begin to wonder if they should display these rare beasts in the confines of a cryptozoo, or if these mythical creatures should remain hidden and unknown.

Anna has lost her memory but she hasn’t forgotten how to cook. One night she shows up in a working-class neighborhood. There she meets Roula and gets a job as a cook and a place to stay at his shabby seaside tavern. In the kitchen, amidst the scents of spices and old forgotten recipes, Anna struggles to rebuild her past. Her simple but delicious food awakens memories for the regulars who in turn help her to reconnect with herself. The story takes an unexpected turn when Roula suddenly stumbles upon the Green Sea and discovers Anna’s true identity.

Tomaz, an ex-soldier now homeless in London, is offered a place to stay at a decaying house, inhabited by a young woman and her dying mother. As he starts to fall for Magda, Tomaz cannot ignore his suspicion that something insidious might also be living alongside them.

4.6/10
6.9%

Elizabeth, a sexually yielding policewoman is miserable in the narrow-minded town she is living, while Rita, a lonely eel-hatchery worker, is trying to escape from the sticky situations of her life.

5.9/10
8.6%

A documentary, a video-diary and a propaganda piece for the “lawless, those without hearth, nor clan” (The Iliad, ΙX,63).

7.3/10

In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.

7.2/10
8.8%

Running away on the highway, Maria is alone in her roaring SUV. Behind her, fire and a case full of money. In front of her, the hopeless vastness of the motorway. Only a day before she was a caring mother, a loving wife, a responsible daughter. Today she has gone rogue.

5.7/10

A nurse, a paramedic, a gymnast and her coach offer a service for hire wherein they stand in for dead people by appointment, hired by relatives, friends or colleagues of the deceased, to assist with the grieving process.

6.4/10
7.4%

Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the uber-controlling parents terrorize their offspring into submission.

7.3/10
9.2%

Dimitris, a grumpy middle-aged man, is having a hard time with his business partner on a particular decision as to opening a new business; and he's also having a hell of a time with his family members. He has a really short temper, and the unpleasant behaviour of his nasty wife and his disrespectful children don't contribute much to his health.

6.9/10

Ida lives with a crew of five on a sailing yacht. During a shore leave in Marseille, the French Foreign Legion attracts Ida’s attention and she sets herself a new goal. Via Corsica, where the largest regiment of the Legion is stationed, the route leads to the Algerian town of Sidi-Bel-Abbes, which served as the Legion’s headquarter until the country gained independence in 1962. On their journey, Ida and her crew do not only breakthrough geographical borders. The past is reflected in the present, different languages seek their common ground, bacteria and fungi penetrate the film material and social hierarchies are reshaped. With every day of the journey, the different layers of narration become increasingly interwoven. The film traces connections and conditions that describe our present and therefore takes an example from the sea. As the origin of all life, the sea contains all information about it, but in the constant transition from one state to the next it can never be determined.