Angie Bucknell

In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and tone of Kiyoshi Kurosawa’s modern horror classic Cure, deploying a dizzying range of cinematic references to unravel the film’s eerie magic.

Explores the ten-year journey of adapting Uzodinma Iweala's 2005 novel "Beasts of No Nation" into the 2015 film.

An amazing fly-on-the-wall look at the creation of the picture. Trusting in the power of observation, the documentary looks at the building of scenes, with Baumbach interacting with cast and crew, fielding questions and finding the heart of the moment. This is no talking head journey, just raw, uncut professionalism, and it's a thrill to watch.

An interview with Paul Schrader on his 1990 film "The Comfort of Strangers"

Join legendary director Martin Scorsese, and acting icons Robert De Niro, Joe Pesci and Al Pacino going behind the scenes of their universally acclaimed movie.

In this documentary, produced in 2019, director Miranda July and filmmaker Lena Dunham explore July’s beginnings, including her early work as a performer, the creation of her Joanie 4 Jackie project, and the development and production of her first feature film, ME AND YOU AND EVERYONE WE KNOW.

In this conversation, shot by the Criterion Collection in 2019, actors Daniel London and Will Oldham reunite for the first time since the release of Old Joy and discuss their memories of making the film.

7.2/10
8.2%

A program featuring director Sofia Coppola, actors Kirsten Dunst and Josh Hartnett, and cinematographer Ed Lachman looking back at The Virgin Suicides nearly 20 years on.

Writer and Rookie editor in chief Tavi Gevinson explores THE VIRGIN SUICIDES through the lens of adolescence, suicide, and memory. It features Gevinson’s own writing and imagery from a fanzine she made about Sofia Coppola’s movie in 2012.

A documentary on the making of The Lure (2015).

6.6/10

DESERT HEARTS depended on the connection between its two lead actors, Patricia Charbonneau and Helen Shaver, and on their trust in director Donna Deitch. In the following program, made by the Criterion Collection in New York in 2017, the actors and the director discuss the making of the film, the close bond they formed, and the ways it changed their lives.

Filmed in Los Angeles in August 2017, director Donna Deitch, cinematographer Robert Elswit and production designer Jeannine Oppewall discuss their collaboration in creating the look of DESERT HEARTS.

Historian Andrew Cohen discusses Robert Drew's 1963 documentary Crisis: Behind a Presidential Commitment.

6/10

In 1998, documentary filmmaker Robert Drew and his associates attend the Museum of Tolerance.

An interview with Sharon Malone and Eric Holder regarding the 1963 desegregation of the University of Alabama.

An overview of the life and career of documentary filmmaker Robert Drew, in his own words.

A conversation between Jill Drew and D.A. Pennebaker.

In this short documentary, produced in 2015, actors Jeremy Irons and Meryl Streep and editor John Bloom discuss director Karel Reisz and their experiences working on THE FRENCH LIEUTENANT'S WOMAN.

Short documentary about making of "Picnic at Hanging Rock" (1975) including interviews with actors, crew and Peter Weir himself.

Crew members recount the production of the 1961 gothic film The Innocents.

A visual essay by filmmaker Michael Almereyda.

An audio essay narrated by Greg Pflugfelder explaining the events surrounding a tuna-fish boat called 'Daigo fukuryu maru'. The event inspires the story of Godzilla.

7.1/10

A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.

Documentary and interview with Japanese film critic and scholar Tadao Sato about Yasujiro Ozu film The Only Son.

CHE was the first feature to use the Red camera, which Soderbergh embraced for its versatility and image quality. This short 2009 documentary looks at the evolution of the camera during the film’s production and at the many ways it has enhanced and altered the process of modern digital filmmaking.

This video essay, featuring film scholar Leonard Leff, addresses the 1938 Alfred Hitchcock film The Lady Vanishes' British context and political underpinnings and the details and techniques that undeniably make it a 'Hitchcock picture.'

7.2/10