Anita Garvin
The boys get jobs as a butler and maid (Stan in drag) for a dinner party. When that ends in disaster, they resort to sweeping streets and accidentally capture a bank robber. The thankful bank president sends them to Oxford to get an education. Predictable results ensue.
Edgar is a census taker, but is primarily interested in finding a rich widow for his father-in-law (Billy Franey), so he won't have to continue to support him. All Pop wants to make him happy is a cow. When Edgar comes home with both a cow and a phony rich widow, the results are not what Edgar planned for.
Newlywed Harry Gribbon brings his wife home to meet his country family which includes their perspective choice for a daughter-in-law.
Henry and Johnnie need to clean the apartment before the wives get home.
This 1934 Warner Bros. screwball comedy-- featuring three Manhattan couples, two lost overcoats, and one sheep named Eloise--all converging in a hotel in Reno. With Glenda Farrell, Ruth Donnelly, Guy Kibbee, Donald Woods, Margaret Lindsay, Hugh Herbert, Frank McHugh, Louise Beavers and Hobart Cavanaugh.
James Finlayson manages to con Charley into becoming his partner in a failing dry cleaning shop that has been targeted by gangsters running a protection racket.
The girls and their pet monkey create havoc on board a train carrying a traveling Broadway troupe.
Stan & Ollie (speaking phonetic French!), having been kicked out by their wives on a wintry night, attempt to smuggle their little dog into an apartment house where dogs are not allowed.
Stan and Ollie are on their way to Atlantic City with their wives, when Ollie gets a phone call from a lodge buddy telling him that a stag party is taking place that night in their honor. Ollie pretends to be sick and sends the wives on ahead, promising that he and Stan will meet them in the morning. The pair dress in their lodge gear, but their wives return having missed their train. With no obvious escape route, Stan and Ollie take to a bed in fear and in response to Stan's plea of "What'll I do?", Ollie replies "Be big!".
This Spanish language film was produced simultaneously with the filming of the two English language Laurel and Hardy shorts Be Big! and Laughing Gravy. The two shorts were edited together into one continuous film. Laurel and Hardy read their lines from cue cards on which Spanish was written phonetically. At the time of early talkies, dubbing was not yet perfected.
Sally is an orphan who was named by the telephone exchange where she was abandoned as a baby. In the orphanage, she discovered the joy of dancing. Working as a waitress, she serves Blair (Alexander Gray), and they both fall for each other, but Blair is engaged to socialite Marcia. Sally is hired to impersonate a famous Russian dancer named Noskerova, but at that engagement, she is found to be a phoney. Undaunted, she proceeds with her life and has a show on Broadway, but she still thinks of Blair.
With unpaid actors and staff, the stage show Phantom Sweetheart seems doomed. To complicate matters, the box office takings have been robbed and the leading lady refuses to appear. Can the show be saved?
Wealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees to a financial settlement. But Cynthia's wealth is in jeopardy because her trust fund will expire if she is not married by a certain date. To satisfy that condition, Cynthia arranges to marry Hagon Derk, who is condemned to die for a crime he didn't commit. She pays him so he can provide for his little sister. But at the last minute, Derk is freed when the true criminal is discovered. Expecting to be a rich widow, Cynthia finds herself married to a man she doesn't know and doesn't want to.
Two girls are invited by one of the girls boy-friend's tight boss for dinner. On the way they stop for a cheap ice-cream. But swinging doors, ventilators, cops and a brat make it nearly impossible to get the ice cream even close to the car where the rest are waiting.
Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.
A woman goes to a sideshow fortune-teller to have her fortune told, and is astonished when the man looks into his crystal ball and goes into great detail about events in her past that few people ever knew about. Shaken, she leaves and later tells her girlfriend about the incident. The girlfriend insists that she invite the fortune-teller to a party they're having at her house. What the woman doesn't realize is that the "fortune-teller" is actually the ex-husband she abandoned years ago, when she took their daughter and ran off with her lover. When the "charlatan" is invited to the party, he sees an opportunity to take his revenge on his faithless ex-wife.
Anita and Marion take a temporary job as waitresses in Max's diner, next to a train station. When the train stops off, pandemonium erupts when the passengers fill the diner and all want meals immediately. This film only survived in parts.
The boys sneak out for a night on the town, unaware that Stan's wife has switched her grocery coupons for Stan's secret stash of mad money. The boys run up a huge tab treating a couple of girls to dinner at a snazzy nightclub and much trouble ensues.
Inexperienced waiters (Laurel & Hardy) are hired for a swank dinner party.
Stan is a sailor whose girl gets kidnapped by a rough sea captain. Stan dresses in drag and seduces the captain but the captain's wife catches him. Stan and his girl beat a hasty retreat as the captain's wife fires off a parting shot.
Fight manager (Hardy) takes out an insurance policy on his puny pugilist (Laurel) and then proceeds to try to arrange for an accident so that he can collect. The film is most noted for the final sequence - a wonderfully-choreographed custard pie fight - that utilized an entire day's output of the Los Angeles Pie Company.
Joe Cobb is a wealthy child who longs for a baby brother. His nursemaid takes him to the other side where he meets some kids his age (the rest of Our Gang) where Joe offers three dollars for a baby. Farina finds a fellow African-American neighbor woman who lets him mind her infant which he then paints white and sells to Joe. The rest of the gang has set an assembly-line system that washes, dries, rocks, and feeds male and female babies.
The story involves various misunderstandings and entanglements that occur between two married couples, the Browns (Glenn Tryon & Vivien Oakland) and the Dazzles (Tyler Brooke & Anita Garvin). The two couples have apartments across the hall from one another, and all four plan to attend a costume ball together. But after each husband expresses unhappiness with his wife's costume the women angrily refuse to go to the party. The two husbands decide to go "stag" and pick up dates, but when Mrs. Brown changes her mind about attending, and Mr. Dazzle and Mr. Brown switch costumes, mix-ups result.
A con artist and a midget dressed as her infant son, are unmasked aboard a ship by a steward (Laurel.)
Chase makes tries to escape from a compromising situation with a dame he took to be his wife's sister.
Dimwitted Cuthbert Hope is enlisted in the army, and gets himself and his sergeant in constant trouble.
The comedy occurs on shipboard where Jimmie is the object of attention for a pair of pickpockets who plan to use him to smuggle their ill-gotten off the ship. Arrested at customs, he manages to escape but gets caught again as he tries to rejoin his girl whose father is trying to remove her from his influence.
