Anna Gurji
River Miller, a mentally unstable actor haunted by the past, moves to Hollywood to start his life over, only to find his inner demons are inescapable.
Set in 1974, a pair of '60s radicals rely on their bomb-making skills on their way to becoming capitalists.
An intellectual leaves the Cuban revolution and 'underdevelopment' behind only to find himself at odds with the ambiguities of his new life in the 'developed' world. A portrait of alienation, of an outsider with no clear-cut politics or ideology. A stranger in a strange land struggling with old age, sexual desire and ultimately the impossibility for the individual to belong in any society. The film's narrative is a collage of flashbacks, daydreams, and hallucinations comprising live-action, animation, and newsreel footage assembled to suggest the way personal memory works, subjectively and emotionally.
