Anne Crawford

Flirtatious mermaid Miranda swaps places with a schoolteacher who has gone on holiday. All is well until she falls in love with a human.

London policewomen (Anne Crawford, Rosamund John) handle rescues and larceny as they go about their work in Chelsea.

Sister Mary presides over a convent where a convicted murderess, who is being escorted to Death Row, is stranded by bad weather. She is slowly becoming convinced that Valerie is innocent so Sister Mary sets about to clear the girl and bring the real killer to justice.

The free-spirited wife of a proper British doctor leaves him after an arguement over the anatomically correct drawing of a horse on the wall drawn by their young son Tony.

W. Somerset Maugham introduces three more of his stories about human foibles.

Justice, the poets have it, is a blind goddess. Eric Portman stars as the lawyer defending a lord, Hugh Williams, accused by his secretary Michael Dennison of having diverted public funds for his own use.

A do-gooder ex-army officer finds his attempts to improve the world leads invariably to disasters.

After the war is over, two army pals take opposite paths in civvy street. One becomes a petty criminal, the other becomes a policeman.

During the last half of the 19th century writer Richard Darrell saves Don Carlos from two robbers, and is entrusted by Don Carlos to take a valuable necklace to Spain. Richard leaves his fiancé, Oriana, and starts the trip. He meets Wycroft, a henchman for Sir Francis Castteldow, an aristocrat out to steal Oriana from Richard. The latter is assaulted, robbed and nearly killed and, as a result, loses his memory. He marries a gypsy girl, Rosal, while Oriana, thinking him dead marries the dastardly Sir Francis. Everybody will meet again. Complications will arise.

Bedelia Carrington is living happily, it appears, in Monte Carlo with her husband Charlie Carrington (Ian Hunter.) But a cultivated young artist, Ben Chaney (Barry K. Barnes), begins probing into her past with curious concern. Chaney, who is really a detective, learns that Bedelia's obsession for money has led her, in the past, to husband-poisoning for the insurance money.

Director Arthur Crabtree's 1945 British drama, about three sisters and their very different marriages, stars Phyllis Calvert, Anne Crawford, Dulcie Gray, James Mason, Hugh Sinclair, Peter Murray-Hill and Barry Livesey.

An accountant who has to take a second job working at a racetrack, soon becomes mixed up with a shady crowd.

Downed English airmen hide out with women in a Nazi concentration camp in France.

A crime reporter begins to investigate the disappearance of his bosses wife who had witnessed a murder.

Frantic farce involving a neglected wife, a stolen diamond and four identical briefcases.

Dick Marlow, a British agent, has parachuted into the occupied Netherlands to retrieve vital documents. Whilst on the trail of the papers, he poses occasionally as an American journalist and a Gestapo officer. He meets and falls in love with a Dutch woman who professes solidarity with the British, but matters become complicated and dangerous when it transpires that the woman's brother is in possession of the documents Dick Marlow needs, and is far less kindly disposed towards the British than his sister – or is she?

While working at a circus, a man hypnotizes a trapezist to kill her partner.

Millions Like Us is a 1943 British propaganda film, showing life in a wartime aircraft factory in documentary detail. It stars Patricia Roc, Eric Portman, Megs Jenkins, and Anne Crawford, was written by Sidney Gilliat, and directed by Gilliat and Frank Launder. It was filmed at Gainsborough Studios. When Celia Crowson (Roc) is called up for war service, she hopes for a glamorous job in one of the services, but as a single girl she is directed into a factory making aircraft parts. Here she meets other girls from all different walks of life, and begins a relationship with a young airman.