Anne-Marie Pisani

A force de se croire tout permis, une bande d'amis se voit interdire l'accès à toutes les discothèques de la région pendant un an. 52 samedi soir à errer dans les rues pendant que les autres s'en vont faire la fête.

4.1/10

Nos Boys sont de retour une année après leurs dernières aventures. Cette fois-ci, les joueurs de la ligue de garage la plus populaire du Québec se rendent en France, à Chamonix, pour participer à un tournoi international de hockey amateur.

6.2/10

Albert Schweitzer (1875-1965), the mission doctor, theologian and philosopher who founded a hospital in the rainforests of Gabon, achieved sainthood in his lifetime, at least in the popular imagination. The critical assessment of his life and works in recent years, however, has been slightly more ambivalent. Ba Kobhio Bassek is the first director to examine this medical missionary from a purely African point-of-view.

6.7/10

A young woman in a lesbian relationship keeps a diary that is stolen by a young man who loves her.

6.8/10

Ambitious photojournalist Chris Cassidy, on assignment in Paris, becomes involved with an unconventional French detective after having witnessed the airport slaying of a man handcuffed to him and decides she needs a good story to go with her picture.

3.9/10

It's a green-card marriage romance. Deena, an American standup comic living in Paris, has an expired visa. So, she marries Nick Foulliet, a struggling musician with a different woman for every day of the week. First the immigration investigation, and then a series of financial disasters push Deena and Nick into spending time together, and they fall in love. But can their in-name-only marriage become real?

5/10

This bizarre surrealistic black comedy takes place in a small fictitious post-apocalyptic town where food is scarce and butcher Clapet has the macabre business of using human flesh to feed his customers. Yet when his daughter falls in love with his next slaughter victim things turn into chaos.

7.6/10
8.9%

The film begins in a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. We are unsure what Antoine has done with his life, however we know he has fulfilled his childhood ambition, to marry a haidresser.

7.2/10
9.1%

Zulawski tackles Modest Mussorgsky’s famous opera about the bloody battle for ascendancy to the throne of Russia in the 17th-century! With a score conducted by Mstislav Rostropovich, Zulawski adds extra layers of devilish meta-textual embellishment by composing the film’s imagery as though we are watching a theater piece of a film crew making a movie about the opera of “Boris Godounov”! As well, the picture is full of delightful anachronisms that mock the then-contemporary Russian government, alongside jabs at other 20th-century dictatorships. So incensed was Rostropovich by Zulawski’s juiced final product — one that took liberties with the narrative’s sexual thrust, amongst other things — that he (unsucessfully) took Zulawski to court for “the violation of the Russian soul”! “Impressive in its use of whirling camera movements as well as mega close-ups of the contracted faces of its singers, ‘Boris Godounov’ is one of the most original opera movies ever made”

7.1/10

Arsène Muselier returns to his home village at the end of the First World War. His only injury is a head wound, which sometimes provokes periods of delirium and fury. As he renews his acquaintance with the people he left behind - his mother, the old farmhand who brought him up after his father's death, his former girlfriend, and many others - he becomes fascinated by the legend of La Vouivre, a creature with the body of a woman who lives in the marsh, surrounded by vipers. One day, Arsène sees the strange woman - she is naked, beautiful, alluring, and he is instantly enchanted by her. Can she be real, or is she merely a creation of his damaged mind...?

5.4/10

Michel Mortez travels around France hosting a radio game show he created 25 years ago. He is famous among the average Frenchmen. Rivetot, his assistant and technician, always goes with him. He is the only one who knows what really lies under Mortez's appearance of a playful don Juan. When the program is canceled, Rivetot delays telling Mortez as long as possible... Both malicious and tender, this bitter comedy also shows nostalgia.

7.1/10