Anne Randall
After being run out of Las Vegas, Kolchak heads for Seattle and another reporting job with the local paper. It's not long before he is on the trail of another string of bizarre murders. It seems that every 21 years, for the past century, a killer kills a certain number of people, drains them of their blood and then disappears into the night. Kolchak is on his trail, but can he stop him?
A political extremist on the run after assassinating a corrupt politician, poses as a French sailor in hopes of fleeing the country.
Bikers, Nazis, Mafiosi, and the FBI all clash in this wild and wooly exploitation picture from director Al Adamson. Mark Adams (John Gabriel) is an FBI agent who has been assigned to infiltrate an organized crime ring that has obtained a set of printing plates that will allow them to produce nearly perfect counterfeit 20-dollar bills. The plates were made in Germany during World War II, and were discovered by a radical right-wing group hoping to restore the Nazi Party to power. The American gangsters are in cahoots with a group of wealthy American neo-Nazis sympathetic to the new German cause, led by fugitive war criminal Count von Delberg (Kent Taylor); the count has in turn recruited a vicious motorcycle gang, the Bloody Devils, to do his dirty work.
Count Otton von Delberg is trying to sell counterfeit bills to fund a resurgent Nazi party. An organized crime syndicate has sent Mark Adams to make a deal for the bills, unaware that he's also a double agent for the FBI. Adams is also a renowned lady's man, but whether it's teenage jailbait or the loyal daughter of a Nazi war criminal, he's meeting all the wrong ladies. Despite being released after Adamson's Hell's Bloody Devils (which added bikers to capitalize on the biker movie craze), this was actually the original version of the movie completed in 1970 but later released on television in 1972. It was released again with minor edits in Europe in 1974 under the title Smashing the Crime Syndicate.
While trying to raise money to prevent his car from being repossessed, George is attracted to Lola, a Frenchwoman who works in a "model shop" (an establishment which rents out beautiful pin-up models to photographers). George spends his last twelve dollars to photograph her, and discovers that she is as unhappy as he.
Cass Bunning, a farm boy with a talent for shooting, meets up with Nellie, a naive woman from the East, who has been lured West by the promise of a waitressing job which turns out to be in a brothel.
