Annemarie Jacir
In “Spaces #3”, 7 internationally acclaimed directors shot, after commissioning by the Thessaloniki International Film Festival, a short film at home, making their own timely comment on the new reality that we live in. The project is inspired by the book “Species of Spaces” by the French novelist, filmmaker, documentalist, and essayist, Georges Perec and the days of quarantine. The idea is to create a film at home, using the environment, the people or the animals in that space. The only outdoor areas that may be used are outdoor living spaces, such as the terrace, the garden, the balcony and the stairwell. “Disconnect” is Annemarie Jacir’s submission.
After years abroad in Italy, Shadi returns to his native Nazareth. But this is no spectacular homecoming. He's back somewhat begrudgingly to honour his "wajib" (or duty) to hand out invitations to his sister's wedding with his father. The simmering tension between the two — who are often stuck in a car, more often than not in traffic — builds, exposing the sometimes-comic chasms that exist between men who live in different worlds but share an unshakable bond.
A miss-matched couple embark on a frantic search for the Dead Sea Scroll hidden in the ancient city of Petra.
A young Palestinian schoolteacher gives birth to her son in an Israeli prison where she fights to protect him, survive and maintain hope.
Jordan, 1967: displaced to a refugee camp after the occupation of their West Bank village, an eleven-year old boy and his mother enact the emancipating dream that every refugee has imagined countless times, in Annemarie Jacir's passionate and moving follow-up to her prize-winning debut Salt of This Sea.
Born in Brooklyn to Palestinian refugee parents, Soraya (Suheir Hammad) decides to journey to the country of her ancestry when she discovers that her grandfather's savings have been frozen in a Jaffa bank account since his 1948 exile. However, she soon finds that her simple plan is a complicated undertaking — one that takes her further from her comfort zone than she'd imagined.
Ruwaysched is a no man's land at the border. The last village in Jordan before Iraq... I went there without a real scenario. I was looking for a story for my film for a couple of days until Anne-Marie, the director of photography, played a song for me from an Iraqi-Palestinian band while our car stalled at the Iraqi border. (Nassim Amaouche)
Occupied Palestine: A serene landscape now pockmarked by military checkpoints. When a Palestinian film crew decides to avert a closed checkpoint by taking a remote side road, the political landscape unravels, and the passengers are slowly taken apart by the mundane brutality of military occupation.
