Annemone Haase
He could have had women, he could have climbed the ladder of his accountancy career, and he could have stood on the podium next to the highest in the land. If only he had wanted to! But Farssmann, shaken by divorce and unwilling to better himself, wants to remain what he is: an ordinary bookkeeper like you and me. And so the dollar deal with Mr. Osbar from Utah (USA) is not the first time he comes into conflict with the very palpable unreality of a country called the German Democratic Republic.
After a hot and steamy company party, Sibylle and Harald, both in their late thirties, spend the night together. He is a widower with two sons, with the younger son just entering school. She is single and relatively satisfied in her current relationship with a married colleague. When they meet again later, they resolve to enter into a strictly intellectual relationship.
The fun-loving, 26-year-old architect Franziska Linkerhand (Simone Frost) works for a famous professor. Yet, she feels restrained by her dependence on him and longs to take risks. When her marriage falls apart, she moves to a small town for a fresh start. Franziska approaches her new life with vigor and idealism. Many of her colleagues have given in to the dictates of economic restrictions and prefabricated apartment blocks; but Franziska hangs onto her ideals and, as in her private life, is not willing to compromise…
Karl Erp is a middle-aged man with two children and a boring marriage. After starting an exciting affair with his intern, Miss Broder, he leaves his loveless marriage and moves in with his lover. Under pressure from Miss Broder’s mother, Karl once again promises marriage. He finds, however, that the excitement that drew him to her in the first place doesn’t carry over into their daily lives.
In an enchanted forest, the princely brothers Michael and Andreas get lost and are transformed, by a mountain spirit who jealously guards his underground treasure, into animals until the unlikely event of sincere love from a human. The only persons who may be able to give such love are the local commoner sisters Snow-white and Rose-red, who are kind and helpful by nature and stand to harvest unimagined rewards.
Johann Wolfgang von Goethe (1749-1832) was the author of Werther, the romantic novel that was transformed into a play during Goethe's lifetime and which initiated the whole German romantic movement. The book's story tells of young love and suicide. In this East German film, based on a book by Thomas Mann, Lotte (Lilli Palmer) was the woman who served as the model for the heroine in the novel Werther. She comes to Goethe's hometown for a visit, and her experiences there eerily re-create episodes from the book. Goethe comes across as a pompous old bore, and his friends as pandering sycophants, in this very proper communist party-sponsored, anti-heroic movie.
Adam, Evchen, and Manni are looking at the moon through their home-made telescope. Evchen isn't interested, and dismisses the moon as a lump of cheese. Manni, who is a big fan of technology, sees satellites and a car driving over the moon's surface. But Adam hears the moon speak, and hears it ask for flowers to cover its surface. From then on, Adam is determined to breed a kind of flower that can grow on the moon.
After meeting the woman on the train Erwin Retzmann kills her in the forest.
Actually, the Düsseldorf musician and composer Peter Weselin only wanted to spend his placid vacation with his uncle in the Vogtland village of Klingenthal. But in the city famous for its manufacture of musical instruments, the annual music festival is about to start. For the festival, the accordion factory asks Peter for a large composition for the symphonic orchestra. Furthermore, cute Anna asks him to write a pop song for her youth dance band. Thus, Peter finds no rest during his vacation.
