Annette Hess
Six teenagers fight for their dream of happiness and freedom, leaving behind all the problems with parents, teachers and others. Christiane, Stella, Babsi, Benno, Axel and Michi throw themselves into the heady nights of Berlin, without limits or rules, and celebrate life, love and temptation - until they have to realize that this rush will not only destroy their friendship, but can drive them into the abyss.
The further life of the protagonist Caterina Schöllack and her three daughters will be traced, who fight in the restrictive period of the 1950s for emancipation and the realization of their own dreams. Monika, Helga and Eva have grown up and each seeks their way to find their way in the rigid society of the late 1950s. Monika and Freddy have a career in show business, and mother Caterina acts as a manager. Meanwhile, Helga works hard to be the perfect housewife and mother for Monika's daughter Dorli. Eva, however, quarrels with her life as a professor's wife.
At the Berlin dance school "Galant," worlds collide and the struggle between prudishness and emancipation is carried out. The proprietor of the dance school, Caterina Schöllack, has three daughters whom she orders to integrate into this hierarchically structured society. Two of her daughters seem to abide by their mother's wish. Only Monika, the middle daughter, rejects the given path and discovers rock 'n' roll for herself.
Choir director Johanna Bischoff and her girls choir go to a concert in their hometown Hameln. Shortly before the scheduled performance disappear four of the girls and the organist David.Sie were on a hike in a cave of the Ith - the fabled mountain, in which 700 years ago the Pied Piper is said to have led the children. Seeking help, Johanna turns to her ex-boyfriend Jan Faber, head of the police station in Hameln.
Vera von Schalburg is a German prostitute working in Nazi Germany. In 1938, one year before the outbreak of World War II, Schalburg is arrested by the Berlin police. She is offered to work as a spy for the Abwehr, the German military intelligence service, instead of facing jail time. Completely unaware of the secret war preparations being conducted by her government, and unwilling to leave her teenage son who later joins the Hitler Youth, she accepts the offer.
Katja Winzer lives with her eight-year-old son Tobias and her partner Jürgen in a small town near Bremerhaven. When Tobias does not come home one evening after playing games, and broadcasts remain fruitless throughout the circle of friends, Katja turns on the police. For Katja begins a nightmare of waiting, hope and fear, where she threatens to break. Only weeks later, the terrible idea that Tobias could have become a victim of a violent crime, to the certainty.
A german lawyer limited series with a Christoph Waltz appearance in the pilot episode.
Based on a true story, Miguel Alexandre's two-part drama focuses on an East German woman and the fight for her children. Spring 1982: Sara Bender, living with her daughters Silvia and Sabine in the East German town of Erfurt, wants to marry her colleague Peter, but shortly before the wedding, her father is killed in a road accident. As the funeral takes place in West Germany, she isn't allowed to got there, so she starts planning to leave her communist home country forever. Trying to flee via Romania, she is caught by the secret service. After years in jail, Sara is ransomed by the West German government, but without her daughters. To draw the world's attention on her desperate situation, she starts demonstrating at the Berlin border crossing Checkpoint Charlie
A posthumous look at the last days of Guenther's life as he, his best friend, and his sister let loose on a four-day binge of alcohol, drugs, and sex.
German soap opera about the staff of the fictional hospital "Sachsenklinik" in the city of Leipzig.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.
