Anouk Aimée
They knew each other long ago: a man and a woman whose dazzling and unexpected romance captured in the now-iconic film, revolutionized our understanding of love. Today, the former race car driver seems lost in the pathways of his memory. In order to help him, his son seeks out the woman his father wasn’t able to cherish but whom he constantly revisits in his thoughts and dreams. Anne reunites with Jean-Louis and their story picks up where they left it…
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes…
A resort for individuals who want to lose weight is helps several women discover friendships, acceptance with body image and hard truths.
Alessandro teaches musicology at the university of Strasbourg. He is also a volunteer reader in hospitals. He shares his apartment with his daughter, 15-year-old Irina, and his anarchist brother Luigi. Life is not always rosy at Alessandro's for three main reasons : he is a widower and has never really recovered from the death of his young wife ; his brother is some kind of parasite who refuses to sell his paintings to capitalist speculators and so to contribute to the cost of the household ; Irina, whom he has raised alone since she was five months old and always felt close to, is rapidly changing from little girl to teenager and wishes to be treated as such. One day, Florence, a beautiful young woman, gets into Alessandro's life. Will he eventually take his chances with her? And will he manage to stop stifling Irina? And will he finally get on with Luigi?
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
At the beginning of Paris fashion week, a beautiful young model is brutally murdered. Investigative journalist Madison Castelli, certain that it is more than the "crime of passion" the French press says, comes to Paris to follow her story.
A theater projectionist's daughter is involved in the Resistance in WWII, but she doesn’t share his political involvement & only believes in passion. She follows the men she loves unconditionally, suffering betrayal and hardship.
Documentary about the 1960 film LA DOLCE VITA directed by Federico Fellini. Using archival photos and film footage, as well as interviews, this documentary looks back on Federico Fellini's film and places it in the historical context of its time.
After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.
After 10 years and two children together, Philippe and Marion, finally decide to take a honeymoon Holiday in Venice. At the train station, a abandoned bag filled with money will bring them to a different journey. A journey of doubt where reality never quite lies where it seems, leading from separation to reconciliation.
Is love compatible with coupledom? And what of freedom and fidelity? These are some of the questions facing two married men.
Myriam, a survivor of the concentration camp at Auschwitz, is a filmmaker and journalist who has spent many years living abroad. She takes part in a memorial event at the town hall in Paris commemorating the liberation of the camp, where she wins a flight to Cracow. At first she refuses to accept the prize, then decides to go.
France, 1940. German troops have just invaded the country, but in the rural idyll of the family chateau inhabited by 20-year-old Mellie with her impoverished aristocrat father Alexandre and adolescent cousin Robinson, the war still seems far away, apart from the fact that Mellie's rich and unpopular fiancé André has been drafted into the army. For Robinson and his friends the same age, including the temperamental Bertrand, the war is merely a game they play in the remoteness of the blue island in the lake.
Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?
Olivia, Irina and Masha are improving their acting skills. They no longer believe in Prince Charming, and their career is waning. Olivia works at the front desk at the airport and offers a wonderful plan: he would do so that friends will be aboard the Paris - New York plane and will sit next to wealthy men. Their task is to seduce the rich and pull them out of money. But the fraudsters do not suspect that Comissaire Bayard and his young assistant are closely watching them...
1999 Madeleine is the first step in an ambitious project by the French filmmaker Laurent Bouhnik to make one film per year between 1999-2009, recounting the turn of the century in an interweaving narrative pattern. Episode one is about Madeline, a lonely woman obsessed by religion and cleanliness. Her solitary existence leads her to place an advertisement for a man willing to share his life with a 'single, working 35-year-old.' She is a woman of our times who is caught between the paradoxes of modern life and individual needs for communication. The world offers her opportunities to satisfy material needs but, unfortunately, this is to the detriment of her spiritual needs.
An aspiring Hollywood actress, on a visit to a charming North England town, has a brief fling with the town undertaker, who also writes obituaries for the local paper. Returning home, where she works as a waitress at a Japanese restaurant, she tells everyone about the handsome "writer" she met on her trip. Unfortunately, he decides to follow her back to Hollywood, setting up the expected light romantic comedy with asides as the newcomer gains experience about the goings on in Hollywood.
Benoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the same sickness. The two man face suffering in opposite ways: Benoit Blanc is optimistic while Fabiolini, always unsure of himself, is persuaded he is seriously ill. The two men meet by chance while doing a gastroscopy and become friends. After having known their real different conditions, they will change and will understand better their lives. Around them, other people, women and men, will see their lives changed, by chance, by love or solely by the life stream.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
Agnès Varda's documentary portrait of her late husband, Jacques Demy. A companion piece to her Jacquot de Nantes.
Paris Fashion Week draws the usual bunch of people; designers, reporters, models, magazine editors, photographers. Follows the various storylines of these characters, centering around a murder investigation of a prominent fashion figure. Features an all-star cast.
The 35-year-old ministry official Baron Leisenbohg had the stage career ten years ago as the cast of the "Queen of the Night", opera that promoted singer Klare Hell. Klare shows no gratitude however.
On a winter night, the author of "The King and the Mockingbird" is visited by the cartoon characters he created in his studio. Along with a little clown, he screens a selection of his favorite shorts
Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big time director who's most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. This is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation.
The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.
In the early 1960s, nearly 20 years since the Second World War ended, an Italian general, accompanied by a priest who is also an Italian army colonel, is sent to Albania to locate and collect the bones of his countrymen who had died during the war and return them for burial in Italy. As they go deeper into the Albanian countryside they find they are being followed by another general who is looking for the bodies of German soldiers killed in World War II.
In making this film about a director who is presently working on an autobiographical movie, real-life director Elie Chouraqui has played on a Jewish cultural theme (the "reel" director is Jewish) and the intermixing of 1960s movie-making techniques. In the film, director David is in his 30s and his autobiography brings in details about his growth to adulthood -- his early life along the seacoast in Normandy, his parents, his education, and in the present, his sister and her husband, and a few of his own lovers. Visions of the past enhance the events of the moment, such as in the scene of David's mother's death. In the end, viewers may be able to answer the question posed by the title -- "What makes David run?"
The son of the owner of a large Italian cheese factory is kidnapped, but as the factory is on the verge of bankruptcy the owner hatches a plan to use the ransom money as reinvestment in the factory.
Mauro, a judge, is worried about his older sister Marta, who took care of him since he was a boy, and is now affected by psychic problems and suicide fantasies. She seems to recover from her depression when Mauro acquaints her with Giovanni, a brilliant actor at the edge of legality. Mauro become unconsciously jealous of this relationship, and try to get Giovanni arrested... Written by Francesco Benzi
In Passy, Paris, 1895. The young widow Hélène calls the doctor Henri Deberle during the night, when her daughter Jeanne suddenly gets breathless. Together they spend the night at the bedside, and it develops from a trusting encounter a love relationship. When the doctor Hélène one day confesses his love, the daughter comes from jealousy in another, life-threatening crisis. A film adaptation of the eponymous novel by Émile Zola, which addresses the social milieu of the bourgeois family in the "Second Empire".
Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.
This sentimental drama is the story of the relationship between a lovely mother and her 20-year-old son who never really knew her. When he learns that she is dying of leukemia, he tries to get to know her. By the end of the film, the two have reconciled and she dies feeling at peace.
Imprisoned as an accessory to murder, Catherine gives birth to a son she conceived in prison. Eighteen years later, her sentence served, she is reunited with the boy, Simon, who has remained in an orphanage the entire time. She is accompanied by toothsome prison buddy Sarah, and gradually these people whose lives have been frozen in time "thaw" and get on with the business of living.
Gangster (Lino Ventura) with his accomplice (Charles Gérard), prepares to take part in the "first psychological hold-up in the history of crime". Next door to the jewellers of Van Cleef & Arpels, on the Croisette, in Cannes, the find the shop of a beautiful antiques dealer (Françoise Fabian) who befriends the group. The driver and the antiques dealer fall in love. He is friendly but unrefined, she is cultivated and independent, but discovers that talking with Simon shows up her vanity, and she desires a simple and clean love. The hold-up which had been planned for a long time by the driver is shown to be more sophisticated than his methods of seduction.
While trying to raise money to prevent his car from being repossessed, George is attracted to Lola, a Frenchwoman who works in a "model shop" (an establishment which rents out beautiful pin-up models to photographers). George spends his last twelve dollars to photograph her, and discovers that she is as unhappy as he.
The lawyer Federico Fendi has reasons to believe that his wife Carla in secret is Rome's highest paid prostitute.
In Alexandria, in 1938, Darley, a young British schoolmaster and poet, makes friends through Pursewarden, the British consular officer, with Justine, the beautiful and mysterious wife of a Coptic banker. He observes the affairs of her heart and incidentally discovers that she is involved in a plot against the British, meant to arm the Jewish underground in Palestine. The plot finally fails, Justine is sent to jail and Darley decides to return to England.
The Belgian linguistics professor Matthias is going through a difficult period in relations with his girlfriend Anne. She is French, he is Belgian, and, oddly enough for an enlightened Europe and a doubly enlightened university environment, this small difference is a shadow on the couple’s personal life. One day, during a train ride, Anne disappears and Mathias goes looking for her in an unknown city.
Famous TV newscaster Robert Colomb is married to Catherine, but is continually unfaithful to her. Then he meets, and becomes fascinated with Candice.
Vittorio is a 40-year-old journalist who reaches a mid-life crisis. His wife nags him constantly for ignoring her and their child. After his mistress dumps him, Vittorio returns to the town where he spent his childhood to reflect on the state of his life. Flashbacks are used to tell of Vittorio’s relationship with his parents as a child and the effects World War II had on his development.
A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that each is a widow.
In 17th-century Rome, a young man in a choir of castrati falls for the beautiful wife of a powerful aristocrat.
In late 19th century Sicily, handsome free-spirit Liolà wanders into town, where he encounters an old flame now married to a wealthy landowner.
A young married woman who is desperately unhappy is tempted into a lesbian relationship with an interior decorator.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
Samuel finances his participation in a card game by stealing parts from a jeep. He cheats at cards, and has his hands broken as a consequence.
Sex, torture and betrayal in Biblical Sodom and Gomorrah. Lot, leader of the Hebrews, believes his people can co-exist with the Sodomites, a disastrous decision.
An English teacher seduces a young student in the company of his wife to help him in an ambitious plan with the kidnapping of a newborn baby of a wealthy businessman.
Eloi is a twenty-year-old secondhand goods dealer who does his job without particular enthusiasm. He has a girlfriend, Nénette, but immature as he is, he feels just as happy in the company of Fortunée, his young sister, whose little girl's games he shares as often as he can. The three of them live with Eloi and Fortunée's grandmother, nicknamed by all the "Queen of the Flea Market". In possession of a mirror of Venice, Eloi decides to present it to Dormoy, an antique dealer who keeps up shop in the fashionable districts of Paris. On that occasion Eloi meets and falls in love at first sight with Dormoy's rich mistress. The latter, half-moved, half-consenting, does not discourage him.
The Last Judgement (Italian: Il giudizio universale) is a 1961 commedia all'italiana film by Italian director Vittorio De Sica. It was coproduced with France. It has an all-star Italian and international cast, including Americans Jack Palance, Ernest Borgnine; Greek Melina Mercouri and French Fernandel, Anouk Aimée and Lino Ventura. The film was a huge flop, massacred by critics and audiences when it was released. It was filmed in black and white, but the last sequence, the dance at theatre, is in color.
Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
A Communist officer falls hard for a married woman trying to escape from Hungary.
An aimless young man is committed to a psychiatric hospital by his father in an attempt to cure him of his delinquent tendencies.
Biographic film chronicling the last year of the life of the Italian painter Amedeo Modigliani, 1919, who falls in love with a girl from a wealthy family. Her parents are against this relationship and stop financial help. Modigliani worked and died in abject poverty in the Montparnasse Quarter of Paris, France.
Young, handsome, dashing but cynical, Octave Mouret arrives in Paris, determined to conquer the belles of the capital.
The holdup of the bank is a success. All happened according to plan. Now, Cyril Gad and his four accomplices must secure an alibi. What better place than a prison cell? As a result the five gangsters have themselves arrested on minor charges and start waiting until they are released. Unfortunately three of them die mysteriously, another one is openly murdered. The only man still alive, Tony, is scared. Easy to understand why...
The young, religious Dr. Francoise Maurer comes from Alsace in "Good Hope" Sanatorium and plans after a short time to leave the sanatorium and go to Indochina to help out in a hospital for the poorest ones.
Catherine Racan, a young journalist who always puts her career over her love life, is brought in by the police for questioning. They are looking for a doctor who illegally performs abortions and now they are interrogating all of his previous clients.
An FBI agent goes to the French-Spanish border to round up some smugglers and counterfeiters after his brother is murdered.
A chimney sweep and his beloved shepherdess are aided by Wonderbird in their escape from a ruthless dictator
A twenty year old Anouk Aimée stars as Albertine, the daughter of a bourgeois couple who house a young officer during the Napoleonic wars. Newly promoted, the officer (Jean-Claude Pascal) is quartered by a dull bourgeois couple who treat him with a cold politeness bordering on indifference.
A meek teller thinks he's killed his boss. He flees with a box of cash hoping for a new life with his younger mistress.
An archaeologist stumbles into the territory of an evil crime syndicate and struggles to set things right.
Angelo, a glass-blower from Murano, and Georgia Maglia, the pretty daughter of a fallen fascist magistrate, are chosen to be the stand-ins for the stars of a film version of "Romeo and Juliet" being shot on location in Venice and Verona. It is not long before they fall in love and their romance parallels that of Shakespeare's timeless heroes. Indeed their union is threatened by the schemings of Raffaele, the Maglia family's dubious tout...
A stranger named Constant disrupts the life of Flora, who is seemingly happy with her husband Lucien. But she suddenly experiences a passionate love, taking refuge with Constant in a cave they call “home under the sea.”
