Anselmo Duarte
Two years of research and visits to collections, cinematheques and museums; almost seventy interviews that generated 30 hours of recorded material; more than two hundred scanned photos and more than one hundred films watched. In total, more than a thousand hours of work were needed to prepare Brazilian Cinema in the 20th Century. The work is a fascinating journey through all the cinematic cycles that Brazil lived, from the pioneering Belle Époque, through the great studios like Atlântica and Cinédia, Cinema Novo, the urban comedies of the 70's, until the resumption in the late 90's. The documentary is unique, it gives the floor to who really wrote and lived this story intensely.
A host of personalities reminisce about the life and work of songwriter, lawyer, and congressman Humberto Teixeira — aka "Baião Doctor" — the author of such classic Brazilian popular songs as "Asa Branca". A musical film about the baião, a movement in Brazilian music in the 1940s and 1950s that was later snowed under by samba and bossa nova.
"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
Rich girl travels with her fiancé (a cousin) to the family farm, where they're going to marry. But finds another cousin in love with her who does everything to hamper the wedding.
Sexual adventures of a prostitute's son and a bordello owner, who like to swap women.
In the Brazilian 30s, a blacksmith is accused of his wife's death and becomes a hero and political leader.
Saul and Mônica retuen to São Paulo after three years and find his family colonial big mansion, in total abandon.
Film in three segments. In the first, father is suspicious about his son's masculinity. The second one shows a Don Juan-like guy who, at church for his own wedding, cannot remember who the bride might be. In the third, a rich husband tries to find the tattooed man he saw escaping through his wife's bedroom window.
Fleeing from the orphanage where he was living, young Valdo immediately entered the life of the crime, establishing himself as a dangerous adult criminal. However, his petty thefts do not satisfy him and he longs for bigger things and when he becomes a lover of Beth, the young criminal realizes that he can enrich himself very and very fast.
Cláudia Land is a rich widow, young and beautiful, who lives neurotic after see a car accident, deadly to her husband.
A knight, half soldier, half gaudério, dolphinfish hair in the sun, guitar on his back, enters the sleepy town of Santa Fe. Nobody could imagine that this man was also getting into their lives. Singing and drinking was winning the hearts of women and admiration of men. A storyteller of adventures, wars or lies? Based on the book by Erico Verissimo.
A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.
Brazilian intelligence agent finds and pursues Nazi war fugitives hiding in Brazil.
Delfino, a quiet man who lives in Congonhas do Campo, a small historical town in the state of Minas Gerais, Brazil, is urged by his friend to steal the image of the Madona de Cedro (the Cedar Madonna), sculpted by Aleijadinho in the 18th century, from the town sanctuary.
The young singer Beth is torn between love for the honest pianist Guy; and the powerful smuggler Estênio, who sponsors his promising career.
After their relative and associate runs way, the Naves brothers inform the police of the incident, who end up arresting them under the accusation of murdering the missing person. The brothers are tortured in order to confess a crime they did not commit while their wives are raped.
Joaquim (Raul Cortez) becomes crazy and convinces himself that he is the messiah incarnated. With the desperate support of his miserable village, he will start a holy terror movement.
Zé is a very poor man whose most prized possession is his donkey. When his donkey falls terminally ill, Zé makes a promise to Saint Bárbara: If his donkey recovers, he will carry a cross - like Jesus - all the way from his city to Saint Bárbara's church, in the state capital. Upon the recover of his donkey, Zé leaves on his journey. He makes it to the church, but the priest refuses to accept the cross once he discovers the context of Zé's promise.
The characteristic loves of Margarida and Clara, the distinct moral of Pedro and Daniel, the goodness of João Semana, and the dissidents, sensibility, tenderness, rituals and landscape involvement of the Minho.
A man and a woman have been secretly married. He belongs to a rich family and she is a poor actress and singer that is failing to success in her career. One day, he decides to tell his family that he's married and flies to Italy, where they live, but the flight has an accident and he dies. The man's brother goes to Spain to look for the body, and he discovers not only that his brother is married, also that his brother's wife is pregnant.
A singer is in love with the wife of a rich banker. Both men have the same analyst who allow them to swap souls.
A man who's memorized his town's telephone directory tries his luck on a TV Show. But a small group of people who control the bettings in town try to get advantage of his simple-mindedness.
A mine boss hires a policeman to chase some runaways who stole a precious diamond.
Zé da Bomba dreams of being rich, and his neighbour dreams of being an artist and having an affair with him.
In 19th century Brazil, young people in the State of São Paulo fight against black slavery and the farmers who support it. Against this backdrop, Sinhá Moça falls in love with a young lawyer, and they get involved in a great love story.
Sílvia Nogalis a concert pianist prefers her career to marriage. On the night when she performs "Appassionata" by Beethoven she receives news of the suicide of her husband, the master Walter Hauser.
Tico-Tico no Fubá is a 1952 Brazilian comedy film directed by Adolfo Celi and starring Anselmo Duarte. It was entered into the 1952 Cannes Film Festival. The film is a fictionalized biography of Brazilian composer Zequinha de Abreu (1880–1935), who penned the song "Tico-Tico no Fubá" that became an international hit in the 1940s.
Two friends grow together in the same neighborhood but, as adults, take different paths in life. One becomes an honest worker, and the other gets strayed. But the good guy's sister has an affair with her brother's friend, and is much abused by him. Her brother wants revenge. But when he sees him in danger, some time later, he must decide which is the stronger feeling: the former friendship, or his wish for revenge.
In Buenos Aires, Frederico hides in a ship going to Rio de Janeiro to travel for free. But Azulão, the cook, finds him and blackmails him into working in the kitchen. Meanwhile, Alberto, the captain, receives a radio message saying that there was a dangerous international spy on board. Things get worse when some passports are mixed-up.
A gang, leaded by the unknown and mysterious Anjo, robs a jewelry and schedules a meeting in the Copacabana Palace Hotel, in Copacabana. The identification would be through a cigarette case with an angel, and the password "- Is everything all right?" Meanwhile, the director Ricardo is preparing a show for the carnival in the hotel with Marina, and they love each other. The janitor Serafim receives a letter from his unknown American brother, who will come to Rio to spend the carnival and meet him, and asks Eliana for a chance in the show, since his brother believes he is an artist. When Ricardo finds the cigarette case lost by Anjo in the entrance of the hotel, he is misidentified by the thieves, and this is the beginning of lots of confusion and fun.
In a workshop there are six workers, the six are brothers. Enter the mother who asks them to rescue the seventh brother, the youngest, Luis. The brothers hesitate because the youngster keeps getting into trouble, but they end up giving in to the request. Gangsters are fighting in a bar and the workers end up getting into the fray.
It's All True is an unfinished Orson Welles feature film comprising three stories about Latin America. "My Friend Bonito" was supervised by Welles and directed by Norman Foster in Mexico in 1941. "Carnaval" (also known as "The Story of Samba") and "Jangadeiros" (also known as "Four Men on a Raft") were directed by Welles in Brazil in 1942. It was to have been Welles's third film for RKO Radio Pictures, after Citizen Kane (1941) and The Magnificent Ambersons (1942). The project was a co-production of RKO and the Office of the Coordinator of Inter-American Affairs that was later terminated by RKO.
