Anton Chekhov
"Documents of the staging" of the play The seagull at the Orologio Theatre in Rome.
The New York Times recently called Dmitry Krymov “one of the world’s finest theatermakers.” For this new adaptation of The Cherry Orchard, the world-renowned Russian director collaborates with the Wilma’s acclaimed HotHouse Acting Company to reimagine one of theater’s enduring masterworks. What is it like to lose your home? The Cherry Orchard centers around a Russian family grappling with the potential foreclosure of their estate, and a community in transition as the old makes way for the new. Volleyballs and sunflower seeds fly, while a giant mechanical train station flipboard tells the future … plus more surprises await in Krymov’s inventive re-interpretation. One family is in danger of losing their home, their comfort, and their power. What comes next … and who will profit?
Adaptation of Anton Pavlovich Chekhov’s story A Malefactor. An unemployed resident of one of the Ukrainian villages, Andrii Konotop, is detained on suspicion of stealing wires from electric poles. The case is simple and clear – Konotop was taken red-handed. Andrii is an ordinary villager and a rather simple man. He is being optimistic and does not understand the seriousness of the case.
Bringing together one of the world’s great classic plays with one of Ireland’s greatest writers, Druid present Tom Murphy’s version of Chekhov’s masterpiece The Cherry Orchard at Black Box Theatre, Galway and Bord Gáis Energy Theatre, Dublin. A play about land, legacy, and the struggle between tradition and change, this is the first major production of Tom Murphy’s work since his death in 2018.
When the country when in to lockdown in March, Uncle Vanya was in the final weeks of a sold-out run and had received numerous Olivier nominations including the Best Actor Award for Toby Jones and Best Director Award for Ian Rickson. It will be the first UK theatre production which was closed by the Coronavirus pandemic to have been filmed and produced for the screen.
Disenchanted with the corruption of society, Jacob joins a Zen monastery. One day his meditation practice ignites a spontaneous out of body experience, compelling him to explore the more esoteric dimension of astral travel where he discovers bizarre new worlds that shake and alter the very ground of his being.
Celine Song reimagines one of the most recognizable titles in Western drama for the 21st century.
Vanya and his niece Sonya struggle to care for the estate owned by Vanya’s brother-in-law Alexánder, a wealthy professor. When he returns with a beautiful new wife and plans to sell the estate, hidden passions explode and lives come undone.
The "To Stumble" comedy is based on "Death of an Official" story by Anton Chekhov. Trying to catch the ironic intonation of the writer, in whom the comedic side by side with the tragic, the director blurs the boundaries of time and talks about the present day.
A revolution breaks out, caused by a financial crisis, business intrigues and corresponding natural disasters. Alexander flees from the uprising in the capital to Uncle Vanya's farm in the countryside. There Alexander and his beautiful wife Elena cause further chaos with Alexander's business ideas. Will Vanya and Sonja manage to protect their farm from the outrage of capitalism?
At a picturesque lakeside estate, a love triangle unfolds between the legendary diva Irina, her lover Boris, and the ingénue Nina.
For her latest project, commissioned by Arte and starring members of the Comédie-Française, Valeria Bruni Tedeschi (A Castle in Italy, Rendez-Vous 2014) shot an idiosyncratic, half-modernized adaptation of one of Chekhov’s greatest, most expansively melancholy plays.
An obnoxious man ends up in court facing a familiar judge after a dispute over archery.
Reckless desire wreaks havoc over Memorial Day weekend as a family confronts the volatile and fragile nature of love. A modern retelling of Anton Chekhov's "The Seagull", set in rural New England.
An old man tries to play backgammon with friends while babysitting his granddaughter, who's terrified of the young suicide in their building.
Madame Ranevskaya is a spoiled, aging aristocratic lady who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on the mortgage. In denial, she continues living in the past, deluding herself and her family, while the beautiful cherry trees are being axed down by the re-possessor Lopakhin, her former serf, who has his own agenda.
A young actress changing in the privacy of her dressing room, finds the theater's aging owner hiding behind her sofa. He begs her for mercy, claiming to be hiding from a lover's very violent and very angry husband.
Set in a seaside resort in the Caucasus, the story centers on n'er do well, Laevsky (Andrew Scott) and his illicit relationship with his mistress Nadya (Fiona Glascott). Laevsky has convinced Nadya to leave her husband for him, but now wants to abandon her.
Simultaneously nihilistic and heartening, Ward No. 6 is based on a story by Chekov, in which a psychiatric doctor becomes a patient in his own asylum. Updated to contemporary Russia, the film is a cocktail of anxieties and riddles, showcasing how easy it is to become what we fear most.
On the forest lake the person "from nothing to do" killed a Seagull. The symbolism of this story allowed Chekhov to Express the psychologically complex "inextricably unconnected" relationships of the characters living near a beautiful lake, suffering, hoping, searching, but unable to find themselves and their place in life.The most difficult in the fate of Anton Chekhov, but also the most famous and popular play in theaters in the world. Its simplicity, unique theatricality and stage longevity attract Directors and actors who, with each new production, offer the audience to unravel the mystery of the play, in which the author presented the drama of people in the Comedy genre. Famous film Director Andrey Konchalovsky offers a new version of the play, insisting that the stage action he staged is exactly the version of "the Seagull" that Chekhov intended it to be.
Kairat, a teacher of mathematics, accidentally meets Aslar, along with whom he studied in university. Askar invites him to his home, where Kairat becomes acquainted with Togzhan, the wife of Askar. And he falls in love with her. Though this love was mutual, they couldn't step over the obstacles already made by their lives. Their emotions delayed. The script is based on the novel by Chekhov's About Love, Gooseberry.
Based on Anton Chekov's "The Three Sisters" about siblings living in a college town who struggle with the death of their father and try to reconcile relationships in their own lives.
A sad story about life and love as it told by Grigori Stepanovich Smirnov who is trying to find what caused the suicide of young 15 years old Volodya.
The film is based on A. P. Chekhov’s play “Tatiana Repina” and short story “Difficult People”. At his wedding, the groom is horrified to see among the church crowd his former mistress who had recently committed suicide.
A younger boy falls in love with a tragic girl who flirts with, and manipulates, her older suitors in 1800s Russia.
A story about Andjela and her three lovers, inspired by Chekhov’s prose.
Madame Ranevskaya (Rampling) is a spoiled aging aristocratic lady, who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on the mortgage. In denial, she continues living in the past, deluding herself and her family, while the beautiful cherry trees are being axed down by the re-possessor Lopakhin (Teale), her former serf, who has his own agenda.
A screen adaptation of Anton Chekhov's play about three sisters yearning for a better life.
A retired professor has returned to his estate to live with his beautiful young wife, Yelena. The estate originally belonged to his first wife, now deceased; her mother and brother still live there and manage the farm.
An uninterrupted rehersal of Chekhov's "Uncle Vanya" played out by a company of actors. The setting is their run down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.
The Wooster Group's production of Anton Chekhov's Three Sisters, translated by Paul Schmidt and directed by Elizabeth LeCompte, with performances from Kate Valk, Peyton Smith, Scott Shepherd, Ari Fliakos, Anna Kohler, Beatrice Roth, Ron Vawter, and Willem Dafoe. This presentation of the 2003 production of BRACE UP!, designed by Ken Kobland and LeCompte, incorporates close-up recordings of the performers simultaneously with continuous wide-angle footage.
The plague of civil war reached a provincial town, where several noble families were stuck waiting for a train. The joy of hope was replaced by despair, fear of the future. No one knew how much was allotted to him in this life. Emotions boil, passions run high, hearts break, will is destroyed, pride is trampled. Each of the heroes survives in his own way, but all fell low. Ah, if you only knew when the long-awaited train would arrive in Moscow ...
Uncle Vanya is a tragic comedy of lost hopes, stifled passions and wasted lives. Vanya is a bitter, sarcastic man, obsessed with his wasted years and what might have been. He has spent his life toiling for the benefit of the scholar, Serabryakov, who has turned out to be a charlatan. To make matters worse, Vanya has fallen in love with Serabryakov's beautiful, young, new wife, ho does not return his ardor.
Man who talks with a ghost called Black Monk is forced to see a doctor. After the treatment, he loses his ability to communicate with the ghost, becoming angry, violent and utterly unhappy.
Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the clownish and superfluous Romano Patroni leaves his wife's opulent home to visit a spa where he falls in love with a Russian woman whose marriage is a horror. He pursues her into the Russian heartland and returns to Italy resolved to leave his wife and marry his love. His amazed and appreciative Russian listener then narrates a shorter story.
A young student and a rich banker make a bet for two million rubles. On the condition of the wager, the student was to spend 15 years in solitary confinement.
One day the landlord Smirnov demands the widow Popova to pay an old debt which her husband left. She has no money at home and begs Smirnov to wait. The polite conversation turns quickly into an argument. Popova fetches the pistols. Smirnov realizes now that he’s in love with Popova. He confesses his love.
A professor of medicine, known and recognized, through a serious personal crisis. Used in teaching, feeling mentally and physically diminished, become cynical and disillusioned, he can no longer interested or his family or his work. Only the presence and conversation Katarzyna, whom he raised as his own daughter, he restores life. But this woman, who herself had to endure many hardships and sharing his disappointment, he realized that his feelings are not really filial ...
Madame Ranevsky and her daughter Anya return home from Paris to find that their beloved family estate and cherry orchard are to be auctioned off to pay debts. Lopahin, a former serf on the estate who is now a walthy landowner, proposes razing the home and cherrt orchard and dividing the estate into plats that could be leased at great profit. The family, however, continues to hold out hope that their beloved home can somehow be saved from destruction.
Based on a short story by Anton Chekhov, this drama centers around a desire for revenge and the tragedy of a star-crossed love. After a general ruins some men under him in punishment for a rebellion, a friend of the broken men vows revenge. The friend, a naval officer, takes a job as a valet in the general's son's house. While he plots his revenge, the son has an affair with a woman whom the valet begins to love. She is discarded after becoming pregnant, and the valet has his own troubles; he has contracted tuberculosis. Sick and unable to follow through on his plans for vengeance, he leaves for France with the pregnant woman hoping to declare his love and seek a cure for his illness.
An aristocrat falls for a young woman who brings him ruin. Based on Chekhov's story.
The film is based on the stories Anton Chekhov. It is a tribute to the actor Boris Andreyev. He plays a major role that keeps up for the duration of the film. Lively and intelligent Valery Spout largely mitigates underline the drama of the protagonist, while Michael Sveta's role, though small, is bright and memorable.
A doctor from provincial town in Tsardom of Russia meets his former student in Ward 6, where the story takes place. Impressed by his rebellious spirit and clever remarks, he tends to spend more time with him while also indulging in meditation, only to be ridiculed by his fellow colleagues. Based on a Chekhov's work of the same title.
The Seagull is about the natural tendency to seek love in the wrong places. Masha is in love with the playwright Constantin, who is in love with Nina. However Nina ignores Constantin's affection and becomes infatuated with another man. Constantin must endure not only rejection but also the ridicule of his mother, Madame Arkadina, a fading diva.
A writer (made to resemble Russian playwright Anton Chekhov) narrates a collection of his stories, all of which are written in the style of Chekhov.
A boy in Russia, circa 1900, makes a daunting trip from his home village to a school in the city.
A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.
At the dilapidated country estate of Anna Petrovna Voinitseva, a group of feckless Russian aristocrats whiles away a summer afternoon. Unbeknownst to their respective spouses, local schoolteacher Platonov and the wife of Anna's stepson, Sophia, are former lovers whose meeting revives both passion and regret. Thrilled to see each other, they are nevertheless haunted by the loss of their youthful ideals.
A bassist shows up early for the betrothal ball of a beautiful princess, and whiles away the time having a dip in the river. The princess is doing the same, unbeknownst to the bass player, but when someone steals their clothes, the bass player helps the princess to preserve her dignity by transporting her back to the castle in his bass case, and along the way they discover they have feelings for each other. Based on a short story by Anton Chekhov.
A luncheon party gathers to celebrate a wealthy unmarried man's birthday; his sister hopes he'll marry Sonya, the daughter of a selfish gout-ridden old professor who makes life Hell for his son George and his young wife, Helen. At the luncheon is Khrushchov, a passionate environmentalist, called "the Wood Demon" by all, in love with Sonya and she with him, but neither will say it. Two weeks later there's a family meeting at the professor's estate; two weeks after that, a supper at the cabin of Dyadin, who's cheerful to all. George, Helen, Sonya, and Khrushchov are each suffocating. Can any of them take action?
An Artist's Story concerns the confrontation of ideas between Anton, a young landscape painter, and Lydia, a young aristocratic girl who devotes her life to good works.
Ken Loach production, shown as one segment of BBC2's arts programme 'Full House'.
It is a comic and tragic story, a film by Sjuman Djaya that is considered one of his classics. Mamad breaks his ethics and commits small-time cheating such as stealing office paper when he has to prepare for the expenses of his seventh child’s birth. This tortures him and he keeps trying to confess and explain to his boss about the problem, a boss who is realistic and would have understood, as he himself is not absolutely clean from corruption. A tragic comedy starts from this misunderstanding. Mamad who is haunted by guilt cannot find peace until he confesses, but the opportunity seems to always elude him, and finally he is even considered a disturbance by his boss. He is fired and takes his regret and sadness to the grave.
Dramatic story about two young men, two intellectuals of the 1890th. It is a story about a complex human character. Being tortured by ignorance and boredom of life, clerk Laevsky is longing to break the depraved circle of his existence. His moral antipode, naturalist Von Coren is sure that people like Laevsky are worth being destroyed. But regardless characters' will and desires, providence deals with their lives in its own way...
Based on the play of the same name by Anton Chekhov. About the searches and doubts of the Russian intelligentsia at the end of the 19th century. Events unfold on the estate of Pyotr Sorin, which brought together representatives of secular society - actress Irina Arkadina, the host's sister and her lover, the famous writer Trigorin. Sorin’s nephew, Konstantin Treplev, in love with a neighbor girl Nina Zarechnaya, who dreams of becoming an actress, writes for her a play that she plays in the scenery of Sorin’s garden.
The title character is a married provincial schoolmaster and a notorious philanderer. He is a russian Don Juan except that he himself doesn't seek to seduce; the women around him simply find him irresistibly attractive, and he is only too happy to go along. The play predates the realism of Chekhov's later works in its desjointedness, but many of its scenes show the seeds of brilliance that would eventually emerge.
Andrei Konchalovsky’s Uncle Vanya surely has the greatest claim as the best screen adaptation of a Chekhov play. Featuring brooding and articulate performances, especially from Sergei Bondarchuk as Doctor Astrov and gorgeous cinematography that shifts from sepia to autumnal colours, the film has an elegaic and bittersweet atmosphere. The setting is a crumbling country estate which supports the chic urban lifestyle of the elderly Professor Serebryakov who visits with his young and glamorous new wife, Elena.
Satirical comedy based on the notebooks and short stories by Anton Pavlovich Chekhov: "Romance with Double-Bass","On the Harmful Effects of Tobacco", "Misery", "Grateful", "Polinka", "The Cynic", "The Ninny".
Based on the novel of the same name by Anton Chekhov. Princess Mariya fell in love with doctor Toporkov, who was treating her, in the recent past the serf of her family. Now he has become a celebrity and is only concerned about buying a new home profitably. He does not notice her love and marries a rich merchant. The princess in love comes to see Toporkov and opens to him. Her strong feeling touches Toporkov’s hardened heart, he leaves his wife and leaves the princess abroad.
In a small Russian town at the turn of the century, three sisters (Olga, Irina, and Masha) and their brother Andrei live but dream daily of their return to their former home in Moscow, where life is charming and stimulating meaningful. But for now they exist in a malaise of dissatisfaction. Soldiers from the local military post provide them some companionship and society, but nothing can suffice to replace Moscow in their hopes. Andrei marries a provincial girl, Natasha, and begins to settle into a life of much less meaning than he had hoped. Natasha begins to run the family her way. Masha, though married, yearns for the sophisticated life and begins a dalliance with Vershinin, an army officer with a sick and suicidal wife. Even Irina, the freshest, most optimistic of the sisters, begins to waver in her dreams until, finally, tragedy strikes.
Uncle Vanya is a tragic comedy of lost hopes, stifled passions and wasted lives. Vanya is a bitter, sarcastic man, obsessed with his wasted years and what might have been. He has spent his life toiling for the benefit of the scholar, Serabryakov, who has turned out to be a charlatan. To make matters worse, Vanya has fallen in love with Serabryakov's beautiful, young, new wife, ho does not return his ardor.
Film adaptation of Anton Chekhov's story of life in rural Russia during the latter part of the 19th century.
A portrait of a Russian community in the late 19th century based on Chekhov's stories, featuring the author as observer and narrator.
In a small Russian town at the turn of the century, three sisters (Olga, Irina, and Masha) and their brother Andrei live but dream daily of their return to their former home in Moscow, where life is charming and stimulating meaningful. But for now they exist in a malaise of dissatisfaction. Soldiers from the local military post provide them some companionship and society, but nothing can suffice to replace Moscow in their hopes. Andrei marries a provincial girl, Natasha, and begins to settle into a life of much less meaning than he had hoped. Natasha begins to run the family her way. Masha, though married, yearns for the sophisticated life and begins a dalliance with Vershinin, an army officer with a sick and suicidal wife. Even Irina, the freshest, most optimistic of the sisters, begins to waver in her dreams until, finally, tragedy strikes.
Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In "The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.
Based on a Anton Chekhov short story, this slight tale has some good moments as the drama of a young boy's journey unfolds. The lad comes from peasant stock, and one day his family decides it would be best for him to go live with his uncle in the city. The only problem is that the city is all the way across the Russian steppes, and at this time in history, that arduous journey could only be undertaken by horse and carriage. Reminiscent of the American pioneer wagon trains heading West, the tale lacks any attacks from hostile forces but is filled with charming vignettes. In one part of the journey, the boy comes across some fishermen along a river, harpooning their catch for the day. In another segment, he is entertained when some folk dancers do a lively show. But in general, it is too long and unmomentous a journey to hold attention well for nearly two hours.
Madame Ranevsky and her daughter Anya return home from Paris to find that their beloved family estate and cherry orchard are to be auctioned off to pay debts. Lopahin, a former serf on the estate who is now a wealthy landowner, proposes razing the home and cherry orchard and dividing the estate into plots that could be leased at great profit. The family, however, continues to hold out hope that their beloved home can somehow be saved from destruction.
Class distinctions, inferiority complexes, and social climbing abound as the bride, groom, and their families gather for a wedding banquet. There's a rumor that a general will be in attendance, secured by a real estate agent at one family's expense. After an argument about electricity, which exposes both the ignorance and the combativeness of the bride, the general does arrive, ear trumpet in hand. He commands the attention of all. But will tranquility last until the group photo?
A famous painter lives in idleness in the estate of the landlord Belokurov. Once he meets a family of Volchaninov's living in the neighborhood, in which there are two daughters: the eldest (Lydia), a serious and strict girl with convictions, who tries to help ordinary people and doesn't like the artist very much for his idleness, and the youngest (Zhenya or Misyus), which soon takes a great interest in the artist. The painter also falls in love with Zhenya, but Lydia destroys their happiness ...
On holiday in Yalta, Muscovite banker Dimitri Gurov contrives to meet a young woman who walks her dog. She’s Anna Sergeyovna, trapped in a loveless marriage to a lackey. He’s unhappy in an arranged marriage. With neither spouse at hand, Dimitri and Anna begin an affair. After a short time, she returns to Saratov, he to Moscow, believing it’s good-by forever. All winter he is miserable, enervated, distracted by tristesse. In desperation, he contrives to go to Saratov, surprising her at a concert. Fearing discovery in her home town, she promises to come to Moscow. Will they cast aside reputation to live together, or will theirs be an affair of infrequent encounters in hotel rooms?
In formal attire, Ivan Vassilievich Lomov calls upon his neighbor, the bluff Stefan Stefanovich Chubukov. Chubukov fears that the prolix Lomov has come to borrow money, but is delighted when Lemov finally gets to the point and proposes to marry Chubukov's daughter Natalia. Without telling her why, Chubukov sends Natalia into the drawing room, and Lemov begins an even more roundabout proposal. Before he can make his intentions clear, Natalia takes exception to something he says, and an argument ensues. Lemov works himself into a lather. Will a funeral be required? Perhaps a neutral conversational topic, such as hunting dogs, can ease the couple past their disagreement.
This quintessential Chekhov drama--his first success--is both comic and tragic. A group of friends and relations gather at a country estate to see the first performance of an experimental play written and staged by the young man of the house, Konstantin, an aspiring writer who dreams of bringing new forms to the theatre.
Shot in Paris in December 1958, La Sorcière (The Witch) is Żuławski’s student film and directorial debut. The story is based on a short story by Anton Chekhov. Currently this short film is stored in IDHEC's archives and is unavailable for a large public.
A country doctor (Franchot Tone) loves but cannot have a professor's wife (Clarence Derwent) in Chekhov's play set in czarist Russia.
Nadya Shumin is engaged to be married to Andrey Andreitch, the son of a local priest. Nadya lives on her grandmother's estate with her mother, "a fair-haired woman tightly laced in, with a pince-nez, and diamonds on every finger." While Nadya is a woman with a great desire for education and independence, Andrey is a friendly but rather vacuous and totally unmotivated man. Sasha, an ill and impoverished young man who is spending the summer on the estate has long been considered part of the family. Sasha implores Nadya to follow her heart - to go to Petersburg and attend the University.
Osip Dymov, the titular counselor and the doctor of thirty one years, serves in two hospitals at the same time: intern and anatomist. From nine o'clock in the morning and in the forenoon accepts patients, then goes to open corpses. But its income is hardly enough for a covering of expenses of the wife mad about talents and celebrities in the art and artistic environment whom it daily accepts in the house.
Based on the short story by A. P. Chekhov. Beggar 18-year-old beauty Anna marries a rich 52-year-old official to help her father and brothers. After the death of the mother, the father drinks, the brothers go hungry. For the sake of her relatives, she is ready for anything, even to become the wife of an elderly, rude, vulgar and hated Modest Alexeyevich.
College assessor Miguev, returning home, finds a foundling at the porch. Having mistaken him for his son from the former maid Agnia, the frightened Miguev, in turn, is trying to toss the baby, but to no avail. Tired dad decides to confess to his wife Anna Filippovna, and, meanwhile, the true parents begin to search for their child left “for a second” at the threshold of a respectable house ...
"Román s basou" is another short by master a stop-motion puppet-animator Jiri Trnka. The story is based on Anton Chekhovs story "Roman s Kontrabasom". Princess Bibulova decides to go fishing along the river while not far away a bass player leaves his two companions to go for a swim.
Linda Darnell plays a beautiful Russian peasant in this moody Sirk melodrama, based on Chekhov's "The Shooting Party." Trying to pull herself out of serf-ish poverty, she works her charms on an engaged aristocrat (George Sanders) with tragic results.
According to the eponymous vaudeville by A.P. Chekhov. Petty bourgeois Zhigalovs, whose daughter-in-law Dasha is being extradited, find out to their horror that the official Aplombov, who has been caring for Dasha all summer, has dined every day with them and has proved himself to be his bridegroom, is not going to marry at all.
The Greek teacher Belikov, who works in a rural gymnasium, loved to keep things in cases, was afraid of everything and lived himself, as if in a case, on the principle: “no matter what happens”. By this principle, he literally "terrorized" the gymnasium and the villagers. Hope appeared when Varenka arrived in the village - “not a girl, but marmalade”, although she was already aged, and “did not mind being married, even if only to a teacher of the Greek language”.
Anton Chekhov’s one-act comic play throws Elena Ivanonva Popova, a land-owning widow with dimples, on her cheeks up against Grigory Stepanovitch Smirnov, a middle-aged landowner. He arrives at her house claiming her late husband owed him money and he wants the debt repaid immediately. They argue and almost have a duel over the debt before they realise that they have fallen in love with each other.
From his early silent works, the great Russian film director, Herr Yakov Protazanov, made literary adaptations from equally great Russian writers, as is the case with "Chiny I Lyudi" ( Ranks And People ) (1929) in which three short stories by Chekhov, "Anna On The Neck", "Death Of A Petty Official" and "Chameleon" were assembled for the silent screen.
In the original story by Chekhov, Kashtanka is a little dog that gets lost following the trail of his drunken owner. In the film he is stolen, sold, tossed out into the street and saved by a clown. The boy Fedyushka gets lost looking for the dog and ends up a prisoner of the sinister Mazamet who compels him to rove from house to house to make money, while Fedyushka’s father wanders through the streets in search of his lost child. The film was approved by the censors in 1926 and received the authorisation for international distribution the following year. Before the Czech print was discovered in 2012, Kashtanka had been considered lost in Russia, following the decision by the Central Committee of film censorship to ban the film in 1932 (“the underclass is portrayed as evil, lacking in class consciousness and social awareness”). Natalya Nusinova
Princess Bibulova decides to go fishing along the river, while not far away, a musician leaves his two companions to go for a swim. Soon afterwards, the princess also goes swimming. While neither swimmer is looking, two thieves lurking on the riverbank steal their clothes, leaving the musician and the princess in a puzzling and embarrassing situation.
Early one May morning, after a long absence (during which she lived in Paris), the widow Madame Ranevsky returns home to her family estate to find that it has been heavily mortgaged to pay for her extravagances and that it is to be auctioned off.
Lyrical story about a young double bass musician who travels with fellow musicians out of town to play at a wedding in a summer house. A thief and a girl, a bride at a wedding, will unexpectedly determine his fate. In a film without dialogue, music has a special role.
Owerri, 1967, on the brink of the Biafran Civil War. Lolo, Nne Chukwu and Udo are grieving the loss of their father. Months before, two ruthless military coups plunged the country into chaos. Fuelled by foreign intervention, the conflict encroaches on their provincial village, and the sisters long to return to their former home in Lagos.
