Antonio Capuano
Three chapters. Three generations. Giggino always running around, restaurant poet, small street thief. 50 years old. His father Antonio, a pensioner from Italsider and nostalgic of the old factory days and what represented. Expert and promulgator of Maradona’s deeds. 80 years old, maybe more. Finally, Marco, a deli shop boy, chasing a future but not knowing how. 18 years old. Around them a jungle of a very populated neighborhood, Bagnoli, in a great city, Naples. Where purpose was lost and a new one was not yet found.
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
A documentary about "The Squallor", Italy's first and most successful "ghost band" project, created by four big bosses of 70's-80's Italian music business.
A judge decides to take a difficult child, Mario (9 years old), from his family and entrusts him to a couple of unmarried forty-year-olds. For the three of them, living together is difficult and painful, since the couple and the child come from two separate realities. As relief from solitude and displacement, Mario creates his own world, where he meets Schad Sky, an imaginary playmate.
Italian filmmaker Antonio Capuano writes and directs the grueling gangster drama Luna Rossa (Red Moon). Aging Tony Cammarano (Italo Celoro) is the patriarch of an organized crime family, but his son Amerigo (Toni Servillo) runs most of his operations. Amerigo is a killer who invites his mistress, Rita (Lucia Ragni), to live in the family house. Meanwhile, his wife, Irene (Licia Maglietta), has an affair with mob henchman Egidio (Antonino Iuorio), who fancies the Cammarano's teenage daughter, Orsola (Antonia Truppo). This leaves Irene to eye her own son, Oreste (Domenico Balsamo), who has taken to self-mutilation. Luna Rossa won the Wella Prize at the 2001 Venice Film Festival.
Five Italian directors -- Pappi Corsicato, Antonietta DeLillo, Antonio Capuano, Stefano Incerti, Mario Martone -- contributed a quintet of short films depicting life in Naples under the shadow of the volcano for this anthology film of comedy, drama, surrealism, and political commentary on the Italian left. Shown at the 1997 Venice Film Festival.
A young priest crusades against organized crime in his Naples neighbourhood but falls in love with a 13-year old boy. It's the chance the gangsters were waiting for to get rid of the thorn in their side. Will they be able to force the boy to accuse the priest of sexual harassment and have his reputation destroyed?
A collective film made of nine episodes characterized by a critical and pessimistic attitude towards the future of Italy in the case of the ascension of the center-right government of Berlusconi.
A despairing Rosario has just murdered his wife and daughter at the dinner table on New Year's Eve. Somehow, Vito quietly convinces his father to drop the gun, spare their lives and call the police. Placed in the custody of sexually abusive relatives, Vito is left free to roam the trash-strewn back streets of Naples where he and his friends engage in drug abuse, prostitution and petty crime.
A freakish coincidence brings together a songwriter and the lyricist from whom he inadvertently stole the lyrics to a hit song.
