Apurba Kishore Bir
Nanak Shah Fakir is a biographical film on the life and teachings of the first Sikh guru, Guru Nanak Dev.
Kedar Babu is a freedom fighter since the days of Mahatma Gandhi's call for a Civil Disobedience Movement. Kedar Babu lost his wife at an early stage of his marriage. Since then, he has brought up his only son Sangram with all paternal affection. In town, Sangram stays in the house of a landlord, Bahadur Suryakant Singh, where there is a gradual moral decline. This puts him in a state of dilemma and delusion. In the last encounter with his father. Sangram experiences a new perception of life, illuminated with anxiety.
Circa British Rule in India, a man vows to make his only surviving son, Narayan, alias Nani, a Brahmachari to atone for the deaths of five of his children. He takes this child to a remote village in Karnataka, South India, where he leaves his 11 year old son in the care of a learned Archarya, Udup Pandit. Here Nani gets to meet two other disciples of the Archarya, as well as his widowed daughter, Yamuna, and another male by the name of Shrikar Upadhyay, who also teaches the British how to read and write in Hindi. The Archarya goes away for a few days, and when he returns nothing is the same anymore. His daughter is pregnant, the villagers are all set to remove her from the village, they are also angry with him for refusing Yamuna to follow the traditional way of a Hindu widow.
Aadhi Mimansa is the story of two feuding families located at the edge of a tranquil small town in Odisha. It brings in to focus the struggles, aspirations and the tragedies of two friends, Arakhit Babu and Kshetrapal Babu, placed at the opposite ends of the caste hierarchy. Though Arakhit Babu is a brahmin and Kshetrapal Babu is from a low caste, they share a dilapidated house as tenants. Their friendship transcends the caste, culture and language divide. But the seeds of discord is sown by an old Brahmin woman who poisons the mind of Arakhit Babu`s wife against Kshetapal’s wife regarding a clogged waste pipe. The discord between the two families becomes intense so mich so that the families stop talking to each other. Kshetrapal Babu decides to vacate the place. However, the solution to their problems comes from the most unexpected quarters and harmony is finally restored.
Aadi Mimansa is a 1991 Indian Hindi and Odia-language film directed by Apurba Kishore Bir, starring Ashok Kumar, Mohan Gokhale, Neena Gupta, Gloria Mahanty, Bijainee Misra, Nargis and Lalatendu Rath.
Phirojshah (Naseeruddin Shah) and Pestonjee (Anupam Kher) are two close friends. They attempt to do everything together, and they hope that they will marry the same day as well. Unfortunately, both go to see the same young lady, Jeroo (Shabana Azmi), and Pestonjee ends up getting married to Jeroo. Phirojshah has been stricken by Jeroo's beauty and decides not to marry, and takes a transfer away from the couple. During the years, he keeps in touch with the couple by mail. While on a visit to the couple, he finds out that Pestonjee has a mistress, and Jeroo does not know of this. How will this effect Phirojshah's friendship with Pestonjee? Does Phirojshah stand a chance with Jeroo?
The story is of Kamalakshi (Archana), a bonded woman known as Daasi in Hyderabad State in the 1920s in Telangana region. She has been sold by her family for money to be the servant of a wealthy couple. She is expected to do every chore imaginable in their house. She is also required to be the sexual toy of the man of the house (Dora) and his guests - anywhere and at any time of the day or night. When she becomes pregnant, she endures and hopes to keep the baby. However she is forced to have an abortion.
Dinanath Shastri (Madanpuri) is a devout Hindu firefighter. One day his son, Shankar (Mithun Chakraborty) brings home a young girl, Salma (Rameshwari) as he felt sorry for her. Dinanath thinks she is Hindu and calls her Shanti, and thinks of making her his daughter-in-law, as she nurses him and looks after the entire household after he has an accident. One day Dinanath meets with a blind man who he recognizes as Dr. Varma (Om Shivpuri), who he has known for many years. Dr. Varma's daughter, Neetu (Ranjeeta Kaur) and Shankar were childhood sweethearts. This news breaks Salma's heart but she does not let anyone know. Dr. Varma's arch enemy the wealthy, powerful, and seemingly generous Agnihotri (Amrishpuri) finds out he is alive and sets his goons out to kill him. Why would a rich and generous man want to kill a harmless blind man? What will be the reaction of the devout Dinanath when he finds out that Shanti is Muslim?
Homi Mistry (Ashok Kumar) has been a widower for several years now, and looks after his four sons, their small house, and a job at the factory. Nargis Sethna has been widowed; is a housewife, has two sons and a daughter, and a large house. Then Soli (David), Nargis' and Homi's friend, suggests that the two get married, then at least the children will have a mother and father, as well as a larger house. They do get married, and hilarious chaos results, as the family and the children try to accomodate each other and fit in with their new family and surroundings.
Sanjay wanted to study art, but his domineering father, an engine-driver in retirement after a crippling injury, insisted that a railway job, with its security, was the best thing for him. So Sanjay ended up as a train conductor, unhappy with the career forced upon him, and the mechanical, meaningless life that he lives. In the course of his duty on the train, he runs into a working girl, Shalini and feels attracted to her. His father hears about his interest in Shalini, strongly disapproves of it and intervenes in Sanjay's life once again. Unable to stand up to his father, Sanjay soon finds himself married to a village girl. Life becomes even more unbearable for Sanjay. He takes to wandering and seeks comfort in drink and brothels. One final chance comes his way to break loose from his shackles and plan a new life with Shalini.
