Ariano Suassuna

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.

16 members from the Brazilian Academy of Letters share their views on the current situation of the portuguese language.

Directed by Isa Grinspum Ferraz, the series O Povo Brasileiro proposes a deep dive into the history of Brazil to talk about historical, social and cultural formations that constitute the identities of the Brazilian people. The production approaches from aspects of the native peoples to the formation of Brazil as a national unit, in a recreation of the literary narrative of the homonymous work written by the anthropologist Darcy Ribeiro.

The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small Northeast Brazil town. But when they die, they have to be judged by Christ, the Devil and the Virgin Mary, before they are admitted to paradise. The edited theatrical version of O Auto da Compadecida.

In the small town of Taperoá João Grilo and confusion Chicó live setting, addressing a sacristan and a humble baker. Everyone lives under the excesses of the bishop, the priest and the major. Until an attack on the city, all die at the hands of the bandit Severino and must stand trial in the sky, which puts everyone before God and the Virgin Mary.

In the interior of Paraíba a tournament between cowboys who must demonstrate mastery in knocking an ox down by the tail while they ride.