Arnaud Desplechin
In 1965 Ingmar Bergman filmed “Persona”, the cult film that brought together all of the Swedish filmmaker’s obsessions and became a turning point in his career.
Three young cinephiles follow Jean Douchet, question his friends and former students. This documentary reveals the man and his critical philosophy, a part of the history of Cahiers du Cinema and this art of loving to which he has devoted his existence.
The film tells the tale of a widowed film director who is in the middle of making a film about an atypical diplomat inspired by his brother. While he has started a new life with Sylvia, he still mourns the death of a former lover, Carlotta, who passed away 20 years earlier; then Carlotta returns from the dead, causing Sylvia to run away.
Paul is preparing to leave Tajikistan, while thinking back on his adolescent years. His childhood, his mother's madness, the parties, the trip to the USSR where he lost his virginity, the friend who betrayed him and the love of his life.
Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.
The Forest is both a vibrantly spontaneous and brutally funny family drama, and a glorious tribute to acting and theater - in other words, an Arnaud Desplechin film. With Michel Vuillermoz and Denis Podalydès as the nephew and his friend, Adeline D’Hermy as the niece, and Martine Chevallier in a stunning performance as the sublimely selfish aunt Raissa.
Adapted from the 1951 non-fiction account by psychoanalyst Georges Devereux, “Psychotherapy Of A Plains Indian,” the film follows the true story of Picard (Del Toro), a Plains Indian of the Blackfeet nation, as he returns from WWII and begins experiencing unexplainable symptoms shortly thereafter. He travels to the famous Winter Hospital in Topeka, Kansas, where he meets Devereux (Amalric), thus beginning a professional and personal friendship guided by compassion and understanding of Native American culture.
Call for the regularization by the French government of all undocumented workers living in the country, a short film co-directed by 320 filmmakers and directors, producers, distributors and cinema owners.
When their regal matriarch falls ill, the troubled Vuillard family come together for a hesitant Christmastime reunion. Among them is rebellious ne'er-do-well Henri and the uptight Elizabeth. Together under the same roof for the first time in many years, their intricate, long denied resentments and yearnings emerge again.
In Paris, a university student attempts to lead a double life - in love with her French boyfriend Pascal, and staying true to her Algerian family, particular her strict, traditional father. In Algiers, her cousin Yacine leads a parallel life, preparing to leave his girlfriend to move to Paris.
Nora Cotterelle, a woman in her 30s is caring for her ill father, Louis Jenssens. While Nora tries to present a facade that all is well with her life, she is twice divorced and has a son, Elias, whose father is dead. Nora's present relationship is not going well, and she is soon to marry a businessman, while Elias is becoming increasingly withdrawn. A parallel storyline follows her former lover and second husband, Ismaël Vuillard, a musician, with whom she had lived for seven years. He is given to strange behaviour, and as a result he has been committed to a mental hospital, from which he is planning to escape. Nora learns that her father's digestive problems are actually cancer, and facing her father's death, Nora desperately seeks out Ismaël to ask that he reconnect with Elias, but he has mixed feelings about adopting her son. Moreover, he has met Arielle, another patient.
Power and corruption—and the men who rule with them—are ruthlessly scrutinized in this multilayered French work set in a shadow realm of arms dealers and blood ties. Part Shakespearean family tragedy, part political noir, it recalls such American paranoid thrillers of the 1970s as All the President’s Men and Marathon Man, revealing protagonists who work in the shadows, the unseen kings of the contemporary jungle.
In support of undocumented immigrants in France, a collective film jointly signed by 200 French filmmakers, producers, distributors, and cinema owners. Produced by Le Collectif des Cinéastes Pour les Sans-papiers, with Madjiguène Cissé.
Paul Dedalus is at a crossroads in his life. He has to make several decisions; should he complete his doctorate, does he want to become a full professor, does he really love his long-standing girlfriend, or should he re-start with one of his other lovers?
After spending some time with his diplomat father in Germany, a young French medical student returns by train to Paris to resume his studies. He is puzzled by the harsh treatment he receives from customs at the border but doesn't begin to understand why until he gets home and discovers a mummified head in his luggage. He suspects that someone at customs put it there, but is not sure. Instead of reporting the meandering body part, he decides to investigate it using the tools he has as a medical student. It appears to be the head of a Russian who died somewhere in Asia.
A young woman convenes with her extended family in a provincial village where her cousin, in a coma, is hospitalized after attempting suicide.
25 year-old Hippo doesn't have a job, doesn't study either but lives from the money his younger brother earns with dealing and from occasional Poker winnings.
In 1940, Jean Ray began writing the "Polichinelle d'acier"; he would never finish the short story. A narrator will disassemble the text, explore the writer's past, call witnesses to the stand, and thus penetrate the workings of a formidable spy network.
