Arne Arnbom

This set was recorded in the late 1960s to early 1970s. Herbert von Karajan is widely acknowledged to be one of the finest conductors of the 20th century, and around 1970 he was at his peak.

A comprehensive portrait of one of the 20th century's most brilliant and charismatic conductors working with three great orchestras: The Berlin Philharmonic, the Concertgebouw Orchestra of Amsterdam and the Vienna Philharmonic, performing works by Beethoven, Mozart and Bruckner. Kubelik didn't arrive on the podium trailing clouds of glory like von Karajan or Leonard Bernstein. He seemed to just appear there, shyly and without fanfare. His 'bed hair' curling outward, making his head look like the letter w. His appearance and demeanor suggested that a timid, tentative performance was likely. Then he'd rip into a taut and crisp Eroica or an effervescent, crystalline Prague Symphony.

In Vienna's Musikverein, Leonard Bernstein and the Vienna Philharmonic celebrates Ludwig Van Beethoven's 200th birthday with a joyful performance of his Piano Concerto No. 1 in C Major. Maestro Bernstein conducts the orchestra from the keyboard in this historic concert.

Karl Richter conducts the Munich Bach Orchestra in all 6 concertos.

"The Folding Castle" - a musical drama - Built in blue, lasts longer than you think, can withstand being watch. The shadow of the cloud is slowly eroding, the edges of the giant mountain. The dust of the fairy tale grinds the raw diamonds of life. A story by Gunnel Linde, to music by Bengt Hallberg, choreographer by Tyyne Talvo Cramér, starring Alice Babs.

Stimulantia is a 1967 Swedish anthology film comprising eight episodes by eight different directors including Ingmar Bergman, Jörn Donner, Gustaf Molander and Vilgot Sjöman and starring among others Ingrid Bergman, Harriet Andersson, Gunnar Björnstrand, Lars Ekborg and Inga Landgré.

A multi-media event with choreographed dance, mobile decor, variable lighting, multiple film projection, and live-electronic music activated by the dancers' movements.

Paradoxically described by Walter Sorell as "a tender lullaby of love" and by Richard Buckle as "cold and menacing, the courtship of the Macbeths," Night Wandering is a duet reminiscent of snowy landscapes. Cernovitch designed the original costumes: fur tunics that Cunningham wore over trousers, and Brown wore over tights. Continuing with the piece's Nordic theme, the music by Bo Nilsson was characterized by bursts of activity followed by moments of silence, evoking the feeling of traveling through the spacious, and seemingly endless Northern night.

Performed like a series of vaudeville scenes that overlap, Antic Meet consists of ten playful and comedic numbers. The curtains opened with Cunningham moving among the other dancers as a clown-like figure "who falls in love with a society whose rules he doesn't know," and concludes much in the same way, as he attempts to keep up with the dancers, each with their own movements, as they dance diagonally across the stage. Cage provided the musical accompaniment, using a version of Concert for Piano and Orchestra, and Rauschenberg designed the costumes, which included fur coats and parachute dresses over black leotards.

Adaptation of Nobel prize laureate Harry Martinson's famous poem. The poem consists of 103 cantos and relates the tragedy of a space ship which, originally bound for Mars with a cargo of colonists from the ravaged Earth, after an accident is ejected from the solar system and into an existential struggle. The style is symbolic, sweeping and innovative for its time, with creative use of neologisms to suggest the science fictional setting. -- Wikipedia