Ashok Banthia

Tarun and his wife Shrishti are living a happy life with there daughter . One day to save the Honor of a woman, Tarun accidentally kills two gangsters. After this his black past unfolds and starts haunting his present life. Tarun has to go back to his roots and get out of his past to make his family secure and happy.

6.6/10

Despite the popularity of his talk show, Samar faces crises in his bond with his wife. He agrees to execute an assignment presented by a media mogul, but a deadly whirlpool engulfs him.

3.7/10

Legend knows him as an archer of unwavering focus, the soldier who fought a battle in his own heart before taking up arms against his enemy. This is the untold story of Arjun, hero of the Mahabharata. A precocious talent plunged from boyhood and innocence into a murky world of deceit and betrayal, coming of age to become the most powerful warrior of his time. From the dusty plains of Hastinapur to the icy peaks of the Himalayas, Arjun: The Warrior Prince is the story of a man discovering what it takes to be a hero.

6.8/10
6.7%

Ramayan, based on Valmiki's Ramayan and Tulsidas's Ramcharitmanas, as well as Chakbasta's Urdu Ramayan, is an Indian television series produced by Sagar Arts which aired on NDTV Imagine. It is also partly derived from portions of Kambar's Kambaramayanam, Bhavarth Ramayan, Krittivasi Ramayan by Krittibas Ojha, Shree Rangnath Ramayana by Gona Budda Reddy, Ramchandra Charit Puranam by Abhinavpamp Nagchandra, Adhyatama Ramayanam by Tunjat Eluchan, Shree Anand Ramayan by Pt. Ramlagna Pandey. It is a remake of the highly successful Ramayan that was created, written, and directed by Ramanand Sagar and which aired on Doordarshan from 1987 to 1988. The show won the "Most Promising New Show of the Year" award at the Indiantelevision.com's New Talent Awards. In addition to this, Gurmeet Choudhary, who played the lead role of Lord Rama won the "Most Promising New Talent of Tomorrow" Award.

7.2/10

Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

6.2/10

A police officer adopts the son and sole survivor of a family he has massacred while pursuing a terrorist. After some time the foster son finds out what the stepfather did.

6.7/10

Filmed in India, Rumer Godden’s story has been adapted and directed by the Jewel in the Crown team. Two English schoolgirls arrive in New Delhi, 1959. Their diplomat father has secured them a beautiful Eurasian governess. 15-year-old Una suspects an ulterior motive. But her father’s affairs take second place to her own when she has a secret affair with the Indian gardener.

7.6/10

Based on the novel by Bhisham Sahni, Tamas is an epic drama set against the backdrop of riot-stricken North India on the eve of Partition in 1947. Nathu, an outcast, is hired to kill a pig, whose carcass he’s later appalled to find in front of the mosque. A riot follows and, ridden with guilt, Nathu takes his ailing mother and pregnant wife and leaves town.

8.9/10

Dramatization of the 1932/33 Test cricket series between England and Australia. Played in Australia, the series gained notoriety in Australian and worldwide cricketing history for the fact that the English team (headed by captain Douglas Jardine) applied a bowling technique called "leg theory", or more commonly, Bodyline. This technique involved bowlers bowling the ball directly at the batsman's body, and resulted in many of the Australian team receiving numerous bruises and injuries, with batsman Bert Oldfield sustaining a cracked skull. The series generated much anger and resentment towards the English team within Australia and seriously damaged Anglo-Australian cricketing relations at the time.

8.5/10