Ashok Kumar
When Interpol officer Kyle Connors, Don "The Dragon" Wilson, watches his partner die in an explosion, he swears he'll hunt down the killer. Yanked of the case by Internal Affairs, Connors defied his orders and follows the only lead he has... to India. Now, he is in a strange land where nothing is what it seems. Who can he trust? A beautiful counter-operative? An earnest young cop? A reclusive arms dealer? In a country where assassins come cheap, Connors finds himself in a cobra's nest of danger and betrayal.
Rajoo lives alone and works in a decent company. He also has a girlfriend, who he intends to marry, that being Pooja. God suddenly appears to Rajoo one day and asks him to spread His word. Naive Rajoo does so, and this results in chaos, misunderstandings, and confusion. And as a result poor Rajoo is hauled up in Court, and the only one witness that can save Rajoo is God, but will God make an earthly appearance?
In trying to gather evidence against smuggler Narendra, a journalist, Nandanda, is killed by a masked man, leaving his only son Sagar to take revenge for his death. Sagar is then falsely accused of killing a woman named Shalini, arrested by his brother, Constable Ram Singh, and put in jail. Sagar pleads innocence and Ram Singh leaves no stone unturned trying to prove Sagar's innocence, but when the case is tried in court, Sagar is sentenced to death. Ram Singh, however, is able to convince the judge of Sagar's innocence, and gets him released. Then Ram comes across the real perpetrator of the crime, arrests him, and finds himself embroiled in deception, and charged with the murder of the person he had just brought in. Trapped behind iron bars, how will Sagar avenge his father's death and prove his innocence?
The story surrounds the lives of Dr. Rehman (Shashi Kapoor) who believes in saving the lives of the poor, instead of opening up a clinic in a big city and making money; Soni (Rekha), an innocent village girl, who was abducted by dacoits during her marriage with Dharma (Puneet Issar), and when the police rescue her and bring her back to her groom, he and his family reject her, making her seem like a fallen woman; Dr. Kumar (Ashok Kumar) who is the very opposite of Dr. Rehman; and Dr. Anand (Vinod Mehra), the son of Dr. Kumar. Dr. Anand practices under Dr. Rehman, who testified for him during a criminal trial for malpractice which resulted in the death of the husband of Rani Sahiba (Moon Moon Sen). Soni has fallen in love with Dr. Anand, but Dr. Anand has strong reservations against her, due to her background.
Baffling the authorities, a secret organization with powerful connections is creating havoc and getting away with loads of money. But their criminal run may be drawing to an end as an astute secret agent closes in with plans to bring them down. Unfortunately, the gang of baddies is tipped off to his activities and devises a counter-attack designed to eliminate him permanently.
Indian Army Captain Amar Kumar lives with his father, Ram, and mother, Saraswati. Ram has been associated with top freedom fighters during India's struggle for independence from the British. Almost all of these freedom fighters had taken advantage of their involvement and have taken up important positions in India's administration, and these include Jagrathan, and Mohanlal. While others like Vaisakh Ansari and Ram have chosen not to.
Utpal Dutt stars as Chaudhry, a landowner who comes to town looking to get his daughter Sunita (Zarina Wahab) married to the son of his childhood friend Khanna. Khanna's son, Jai (Farooque Shaikh), isn't interested in marrying anyone, but his determined father nonetheless plans a trip to Chaudhry's village for Jai, hoping things will work out. What ensues is a hilarious comedy of errors.
A young girl has returned to India from London to see her old dying uncle. But she is unaware of presence of some goons planning to find hidden treasures of that house.
The film mainly is about a tawaif (courtesan or some one who willingly or otherwise adopts the profession of entertaining others for a living), who accidentally enters the life of Dawood (Rishi Kapoor) who already has fallen in love with an upcoming writer (Poonam Dhillon). The situation becomes such that he has to claim that she (the Tawaaif) happens to be his wife. Soon the Tawaaif makes room in everybody's heart by her softness and intelligence, love and affection. It becomes difficult for Dawood as he cannot forget his first love (Poonam Dhillon), nor the Tawaaif (Rati Agnihotri) and also that he cannot tell the identity of Rati to anybody else. However, gradually all problems are solved, misunderstandings removed and Dawood willingly accepts Rati while Suleman Seth (Deepak Parashar) who also loves Poonam, accepts her.
Mohan Kumar's diligence and honesty lands him in trouble with Balwant Singh Kalra, Jugal Kishore Ahuja, and Mr. Bhandari. Together the trio frame and imprison Mohan and make him watch helplessly as his wife is killed. Years later, Mohan Kumar is released from prison, his only goal in life is to avenge his humiliation and wrongful arrest at the hands of the trio. With the help of Dinesh Verma, he establishes himself again, and starts the process of bringing death and destruction to the trio. The trio are well aware of his presence, and decide to send one of their men, Ravi, to spy on him. Ravi falls in love with Verma's daughter, Roma, and decides to change sides to help Verma and Mohan, but Mohan will not have anything to do with Ravi, and asks him to leave. Ravi then becomes a target by the trio and their men, and has to save himself, and the only way he can redeem himself is by turning the tables over Mohan, who is none other than his own father.Duniya
Rai Bahadur is a wealthy man who lives in a palatial home with his grand-daughter, Pinky, and grandson, Raju. One night Raju gets abducted and is sold to notorious and hideous-looking gangster Ustad, who forces crippled children to beg and steal for him. Raju also gets inducted in this gang, and is taught to steal at a very young age. Years later, Pinky recognizes Raju as her brother and takes him home to grandpa, who accepts him immediately and provides for him with joy. Then a few days later some silver items are stolen from his house, and Raju is missing. Rai Bahadur is shocked and reports this matter to the police, and continues his search for his missing grandson. Is Raju really his grandson? Did he actually steal the silver items?
When Sunita, a middle-class girl, marries Prem, a rich man, she is ill-treated and not respected, as her father is unable to pay dowry. She must now find a way to regain her self-respect in the house.
Amitabh Bachchan in a triple role as father with twin sons. The standard plot of families separated then united many years later with a string of coincidences. Throw in a diamond necklace and Amjad Khan playing the bad guy, some musical numbers, comedy scenes, and some poorly staged fights make up this masala movie from 1983.
Geeta, a stage artist in Star Theatre Company, takes a ride in industrialist Sandeep Anand's car and gossip starts making rounds about their love. Sriram, owner of Star Theatre Company, wants to take advantage of the love between Geeta and Sandeep and publicizes that their new play will be sponsored by Sandeep Anand without Sandeep's knowledge. Sandeep goes on to investiglate the mysterious bills he gets for costumes, meets Geeta and falls in love with her. After quite a lot of confusion, things settle down and Sandeep and Geeta finally get married.
It is a tragedy that few people know about this gem. It has everything great random songs, comedy, tragedy, drama, action, betrayal, murder, criminal masterminds, romance, jealousy, siblings reunited, miracles, wonder pets, advanced technology, and memorable dialogue. An amazing Vinod Mehra in his prime (wonder why he never became a big star...?) complements many other stars and a huge number of big-name cameo appearances.
Time is running out for Khushbu, Ravi Sharma(Sunil Dutt)'s daughter. Her leukemia can be cured only if someone's bone marrow matches her daughter so, he goes abroad and gets in touch with her former wife (Smita Patil).
Widower Raghunath Singh lives a very wealthy lifestyle with his daughter, Shalini. While making a presentation on the importance of women, he is shot at by a woman, but is uninjured. Shortly thereafter, Shalini introduces him to her boyfriend, Advocate Ajaykumar Saxena, who turns out to be the nephew of Dindayal, Raghunath's childhood friend. Raghunath subsequently hires Amar to train Shalini to be a good businesswoman, and expects both to marry soon. Then Shalini finds out that there she has a twin named Ratnabai, who is the daughter of a Courtesan who had been intimate with Raghunath, and was responsible for the attempt on Raghunath's life. She brings Ratna to her home, much to the chagrin of her dad. Soon Ratna starts to make herself at home in her new surroundings, and her demands start to increase - from mimicking Shalini, to flirting with Ajay.
Farmer Chandan Singh lives a simple in the village until his wife is molested by a local goon
Raju comes from a middle-class family, and lives with his mother. He meets with nurse Shobha, and both fall in love. The only problem is that Raju somehow or other always gets mixed up in problems, and ends up getting in trouble with the police. As a result, he ends up getting in jail very often. One day he really gets into trouble by antagonizing a notorious gangster, and has to run for his life. Due to his "trouble maker" character no one really believes him, and it is upto him to save himself from this problem, without ending up in prison again.
Nirmala Gupta runs her household and family in a very strict and authoritarian manner. While most of her family resents this, they do obey her and carry out her instructions, so as to be on her good side. Things start to change after her second son gets married to Anju. Manju, Anju's sister, comes over to stay for a few days with the Gupta family, and is accepted by everyone except Nirmala. Nirmala's third son intends to marry Manju. But Manju does not like the manner in which his mom bosses everyone, and feels some changes are needed in the Gupta household
Two students are framed for molesting a girl and must leave college. To make ends meet, they pose as tutors to a young lady who they both fall for.
Raja was adopted by a criminal don (Ashok Kumar) at a very young age. After the death of the don, Raja inherits the property, and refrains from crime. However, the wealth and the power associated with it, make him arrogant. He desires Radha, the daughter of his servant, Ramu, and Raja asks his permission to marry her, Ramu accepts, but Radha refuses as she loves Kishan. Raja finds out that Radha is meeting with Kishan on the sly, and complains to Ramu, who forbids her from meeting with Kishan. Then Raja finds out a secret from Kishan's past, meets with him, hires him, and even arranges a lavish marriage for Kishan with Radha, resulting in Kishan being indebted to Raja. Raja entrusts him with more important and responsible work, which must get Kishan to travel a lot. Kishan eventually finds out the real reason for Raja's kindness. Was it that Raja wants Kishan out of the way so he can be near Radha, or is there another reason?
Safed Jhoot is a 1977 Bollywood comedy drama film directed by Basu Chatterjee.
Gauri and Prakash are in love and get intimate. Their ways are separate, and Prakash must marry Renuka, as she meets his family's approval. Gauri gets pregnant as a result of this intimacy, gets ill, and is hospitalized. It is here that the truth surfaces about Gauri and Prakash, as details are revealed of their past birth, in which they were lovers - Gangadhar Upadhyay, and Gauri, and Kalavati (presently Renuka). During this previous birth too, Gauri gets pregnant, gets ill, and passes away, because of Kalavati's interference. The child in her womb does not survive, and as a result Gangadhar also gets killed. In this birth, the only way Prakash can survive is after someone who loves him sacrifices their life for him.
Homi Mistry (Ashok Kumar) has been a widower for several years now, and looks after his four sons, their small house, and a job at the factory. Nargis Sethna has been widowed; is a housewife, has two sons and a daughter, and a large house. Then Soli (David), Nargis' and Homi's friend, suggests that the two get married, then at least the children will have a mother and father, as well as a larger house. They do get married, and hilarious chaos results, as the family and the children try to accomodate each other and fit in with their new family and surroundings.
Vijay (Jeetendra) is a Crime Reporter and very often helps the police in apprehending criminals. When his stepmother (Kamini Kaushal) passes away, she asks him to look after his step-brother, Anand (Vijay Arora), which he promises to do so.
Kindly Dr. Gupta (Ashok Kumar) is preparing to retire, and hopes to marry his daughter Jyoti (Zarina Wahab) to his associate Dr. Anand (Parikshit Sahani). Anand does not have time to romance, or assist Dr. Gupta on his large egg farm, so he hires a college friend as property manager, Mukesh (Vijayendra). Jyoti is entranced by Mukesh, and against her fathers wishes decides to marry him. Mukesh has his eyes set on the good life, but unknown to Jyoti he is already married to Geeta (Sarika), whom he abandoned with a child when he found out she was Anpadh (illiterate). Dr. Gupta has an accident one night, injuring a woman named Geeta and brings her home to recuperate. He teaches her how to mingle with high society, dress and eat properly, and ensures the education of her son. In return for his decency and compassion, Jyoti prepares to marry Dr. Gupta. When her father arrives for the festivities, he recognizes Mukesh.
The story revolves around a young woman (Hema Malini), who plays five different characters in the film – Sapna, Padma, Champabai, Dream girl, and Rajkumari, to steal money in order to maintain a home for orphans.
A family is plagued by the vengeful spirit of a murdered man who uses the body of an innocent child to enact his revenge.
Mr. Choudhary does not approve of his son, Arun, indulging in singing songs and music. He wants him to be a businessman like himself. Out of fear of his father finding out about his continued indulgence, Arun changes his name to Sanjay Kumar. He soon becomes a popular singer, and is even hired by the local radio station to sing songs. With his increasing popularity, the risk of his dad finding out the truth has also increased, and Arun must try and keep his family life and his singing career a secret, but the question is how long will he continue to do this.
The Kapoor family consists of Kishorilal, his wife Lajjo, son, Prakash, and daughter, Geeta. Kishorilal and Geeta toil hard to ensure that Prakash gets a good education so that he can study in America, return home, and repay the loans that the family has taken. Prakash does get to complete his studies, he also travels to America, upgrades, and returns home to be employed as Kishorilal's boss. Then Prakash gets married to Reena, who comes from a wealthy family, and moves in with them. Geeta confides in Reena that she has met a young man by the name of Ranjit, both are in love and want to get married. The entire family is overjoyed, but their joys are short-lived when Ranjit's dad, Mayadas, asks him to get married to the daughter of a wealthy man, when he refuses, he is asked to leave.
Arjun Pandit is a 1976 Hindi movie starring Sanjeev Kumar, Ashok Kumar, and Vinod Mehra, and directed by Hrishikesh Mukherjee. Bindu, Deven Verma, Sachin, and Keshto Mukherjee play other roles in the movie. The film's music is by Sachin Dev Burman.
An honest police officer's life is shattered when he refuses to be corrupted in this crime drama from India. After Amar Singh (Pran) rebuffs gangster Babubhai's (Anwar Hussain) attempt to buy him off, he's subsequently framed for murder and sentenced to a long prison term. While he serves his time, his family falls apart and his wife and sons are separated. When Amar finally leaves jail, he's a different person -- an angry man driven by revenge.
Arun (Amol Palekar) is a shy accountant in Bombay who dreams of romancing Prabha (Vidya Sinha), but never gets past following her around without managing to actually speak up. While Arun twiddles his thumbs, suave Nagesh (Asrani) steps into the picture and turns on the heat, prompting Arun to take "love coaching" from "romance specialist" Julius Nagendranath (Ashok Kumar) to win Prabha back. One of the funniest Hindi films of the 70s - is a nostalgic favourite for its quirky take on pre-hypercongestion Bombay. The film established Amol Palekar as having an uncommon comic talent for playing mousy characters, a role he would repeat several times in his career.
Bhola Nath is a young petty criminal/robber/pickpocket whom works with a female acomplice and his former lover, Sharmii. Bhola unknowlingly is the illigetimate son of a police officer, named Kumar, whom has been tracking a shadowy gangster, named Amanarchard Rathore, whom Kumar imprisoned 20 years before and has now been paroled and resumed his life of crime. Bhola was abducted by Amanarchard's henchmen as a little boy, but escaped and was raised by a veteran thief named 'Mr. John,' while his Lt. Kumar and his wife and other son have long belived that their other son was dead. Bhola and Sharmii stumble upon a manuscript for a book titled 'Chori Mera Kaam' during one of their robbery excursions belonging to Mr. John's former partner in crime which they sell to a shady publisher, named Parvin Bhai, which becomes a nationwide best seller. But it attracts unwanted attention from the police, the local mob, and the original writer himself.
Shekhar Dayal (Amitabh Bachhan) has moved into a new neighborhood, and is unhappy with the new surroundings. He resents the noise children make while playing, as he prefers quiet and solitude. His reclusion is shattered when his neighbor, Mili, comes into his life. At first he hates the intrusion, but then grows fond, and ultimately falls in love with her. When the time comes for him to propose to this sunny, cheerful, and positive young lady, he learns that she has only a few more months to live..
Vishal is a poet and lives a middle-class lifestyle with his widowed and wheelchair-bound mom. He is in love with Aruna, who works with a publishing company. Due to his forthrightness, Vishal is unable to keep a job, and Aruna attempts in vain to get him to work at her firm. Then she stops meeting him altogether, and a few days later he gets an invitation to attend her marriage with her boss, Anand Kumar Sahegal. This turn of events devastates Vishal to such an extent that he takes to alcohol, visits prostitutes, gambles, and hates all women especially Aruna. Vishal gains fame selling his poems to Ramu Makhichandani, but does not improve his lifestyle. Then one day a young woman named Sonia enters his life and both of them fall in love with each other.
A man (Rajesh Khanna) comes to the rescue of a woman (Hema Malini) who is being molested by her boss and hires her on as his secretary.
In order to extract a huge sum of money from underworld don, Dharamdas, Mama Rampuri and his nephew, Bhola and others kidnap Dharamdas' child, not knowing that Dharamdas' love for money is far greater than his love for his child, and that Dharamdas himself is quite capable of kidnappings and murder himself.
Numerous plot lines intersect in this comedic romp about a female Victoria-carriage driver who disguises herself as a boy, and the hunt for the stash of diamonds hidden in her Victoria.
This movie revolves around a village hospital that was built by a generous hearted man, Choudhury Ramprasad (Ashok Kumar) who is also a patient in the hospital. The other patients include Isamil (Iftekhar), Dayaram (Anwar Hussain), Ratan (Jalal Agha), and the doctor is Dr. Sunil (Sunil Dutt). Amongst the patient is a singer (Deb Mukherji), who loves Shyama (Farida Jalal) a worker in the hospital. When Meeta Sharma (Waheeda Rehman) comes to the hospital to admit her son, she meets Sunil and their romance is rekindled. In the background of the hospital atmosphere is an election in the village, which is proceeding smoothly, but causing a disturbance is Ramprasad's son (Ramesh Deo). Other supporting caste include Jagirdar, Chand Usmani, and Jankidas.
An intelligence officer disguises himself as a thief to try and recover a fortune worth of stolen gold.
Udharchand Shikarpuri is a homeless man who lives in Bombay albeit under the roof of multi-millionaire Seth Kalidas, who six months away in his palatial house in Mussoorie. For the 4th time in his life, Udharchand 'moves' into Kalidas's Mansion along with his dog, Chicko. He meets and befriends two other homeless men, Raju and Vijay, and invites them to live with him. Shortly thereafter, one night the trio find that a female thief has broken into the mansion, they confront her, find out her name is Roopa, feel sorry for her, and invite her to also live with them. Subsequently, Raju's wife, Kiran, his son, and sister, Rita also move.
When Vijay is rejected by Aarti he disguises himself as a school teacher to woo her.
A hopeful writer, poor but educated Anoop attacks the ruthless exploitation of the lower classes by the rich with his fiery speeches. But his uncompromising principles could stand in the way of the connections he'll need if he hopes to reach a larger audience with his message. A liaison with a wealthy family could bring the exposure and success Anoop desires, but at what cost?
Door Ka Rahi is story of a person named "Prashant" who is on the travel for the wellness of society, and the end of Journey is to watch. The angle of the movie focused on expressing the internal feelings.
Sunil lives a middle-classed lifestyle in a village in India along with his widowed mom, Janki. He is studying Medicine in the city, is in love with his childhood sweetheart, Shanta, and everyone expects them to get married soon. However, Janki does not approve of Shanta, finds her uncouth and illiterate, and instead approves of Shobha and arranges Sunil's marriage with her. Shanta's mom, Parvati, falls seriously ill so much so that Sunil returns home, promises to wed her daughter, and she passes away. Sunil returns to the city to continue and finish his studies. After sometime he becomes a fully qualified doctor and returns to the village to open his own dispensary. It is here that he will learn that Shanta is now married to the wealthiest man in the village, Lakshmipati, who is not only a widower, father of a deceased child, but also much older than Shanta. Watch what happens when an embittered Sunil confronts Shanta to find out why she betrayed him and their promise to her late mom.
Bharat is a patriotic Indian who's father was an Independence fighter He goes to London and is disappointed to see that the NRI's staying there criticized everything Indian and were wasting their life away. Prithi(Siara Banu) is one such NRI who falls in love with Bharat but refuses to go back to India with him. rest is the movie hoe he changes her
The marriage between a Rajput and a tribal girl wreaks havoc in the local community
Neela and Avinash are medical students, and are attracted to each other. But Avinash is poor and wants Neela to live a comfortable life. When Neela, who tutors Monto Kappor, meets his elder businessman brother, Shekhar, he instantly falls in love with her. He goes to propose marriage with her and meets her brother.
Raja Saheb (Ashok Kumar) is a rich man, strict father to sons Virendra (Sunil Dutt) and Mahendra. One day, Mahendra has a big fight with his father and dies of shock afterwards. Virendra leaves home and falls in bad company with Pran. Later, Virendra falls in love with a poor girl (Nutan), eventually deciding to marry her. At home, a lonely Raja Saheb falls ill. When Virendra tells his father about his love, his father reveals his own past: He was in love with a poor girl, who died leaving a daughter (Padmini) behind, who dances on the roads to earn a living. Virendra decides to bring his sister home.
Reeta Mehra gets a job at a department store to support her ailing mother. After she refuses sexual favours to an important business partner, her boss Sohanlal has her framed for shoplifting. When Reeta gets out of prison, her mother has died. She meets Heeralal, who has also been cheated by Sohanlal, and together they work out a plot for revenge. Reeta is to marry Sohanlal's son and then reveal her history, disgracing Sohanlal's name. Things quickly become more complicated than anticipated.
Vandana and Arun fall in love the instant they meet. On a trip to a Shiv temple, they get married in an impromptu ceremony in front of God. A chance rainshower strands them at a remote hotel where Vandana gets pregnant. With their legal marriage just around the corner, they don't worry about the consequences of their actions, but unfortunately, Arun dies in a plane crash. Vandana chooses to have the child, Suraj, and as she promised to Arun, wants to raise him to be an Air Force pilot. Fate is cruel to Vandana, however, and the child is adopted by a wealthy family. Vandana becomes a nursemaid to stay close to Suraj. A family member tries to molest her, and in the ensuing fight, Suraj comes to protect her and kills the perpetrator. Vandana chooses a jail sentence to save Suraj, but in the course of her sentence, loses the family--and with it: Suraj. Now what will Vandana do? To find out, watch Aradhana. Written by bollykm
Circa British Rule in India, Satyapriya Archarya lives a modest yet noble lifestyle with his grandfather, Satyasharan. His mother passed away while he was very young, and his dad became a celibate and went off on a pilgrimage, never to return. Satyapriya studies Engineering, and becomes a close friend of fellow-collegian
Principal Vidyanand (Ashok Kumar) is a hardworking and diligent person. Due to his honesty, he gets in the wrong side of Seth Dharamdas (Raj Mehra), who conspires with Vidyanand's pupil, Shyam Rao (Anoop Kumar), and has him sent to prison. After Vidyanand serves his sentence, he has only one thing on his mind - to avenge his humiliation, and he will go to any extent to achieve this.
The film is a social drama, with its plot around university professor Dr. Kumar (Ashok Kumar), who lives with his wife Padma (Bhanumati), his drunkard son Jyoti (Raaj Kumar), outgoing daughter Chitra (Tanuja) and his friend's daughter Rekha (Mala Sinha). Dr. Kumar and his wife have a different outlook towards life, with him preferring books and philosophy, while his wife Padma prefers social gatherings and society clubs. Padma never considered Jyoti her son, who works as a mill designer, a profession she considers too poor to acknowledge. Chitra is encouraged by her mother to mingle freely in high society, much to the disappointment of her worried father.
Vinay, an ordinary young man who finds himself constantly mistaken for a look-alike jewel thief named Amar. Vinay works with the police to impersonate Amar and crack his crime ring--but it seems that Amar has decided to impersonate Vinay, as well, and soon their true identities are thoroughly muddled.
On the day of her marriage, the bride goes missing. She ends up in a brothel, compelling her wealthy husband to pretend that all is well to keep the family's honor intact.
After a disgraced man's accidental death, the lives of his family change drastically when they receive money from his insurance company
Oonche Log (Hindi: ऊँचे लोग, lit. High Society People) was a 1965 Hindi film directed by Phani Majumdar. It was based on play Major Chandrakant by noted Tamil film director-screenwriter, K. Balachander. The main character roles of this film were played by Ashok Kumar, Raaj Kumar and Feroz Khan. Its lyrics were composed by Majrooh Sultanpuri and the music was given by Chitragupta. The film was shot at Vauhini Studios, Chennai, was also noted as first big hit of newcomer Feroz Khan, who was noted for his sensitive performance against veterans like Raaj Kumar and Ashok Kumar. At the 13th National Film Awards it won the award for Second Best Feature Film in Hindi. It was later remade by K. Balachander himself as Major Chandrakanth (1966), starring J. Jayalalitha and Muthuraman.
Sibling rivalry abounds in this film about two privileged brothers, Anwar and Nawab, and the women who come between them. Nawab, although a married man and father, engages in frequent secret rendezvous with his mistress, Benazir. Meanwhile, Anwar declares his love for a woman named Shahida, whom he desires to wed. So when Nawab witnesses Anwar in the arms of the lovely Benazir, he's outraged -- and puzzled -- by the brotherly betrayal.
Balraj (Dharmendra), affectionately called Raj, by his elder brother (Nana Palsikar) and sister Vija (Madhumati), is a student in college in the arts semester. As the family is not very rich, Raj decides to move from the hostel to the residence of a family. He finds one such family in Gandhinagar, which consists of Choudhury Hukumat Rai (Ashok Kumar), a lawyer by profession, his wife (Nimmi), and only daughter Shanti (Mala Sinha). Hukumat takes an instant liking to Raj, and tells him that his wife will only allow him to take up residence if he tells her that he is already married. Raj reluctantly does so, and thus acquires residence with the Rai family. Eventually Mrs. Rai takes a liking to Raj, so does Shanti. Shanti finds out Raj and her dad had lied to the family about Raj's marital status, she confronts Raj, and he readily admits that he lied.
Nirmal Verma and Karuna are attracted to each other, while the former is touring that part of the country. They get very intimate, he promises to return, and even leaves his address with her but she misplaces it. Both do meet after 5 years, and after formal introductions - get married; and she re-locates to live with him and his doctor brother, and Bhabhi, Janki. Shortly thereafter Nirmal and the rest of the family are baffled when they find out Karuna secretly leaves the house and goes to an unknown location - when confronted - she refuses to divulge anything.
Chitralekha is a 1964 historical-philosophical Hindi film, directed by Kidar Sharma, starring Ashok Kumar, Meena Kumari and Pradeep Kumar. It was based on 1934 Hindi novel by the same name by Bhagwati Charan Verma about Bijgupta serving under the Maurya Empire and the king Chandragupta Maurya (340 BCE – 298 BCE) and his love for courtesan Chitralekha. Set in the back drop of the middle age society. The portrayal of the three tools wisdom, knowledge and power become superfluous in the absence of strength of character.
Gumrah is a 1963 Hindi film produced and directed by B. R. Chopra. The film stars Sunil Dutt, Ashok Kumar, Mala Sinha, Nirupa Roy, Deven Verma and Shashikala. The film's music was composed by Ravi while were by Sahir Ludhianvi. The film was remade to Malayalam as Vivahita (1970) done by super actress Padmini, Prem Nazir and Satyan. Malayalam version was also a superhit.
An impoverished Engineer in love with a wealthy woman goes on the run after becoming a suspect in a bank robbery.
Raj Kumar is a wealthy businessman and dislikes everything ugly. When his wife, Kamla, becomes pregnant and gives birth to an ugly son, he asks the attending Dr. Mathur to inform his wife that their child was still-born. Dr. Mathur places the child in the hands of Rahmat and his wife, Naseeban, who welcome him with open arms. But misfortune follows them, as the child, who is named Pyare, accidentally burns their dwelling down, killing Naseeban. Rahmat then re-locates to his village when he teaches Pyare the skills required to play musical instruments and sing. Years later, Rahmat passes away, and informs Pyare that he is really a Hindu. Dr. Mathur fills the rest of the blanks for Pyare, and arranges a song and dance play and hopes that Raj will overcome his dislike for his now-grown son.
While studying in Aligarh Muslim University, Anwar Hussain Anwar falls in love with a veiled woman and is unable to get her out of his mind. En route to Lucknow, they meet with Nawab Buland Akhtar Changezi, and subsequently meet with him a few days later so that he can use his influence to secure an editor's job for Anwar with a magazine. Nawab then asks Anwar to teach his sister, Husna, some poetry, to which he agrees, and eventually finds that she is the very same veiled woman. Both fall in love with each other and the Nawab approves of this alliance, even though Anwar lives a poor lifestyle. The formal engagement ceremony takes place and arrangements are made for the wedding to take place soon. The heavily indebted Nawab does not realize that soon he will find Anwar in the company of a lowly courtesan, Najma; and pressure will be brought on him to get Husna to marry wealthy Munne Raja - who is all set to auction the former's mansion as well as belongings.
A commercial pilot is arrested and charged with killing his wife's lover.
Deepak returns home to attend his sister's marriage and at that occasion he meets Rajni
An unemployed young man named Deepak (Pradeep Kumar) saves Aarti Gupta (Meena Kumari), a hardworking and dedicated doctor, from drowning, and the two eventually fall in love with each other, although she is already engaged to Dr. Prakash (Ashok Kumar). Although Aarti's father firmly disapproves of this relationship, Deepak and Aarti marry. She moves in with him and his family, which includes his brother, Niranjan (Ramesh Deo), his sister-in-law, Jaswanti (Shashikala), their three children, and Deepak's father (Jagirdar). That leaves the humiliated Prakash determined to get Aarti back, whatever he may have to do. He manages to bring a discord in their marital life, so much so that Deepak asks Aarti to leave, and she returns home to her father. This is followed by Deepak having a serious accident, when Prakash is the only surgeon who can operate on him.
Dhool Ka Phool is a 1959 Indian Bollywood film. Produced by B. R. Chopra it was directed by BR's brother Yash Chopra, this being Yash's first movie as a director, having been an assistant director in BR's earlier film Naya Daur. The film stars Mala Sinha, Rajendra Kumar, Nanda, Leela Chitnis, Jeevan and Ashok Kumar.
Rakesh lives with his brother, Madan, and his dad in Rangoon. Madan has fallen into bad company and steals the family heirloom, in the shape of a dragon, some cash and runs away to India. Shortly thereafter, his dead body is found under Calcutta's Howrah Bridge. Rakesh travels to Calcutta in order to find out the mystery behind Madan's death, and also try to recover the family heirloom.
Three woman-hating brothers face changes in their respective lifestyles when two of them fall in love.
When Bindu's brother is murdered by a night club owner, she decides to take things in her own hands to avenge his death. The film offers a rare window into how and whether she will succeed when she is dealing with an omnipotent villain.
Kundan is a medical student but just before getting the degree he got implicated in a murder charge and cannot finish his degree and takes the wrong path of crime. His neighbor and childhood friend Shanti who Kundan grew up with was married to Kundan at the behest of her mother but they got separated after Kundan took the path of crime. Eventually, Kundan took the job of a taxi driver and befriended a bunch of hoods, and continued with his criminal activities.
Ek Hi Raasta (Hindi: एक ही रास्ता, meaning "The only way") is a 1956 family-drama Indian Hindi film directed and produced by B. R. Chopra. It starred Sunil Dutt, Meena Kumari, Ashok Kumar, Daisy Irani, Jeevan and Shrinath in main roles. Music for the film was scored by Hemanta Mukherjee.[2][3] Having directed few films earlier, Chopra formed his own production house B. R. Films in 1955 and Ek Hi Raasta was the first film produced under this banner.
In Calcutta at the turn of the century, two families (one wealthier than the other but both belonging to the same caste) live in adjoining properties. Their respective patriarchs fall out over the repayment of a loan and the intervention of a member of a lower caste in the families' financial arrangements. The rift causes much heartache to the younger members of the families, two of whom have secretly plighted their troth to each other.
Ratan and Chaman are twins brothers who love the same girl, Meera. During a fair, all three are separated. While Chaman and Meera are found, Ratan is untraceable. Years later, Chaman is no longer attracted to Meera, but in a dancing girl named Rasily, while Meera awaits word of her childhood sweetheart Ratan, who she feels is still alive. Then the unexpected happens, Chaman gets into a fight with another man, killing him, and is on the run from the police. Misunderstandings are clarified, and the law declares this to be an accidental death, and as a result Chaman returns. But this is not the same Chaman any more. For one thing, he has lost interest in Rasily, and is more interested in Meera - could it be that Ratan has returned in place of Chaman? If so, what has happened to Chaman?
A former theater owner and his crippled daughter live in poverty until a chance encounter with a young pickpocket brings romance for the petty criminal and daughter as well as a chance by the father to get back at the villainous new theater owner who ousted him from the business years before.
Najma is a 1943 Indian film directed by Mehboob Khan and starring Ashok Kumar and Veena. The film's music is by Rafiq Ghaznavi with lyrics by Anjum Pilibhiti. Najma was the first film under Mehboob Khan's Mehboob Productions banner. Due to its financial success upon release, the film became a blueprint for Muslim socials that followed.
Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.
Two widowed sisters thwart a love match when they try to arrange marriages for their respective children.
Lata, daughter of a dancing girl, is brought up by social worker Mathuradas and is engaged to marry the rich Ranjit when the villain Chand arrives to blackmail her with her undisclosed ancestry. Lata is forced to disclose the truth to Ranjit and the assembled wedding guests. Ranjit disowns her but they are reunited when Ranjit, blinded by an explosion, is nursed back to health by a devoted woman who turns out to be his wife.
A nationalist rural drama. The plot has Ajau and his girl friend Protima working on behalf of Indian villagers, incurring the enmity of the local zamindar and the villainous Sanatan. Ajay's relentless goodness eventually persuades the zamindar to bequeath his property to the hero, and general well-being reigns as class conflict is transmuted into class collaboration. The film includes the nationalist song 'Jai jai janani janmabhoomi' and other choruses with a similar thrust.
An "untouchable" girl and a Brahmin boy fall in love, but the strict caste system and the gossip of the villagers threaten to keep them apart.
An unusual Marathi war movie which mobilises and updates a historical/regional chauvinism associated with 17th-C. Maratha emperor Shivaji. Major Subhanrao Malusare, a direct descendant of Shivaji’s legendary lieutenant Tanaji Malusare, continues a proud family tradition by winning the Victoria Cross as an Allied officer fighting against Italian fascists in WW2. When he dies, his wife Savitri (Uma) vows that their son will never join the army. However, during the India-China conflict (1962), when her son’s friend is killed, she enjoins her son to fight for the nation even though the boy’s death would mean the end of the ancient clan. The film updated the rousing sentimentalism associated with Shivaji historicals into the present via songs such as He bharatiyano aika balidan katha veeranchi.
A father does not want to give his sons a share from his property. However, both brothers outsmart him and decide to fake their marriages in order to be entitled to receive their inheritance.
The story is of two brothers, with the younger brother running away from home at an early age. The older brother gets entangled with another woman, leaving his wife and child at home. This situation leads to the meeting of the brothers, with the older one mending his errant ways.
