Aviva Joel
“Luxury, luxury, luxury… and not to be so alone.” Vanessa wants to spend her holiday at a comfortable resort. However, due to a booking error at the travel agents, Vanessa ends up on a barren desert island. The next ship doesn’t arrive for another week, so until then she has to cope with oddball lighthouse keeper Stanislav, and the highly unconventional and nonchalant Sebastian, who also has a right to the only shabby guest room. There’s no escape from this island – and the three gradually get to know each other over schnapps and pie. When a further guest arrives in the form of dubious businessman Felix and a body turns up in Stanislav’s cellar, the insular resort becomes the backdrop for a grotesque fight for life. In his debut feature, Matthias J. Michel cleverly repels various genre and character clichés to create an exceptional black comedy.
A Retrovirus, which was conceived as a tool for industrial genetic engineering, has gotten out of control and is spreading rapidly. While it crosses all organisms within our ecological system completely indiscriminately (mixing plant with animal and humans) most plants prove more resistant because of their complex DNA. However, the simple genes of the plants lead humans to become grotesque mutations, in most cases even to death. Within one week, 90% of mankind are either extinct or no longer human. However, a small fraction of the earth?s population remains immune to the virus and must survive in this new and constantly changing ecological system. Tom cellar is one the survivors and on an old military base in the Eifel he has entrenched himself. Further survivors come together and succeed in carving out a life in this new world. But the GMOs - the ?genetically modified organisms? - constantly develop themselves further, and soon the fence of the base offers no more protection.
Sweet, 12 year-old Stefanie, played by child model Soraya Da Mota, dreams of attacking her parents with a flail. Not because they treat her particularly badly, you understand, but because, like any right minded-adolescent, Stefanie is rebelling against normality. As she escapes into a fantasy world, the boundaries between dream and reality blur until, real or not, Stefanie's dad gets one hell of a birthday present.
The year is 1997, and World Peace seems to have come, with most classic weapons of mass destruction having been abandoned. However, orbiting the Earth there is the European/American space station FLORIDA ARKLAB, capable of controlling the weather at any location on the planet underneath. A civil project by nature, it might be abused as an offensive weapon, since it could deliver devastation to any potential adversary simply by creating natural disasters such as storms and floods. No wonder the space station soon becomes the central point in rising political tensions between East and West, next stop World War 3 (as indicated by the tagline "The end of our future has already begun"). We follow the main protagonist Billy Hayes, an astronaut aboard the station, as he wades through a plot of secrecy and sabotage trying to tell friend from foe in the process.
An American Actress with a penchant for lying is forceably recruited by Mosad, the Israeli intelligence agency to trap a Palestinian bomber, by pretending to be the girlfriend of his dead brother.
This romantic drama follows two policemen whose job is to investigate the lives of foreigners who have applied for Swiss citizenship. Among the applicants they must screen are a French psychiatrist and his wife, and a ballet dancer. The married couple are quickly accepted, but the dancer's life offers some objections. However, since the younger policeman has fallen in love with her, there is a chance that she, too, will win Swiss citizenship.
