Aydemir Akbaş
Following some misadventures that involves Somalian pirates and a brief sojourn in a Buddhist monastery, Fikret returns to Istanbul to fight a werewolf.
The film tells the things that pass by the head of a gallant gallery. Ali, who is a giver, is always out of his mind for being tired of his wife's whims. He spends some of his time with Sevda, the husband's firefighter. During a plane trip, Ali meets a guy named Alpay and tells all about his life. Alpay Ali's peasant daughter Mine recommends, Ali Mine teaches all things. Ali Mine does not like it at first, but then slowly falls in love.
The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.
Sabiha and Halil, a greengrocer and a night club hostess fall in love. But little does Sabiha know about Halil's life before they met.
A genocide story that falters between a spoiled and rich girl and a poor girl.
Raised on the mountain like a son, Alicik's path intersects with pure and clean mayfly. The love between the two becomes a challenge to life.
In order to keep his ailing son alive, an impoverished man agrees to sneak a herd of sheep across the border.
A highly realistical first film of Duygu Sagiroglu dealing with internal emigration.
