Ayten Amin
Events revolve around a number of neighbors in a residential building, mostly middle class, where they are exposed to how these people live inside and outside their apartments, where both face life and social problems, but these problems are not known by their neighbors, complex.
A dramedy about illness, intimacy and death sparkles with the lighthearted touch of Director Ayten Amin. Hussein, played by Khaled abol Naga, is a terminally ill, yet charming architect who enjoys a solitary routine in his old family home, and a variety of female visitors. Not realising his past is about to catch up with him, Hussein's sister and her grandson move into the house, disrupting a well established lifestyle, and forcing him to re-examine his ideas about life, love, and family.
Months after Hosni Mubarak stepped down, Egyptians country-wide seem determined to maintain the insurgency until their demands are met.
Camelia and Sarah in the last spring of the eighties...their last days of innocence a story told twice by 2 different girls or rather 2 similar girls.
The events revolve in a dramatic framework about a woman from a poor class who is almost destitute, marrying for nothing but marriage, then marrying her to her husband, but she loves him and desires it, and in a moment of madness she engages in lesbianism with his second wife, and leaves signs on her body after which she had sexual intercourse with others, Finhal is beaten by his second wife, and he goes back to his arms in the arms of the first
Hadeel is at a turning point in her life. Her hesitant character and selfishness, that she is well aware of, make her unstoppable when it comes to getting what she wants, even if it at the expense of others.
