Barbara Cerar
After problems with his supervisors, the main protagonist of the series, the young criminalist Luka, is transferred to Bled, despite his decoration for bravery. On the first day he meets Sara, the daughter of a local nobleman, which is fatal for him both on a personal and professional level. The Bled police team also includes experienced and maternal criminal investigator Nives and honest chief Ferdo.
Ana gives birth at the local hospital and everything goes well. There is only a small problem with the paperwork – her file is not on the computer. A temporary loss of data seems to be caused by a software glitch, nothing to worry about. Within a few days, Ana is entangled in a web of bureaucracy of Kafkaesque proportions: not being in the computer means no social security, no permanent address and no baby. She is brutally forced to leave a newborn girl alone at the hospital without any right to visit her until everything is sorted out. All of a sudden Ana is a foreigner, even though she has lived in Slovenia all of her life. Legally, she doesn’t exist. So, her child is an orphan. And orphans are put up for adoption.
Young lawyer Rebeka is given a case involving the murder of a production designer, and the main suspect is her childhood friend Jana. What first seems like a very straightforward case gradually reveals the dark sides, mysterious depths and stray ways of human nature.
The burglars Sergej and Polde steal a valuable painting, Landscape No.2. By coincidence Sergej also takes a mysterious document dating back to the end of the World War II. Instructor is ordered to recover the stolen painting and the document, which triggers a diabolic mechanism of the past.
Oton, a young boy, is growing up while his hometown Ljubljana changes, from 1934, when King Alexander of Yugoslavia is killed in France, through first the Italian and then the German occupations of the city, until the arrival of Communism.
Luka leaves for the countryside unhappy with the way his girlfriend Katarina has treated him. She follows him hoping that they could sort out their relationship. Despite the beauty and tranquillity of their surroundings they go through twists and turns that only intensify their crisis. When Katarina befriends the happy-go-lucky soldier Primoz, new dimensions and choices open up for her. Ultimately all three must decide where their own life will take them.
Miha, a poet whom no one takes seriously, earns his living by writing cheap advertising slogans. This outsider poet of the new age gets commissioned to write an ode to the famous Slovene poet Preseren, for the occasion of the national celebration, due to the 200th anniversary of Preseren's birth. Who was Preseren, what did he drink and what sort of woman did he like? A comedy can begin.
After his father's death, a young man (Gregor Bakovic) uses the black mourning flag and sews himself a pair of trousers. He then takes a train trip and meets a variety of bizarre characters, including a stowaway, a deaf-mute duo, a balloon-seller, a bird enthusiast, and an attractive girl (Barbara Cerar). Their railway romance gets derailed, but a variety of sight gags and caboose comedics keep the film on track and in loco motion.
