Barbara Harris
The golden age of the annual Tony Awards ceremony lasted from 1967 to 1986 -- the period during which 'Alexander H. Cohen' and his wife, Hildy Parks, were the producers of the show. This film offers a compilation of performances from Tony Award broadcasts during those years. They are presented with color-corrected footage and digitally re-mastered sound.
Martin Blank is a freelance hitman who starts to develop a conscience, which causes him to botch a couple of routine assignments. On the advice of his secretary and his psychiatrist, he decides to attend his 10 year high school reunion in Grosse Pointe, Michigan.
Two con men try to settle their rivalry by betting on who can be the first to swindle a young American heiress out of $50,000.
April has a problem. Whenever she gets anything like passionate with a guy all sorts of things seem to spontaneously combust. The only men she meets more then once are firefighters. Actually, it's Mom's way of trying to keep her little girl to herself, but new boyfriend Andy is having none of such nonsense. So the heat's on. Unfortunately it's Fluffy the cat who keeps getting caught in the middle.
Peggy Sue faints at a high school reunion. When she wakes up she finds herself in her own past, just before she finished school.
A boozy drifter (Robert Blake) tries to get to know the widow (Barbara Harris) he married while on a bender in this off-the-wall comedy directed by Hal Ashby.
When crooks set up operations in a traditional town, a minister and a group of church ladies are willing to do anything, no matter how wacky, to get them out.
Respected liberal Senator Joe Tynan is asked to to lead the opposition to a Supreme Court appointment. It means losing an old friend and fudging principles to make the necessary deals, as well as further straining his already part-time family life. But it could be a big boost to his career, so he takes it on. Helping him prepare the case is pretty southern researcher Karen Traynor, and their developing relationship further complicates and compromises his life.
Three movie genres of the 1930s, boxing films, WWI aviation dramas, and backstage Broadway musicals, are satirized using the same cast.
Spiritualist Blanche Tyler is asked to locate a missing heir, whom she pursues with her cab driver boyfriend George Lumley, an unemployed actor. The man they seek, Arthur Adamson, is posing as a legitimate jeweler while kidnapping wealthy people for a ransom in diamonds, and is assisted by his girlfriend, Fran.
School girl Annabel is hassled by her mother, and Mrs. Andrews is annoyed with her daughter, Annabel. They both think that the other has an easy life. On a normal Friday morning, both complain about each other and wish they could have the easy life of their daughter/mother for just one day and their wishes come true as a bit of magic puts Annabel in Mrs. Andrews' body and vice versa. They both have a Freaky Friday.
Film noir parody with a private eye trying to solve the murder of his milkman.
Kathy Morrison (Harris), mother of three, who helps run a "color-blind" adoption program, wants to have another biological child. Her husband, Pete (Bologna), the head coach of the Phoenix Suns, finds out he can't produce another child. Kathy thinks about adopting a boy, Frederic "Freddie" Wilcox, and Pete does not want to adopt a boy who happens to be black. When he relents, Freddie's arrival causes an upheaval in the Morrison's neighborhood, their school, and family. Kathy's answer is to adopt another child, in this case two, a war-traumatized half-Vietnamese girl, Quan Tran, and a Hopi boy, Joe. The new extended family must now learn to live together.
2 quirky Manhattanites crash into each other cute at an ophthalmologist's office. Peter is a grouchy cartoonist/author whose vision is failing, divorced mother Theresa is also reluctant to plunge into a relationship right now. It's not love at first sight - both have their eyes dilated, plus Peter constantly lampoons women in his work, which book seller Theresa knows well. Loosely based on James Thurber's drawings "The War Between Men & Women," and Thurber's life, the film features animated sequences.
Georgie Soloway, a pop hit love song writer who cannot love, himself, or others. He spends his days with various women flying his plane, and dropping in to the world around him.
Film version of the Neil Simon play has three separate acts set in the same hotel suite in New York's Plaza Hotel with Walter Matthau in a triple role. In the first, Karen Nash tries to get her inattentive husband Sam's attention to spruce up their failing marriage. In the second, brash film producer Jesse Kiplinger tries to get his former one-time flame Muriel to see him for what he stands for. In the third, Roy Hubley and his wife Norma try and try to get their uncertain-of-herself daughter out of the bathroom before her approaching wedding.
A woman brings her son and husband to a tropical vacation spot for a little rest and relaxation. The only problem is that the husband has been dead for quite some time, and his wife had him stuffed and carries him everywhere with her. Complications ensue.
Hosted by Cyril Ritchard, with performances by Florence Henderson, Barbara Harris, Stanley Holloway, John Cullum, Patricia McBride and Edward Villella. Songs include; On A Clear Day, The Heather On The Hill, Wait Till Were Sixty-Five, Wouldnt It Be Loverly?, Camelot, Why Cant A Woman Be More Like A Man?, How Could You Believe Me?, I Remember It Well, Without You, Gigi, Im Getting Married In The Morning, Hurry, Its Lovely Up Here, Melinda, On The S.S. Bernard Cohn, What Did I have That I Dont Have?, Ive Grown Accustomed To Her Face, Its Almost Like Being In Love, Bonnie Jean, Waltz At Maxims (She Is Not Thinking Of Me), I Could Have Danced All Night, On The Street Where You Live, and Come Back To Me.
Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won't turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle's iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle's willingness to cave in to society in order to save the relationship.
