Barbara Krafftówna
Fleeing from despair after losing those dearest to him, the hero hides in a safe land of memories, where time stands still and all those dear to him are alive.
Bozenka, a worker from a large bank, believes that only those who buy, truly live their life. And there is always not enough money! The reason for her frustration is also her husband, Stasiunek, who should be a devilish lover of the most beautiful women in the world, but in fact he is a lazy bumbler. And then one day she gets a chance…
When his grandson is beaten by gangsters, a Warsaw veteran gathers his war buddies to take them on.
Przygoda z piosenką (Pol. Adventure with song) is a Polish film musical comedy from 1969 directed by Stanisław Bareja.
An actress travels from Warsaw to Paris and during the trip reflects on the last few years of her life. It goes back to the German occupation and her hiding of a fellow actor who has supposedly killed a collaborator.
After a violent quarrel, Nitka leaves her husband Andrzej. He meets Grazyna, a young girl with whom he is getting closer and closer. After some time, both spouses conclude that they can not live without each other.
A budding playwright is thrilled to find out that his play will be performed at a prestigious theater, but a series of problems pile up, along with the general feeling that opening night will be disastrous.
"In 1960 Kazimierz Kutz' second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time."
It's May 1945, and Nazi Germany has just surrendered. The war is over, but not in Poland. As the German soldiers vacate, the remaining Russian forces and Polish resistance fighters must work out the hierarchies of power in "liberated" Communist Poland. A Polish assassin is given orders to kill a Russian soldier whom he, days before, was fighting alongside, and this moral conflict makes him question the goals for which he has been fighting.
