Beata Tyszkiewicz
The film is about a group of old retired theatre actors in a retirement home for actors who aim to regroup and stage Goethe's Faust.
A zany and ribald farce about a machismo-fueled, philandering president, who strongly detests homosexuals and any other threats to his masculinity. His wife spends her days in utter misery, bemoaning her rapidly advancing age and counting her husband's lovers. One evening, when Mr. President beds his sexy female assistant, it wreaks a level of change that the man never could have foreseen.
"Nie kłam, kochanie" nie jest bajką. To miłosna historia, podana lekko, jednak nie pozostająca w oderwaniu od życia, w której wszelkiego rodzaju zawirowania towarzyszące jej bohaterom wypływają z sytuacji realnych. Ma pokazać, w jaki sposób kłamstwo i manipulacja może stanąć w szranki z uczciwością, prostolinijnością i naiwnością. I – kto kogo "przechytrzy", kto wygra ten pojedynek, w którym stawką jest miłość… A co robi w naszej historii kaktus? Cóż, dziewczyna, która kocha kaktusy i mówi do nich po imieniu to chyba jedyna osoba, która potrafi w kłamcy i cyniku dostrzec coś dobrego i zmienić go… A wtedy – nawet kolczasty kaktus potrafi zakwitnąć pięknym kwiatem. W większości miłosnych historii dotąd królowały róże. W naszej – kaktusy. Też z kolcami. Ale z jakim charakterem!
The tale of the relationship between a camp counselor and a 12 year old autistic girl at an upstate NY summer camp for autistic children.
The movie is set in Belarus, where a team of counter-intelligence officers is given only three days to find a German radio operator posing as a Soviet soldier, behind soviet lines, on the eve of a major offensive.
Beauty Zosia is a “hunter” by nature: she very professionally captivates rich men, draws money from them, and then throws deceived fans and plans a new victim. Once at the opening day, Zosya meets an irresistible macho, photo artist Mateusz, and, contrary to her own principles, falls in love with him. But after a while she begins to realize that Mateusz is also a “hunter” and that they are colleagues ...
Strangers on a train. Late in 1916, a brave and idealistic Russian officer in his 20s comes to his superiors' attention when he stands up to Rasputin at a nightclub. He's asked to carry important papers from Petersburg to Stockholm by train in the dead of winter, a dangerous mission. The first-class carriage may be full of spies, and soon after the train embarks, the man in the next compartment searches Obozow's luggage. A beautiful stranger approaches him, a woman older than he, on a concert tour; a game of cat and mouse ensues with patriotism and emotion sometimes on opposite sides. Can Obozow consummate the affair, reach Stockholm, and maintain his ideals?
Henry Kesdi is a silenced classical composer and a survivor of the Holocaust. He is coaxed out from retirement by an inspired musicologist, Stefan, who convinces him to compose a complex symphony on his neglected piano. As a help Kesdi gets his new musical secretary. His loyal wife reluctantly accepts her as his young lover.
A comedy. The story follows a young scientist in the contemporary world, who actually came from the world of dwarves, thanks to a magic potion, held by the Big Eater, ruler of the dwarves. The dwarf kingdom, Shuflandia, exists in a cellar of a library, and only the most obedient get the chance to grow to king size and inhabit the larger world. Once there, nobody wants to return to Shuflandia. Also, there are no women in Shuflandia.
Two scientists are chosen as guinea pigs for a time experiment: they are placed in hibernation and should be brought back to life after three years. In the meantime, however, the World War III breaks out and life have been wiped out of the surface of the Earth. When they wake up, it turns out that not only 50 years have passed but also that they are the only living specimens of the male sex in a new, underground society composed exclusively of women.
A story of a dropout out of a succesful career and a loving family. He goes to a local railroad station, then checks into a hotel and refuses to leave despite visits by a psychiatrist and his own son. He watches people daily at the station. A tv reporter is trying to come up with a story which would help him to save his job. He likes to chase women and the dropout's wife is one of his targets. He gets interested in the story of her husband and tries to make a program about mysterious individual. Once the tv crew arrives to the scene, the subject tries to hide and ends up on the roof of the station, where he catches a glimpse of sunshine - the "smaller sky" - before stepping onto a glass roof and falling to his death.
In a backwater town, opera director Andrej Wischnewsky is supposed to put on a production of Mozart's "Don Giovanni".
Bearing traces of the old Anton Chekhov play The Wedding, The Contract is set during an "arranged" ceremony. The bride and groom barely know each other, but this matters not at all to their tradition-bound families. At the last minute, the bride balks. Only slightly nonplused, the groom's father, a status-seeking doctor, decides to go ahead with the expensive reception anyway. Polish director Krzysz Zanussi uses this scenario to stick it to capitalist corruption, and to society's destruction of the individual spirit. Leslie Caron, the one recognizable member of the cast, is outstanding as a wealthy, over-the-hill ballerina who happens to be a kleptomaniac.
Nights and Days is a family saga of Barbara Ostrzenska-Niechcic, (played by Jadwiga Baranska) and Bogumil Niechcic, (played by Jerzy Binczycki) against the backdrop of the January Uprising of 1863 and World War I. The film is a rather straightforward and faithful adaptation of a novel by Maria Dabrowska with the same title. The plot is woven around the changing fortunes of a noble (upper-class) Niechcic family in the pre-WWI Poland. There are two main crossing threads: a social history one and an existential one. The cinematographic version is a condensation of the 12 part award winning TV serial of the same title and using the same cast and producers.
Eduard and Charlotte live an isolated and idyllic life together. But soon Eduard feels that something is missing and he invites his friend Otto to come stay. Charlotte, meanwhile, decides that her foster daughter Ottilie should come live with them. Complex and passionate relationships between the four people begin. Based on Goethe's novel of the same title.
It is the story of Bálint Balassi , the poet and warrior. The scene is Hungary at the end of the 16th century. The soldiers stationed at the castles of Hungary's border defence-system spend their days with anti-Turkish raids, hunting and womanising.
Five social misfits undergo cryogenic suspension. When they awake in the far distant future, they find a world devastated by nuclear war. Yet they discover that each of them has some personal involvement - and responsibility - for the series of the events that ended in the destruction of the world they knew.
One day Mucjusz and his friend Malaj visit the mansion of Fabiusz, an old time friend of Mucjusz. Their sudden arrival makes Fabiusz anxious because years ago Mucjusz was in love with his beautiful wife Waleria. The visitor, however, assures Fabiusz that during his wanderings he has met many other women and has forgotten his old flame. The master of the house offers for him to stay in the garden pavilion. At the party in their honor, while Mucjusz distributes gifts to everyone present, Malaj plays the charming "Song of Love." It's rumored that those who are in love can do unusual things while listening to this melody at night. To prove it Mucjusz pierces his chest with a stiletto and takes it out without a sign of pain. At night Waleria wakes up to the sounds of the charming song coming from the outside and goes to the pavilion. In their conversation Mucjusz confesses that he still loves her but he has leprosy.
Wajda's homage to Zbigniew Cybulski, the "Polish James Dean" who starred in the director's ASHES AND DIAMONDS and died young. The movie follows the tribulations of a director attempting to make a movie with a Cybulski-like star who never shows up.
A screen adaptation of the novel of the same name by Russian writer Ivan Turgenev. The film portrays the life of Russian landed gentry in the 1840s. After a long travel in Europe, nobleman Lavretsky returns back home. Everything in his estate is so familiar and dear to his heart. On his first visit to his neighbors, the Kalitins, he meets Lisa. He forgets his wife, left in Paris, forgets all his past. He desires only one thing – to always be with Lisa who is so unlike the women he used to know.
Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.
A teacher moves after he falls for a student only to run into her at his new job.
In the Napoleonic wars, an officer finds an old book that relates his grandfather's story, Alfons van Worden, captain in the Walloon guard. A man of honor and courage, he seeks the shortest route through the Sierra Morena. At an inn, the Venta Quemada, he sups with two Islamic princesses. They call him their cousin and seduce him; he wakes beside corpses under a gallows. He meets a hermit priest and a goatherd; each tells his story; he wakes again by the gallows. He's rescued from the Inquisition, meets a cabalist and hears more stories within stories, usually of love. He returns to Venta Quemada, the women await with astonishing news.
Set in the time of Napoleon wars, shows how the wars swept over the unfortunate Polish country at the beginning of the XIX-th century. Story revolves around the Polish legion under command of General Dabrowski, who then fought on Napoleon's side with the hopes of Poland's revival.
A thriller about Polish Intelligence Service working on detecting a net of foreign spies.
A little boy, craving for his father's attention, imagines a made-up "Mr. President" who looks just like his father but is caring and attentive.
A pair of lovers go off to a small hotel in a little town. The memories of war, however, intrude on their idyll. The girl and boy relive certain wartime experiences in flashback. She was a communist who drove a boy loving her to give himself up.
Sampson is one of several Andrzej Wajda films harking back to his youth during the Nazi Occupation of Poland. Many of these concern not only the struggle between good and evil, but also between passive and impassive. The hero is a Jewish youth. He, like his family, has always been silent and undemonstrative in the face of prejudice. Now he stands up for his right to survive, and in so doing represents the fighting spirit that culminated in the 1943 Warsaw Uprising. It was originally titled Samson, but re-spelled as Sampson upon its American release to avoid confusion with a sword-and-sandal epic of the same name.
A subjective adaptation of a well-known autobiographical novel by Zbigniew Unilowski (screenplay by Wojciech Jerzy Has with dialogues by Stanislaw Dygat). The adventures of the tenants of a sublet room in a Warsaw townhouse inhabited mostly by students and novice writers, presented against the social context of the 1930s.
