Beatrice Grannò

Cristina Comencini defines the film as a "thriller of the soul." It's the story of a woman who returns to Italy from the US to attend the funeral of her late father, an American admiral living in Naples. Here she meets a man who seems to know too many things about her.

Pontedera, 1945. Enrico Piaggio's factory is in rubble. Piaggio feels the enormous responsibility that rests on his shoulders: the life of many families depends on his ability to create a new job. A project is beginning to form in his mind, a dream: to create a means of transport that is small, agile and economical, but capable of reviving mobility and boosting recovery. The road to affirmation, for Piaggio and its creature, is fraught with obstacles. An avid financier, Rocchi Battaglia, uses every means to take possession of the factory. Piaggio understands that his scooter, the Vespa, can and must become "the icon of rebirth" and so, when he learns that the American director William Wyler will shoot the film Roman Holiday (1953) in Italy, he sends Suso, a young and talented employee of the public office, to make contact with him to convince him to make the Vespa the "carriage of Cinderella" on which to make the two young and in love protagonists travel.

A young girl with a difficult past runs away from Italy with her overweight girlfriend. An "on the road" story set in Europe in which the two girls, having joined a circus of young artists, are forced to see their dreams come true.

Leo is a brilliant but shy boy who has just moved into his new school. Here, together with friends Nick, J, Spoiler, Mimy, Emily and Siry, the girl he's secretly in love with, he will live new and fun adventures every day. The school of School Hacks is not a school like any other: the Histrionic Headmaster and the strict Miss Elia contribute to making it a decidedly out-of-the-ordinary institution.