Bernard Murat
2 thirty year old friends in an empty apartment. One is a mediocre comedian, the other a failed playwright. The former sold his apartment and asked the latter to be present when the compromise was signed, to reassure the buyer. Because if he writes very bad plays, he still has a reassuring face. It’s its great quality. We're waiting for the buyer. Besides, buyer or pigeon?
She is a psychiatrist. He sells yogurts. They are neighbors of level, they hate each other cordially, and like millions of singles lost in the city, they furtively explore the dating sites in search of love - someone who would be just at the antipodes of this infernal character who saw the door next to it. And when, at the end of the day, they find their soul mates, they do not resist the pleasure of announcing it. History of bowing again ... The last?
Sebastien Nicolas is a reclusive realtor leading a double life – in his spare time he creates complex disguises based on acquaintances. Combined with minutely studied and rehearsed impersonations, Sebastien can disappear completely into other people's lives. Things spiral out of control after he impersonates the wrong man.
Vincent, a wealthy real estate agent, is invited to dinner by his sister Elizabeth and her husband Peter, both professors in Paris. Claude, a childhood friend and trombonist in a symphony orchestra, is also present. Vincent brings news from the prenatal examination of his and his wife Anna's unborn son. The name chosen by the soon-to-be parents strongly offends the others for many reasons. The dispute between the guests quickly escalates and before long the resurgence of old grudges and hidden secrets is unavoidable ...
A young woman announces to the man she has lived with for ten years that she is leaving him ... and that she is leaving him for his best friend. But is it so easy to break up a couple and lose a friend? ... "
A stage play by John Murrell, adapted by Eric-Emmanuel Schmitt, performed to perfection by Fanny Ardant and Robert Hirsch about the last days of Sarah Bernhardt. The play concentrates on an uneasy relationship between Sarah and her servant to whom she dictates her memoir, as well as a fragile relationship between her memories, actual history and reality.
A beach on the shores of the Mediterranean, crushed by the sun, under an implacable blue sky, isolated on a rock like Sisyphus rolling away his bitterness, a man is on the verge of suicide. While ruminating on his fixed idea, he is disturbed by an intruder, a doctor on vacation like him. The man with a fixed idea (Pierre Arditi) declares "I felt in a state of inhumanity", the doctor (Bernard Murat) decked out in all the holidaymaker's accessories: a landing net, an easel and a colored box, comes to invade the morbid loneliness. The importunate debonair begins a conversation that will turn into a philosophical joust where we approach science, Einstein, politics, and the verb. THE MATERIALIST AND THE PHILOSOPHER scrap at speckled foils with the sharpest and most divinely French spirit. Conversation is a balm, an intellectual bandage. The good doctor is a good practitioner and a brave man!
