Bernd Böhlich
A German communist wrongly accused and sent to a labour camp has to keep her past life hidden for the sake of her and her family’s freedom.
Der Mond und andere Liebhaber narrates the story of Hanna, a woman who will not take lifes set-backs and knock-downs sitting down. Instead, she takes them in her stride, picks herself up and marches onward. This is a woman who continually draws new courage from her inexhaustible will to live. Whatever losses and uncertainties come her way, she remains true to herself.
Master painter Hans Moll and his wife, the television announcer Ms. Wellinek and her husband, and the German-Russian Jew Yevgenia have many things to live on: food, drink, an apartment. What they do not have is work. They all discover the yearning for a chance to start all over again and bring themselves back to life.
Art expert Katharina Diezmann is out of the blue, when one day the little Brazilian Marcia is standing at her door. Years ago Katharina had taken over a sponsorship for the eleven-year-old, but never expected that she would ever meet her. The little girl is in Berlin with her samba group over Christmas and has only one wish: finally to see real snow!
The divorced florist Maria falls in love with the fated Holger, whose little son was killed two years ago in an accident with a driver's escape. Maria also has a son: the now-grown Niklas, a very talented pianist who has a great career in the eyes of his proud mother. But appearances are deceptive: little by little Maria finds out that two years ago Niklas gave up his career as a pianist because of a shocking experience that completely threw him off track. Is he perhaps the death driver?
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.
