Bernhard Sinkel
Feature-length interview film with Bernhard Sinkel about his four-part film 'Fathers and Sons' (1986).
Germany in the Thirties. A movie teller realizes that his profession is not longer needed. Silent movies are not produced any longer. Telling stories is the only thing the man was ever good in, so he does not know what to do now. As political circumstances are changing dramatically these days in Germany, he gets new hope that things will again be going better for him...
Ernest Hemingway attained celebrity at the age of twenty-five. Some of his novels are among the greatest bestsellers of American literature. His life is a legend woven with countless passions, encounters and experiences. This colossus of a man was a novelist, journalist polemicist, playwright, hunter, fisherman, adventurer... A globetrotter with a hermit's soul, he went through three wars, had a life-long romance with danger, and made death his closest companion and his main source of inspiration. The son of a Puritan family, he was also a pleasure seeker. A self-confessed male chauvinist, he thought of Woman as a muse, a worshipper, a second mother. His four wives- Hadley Richardson, Pauline Pfeiffer, Martha Gellhorn and Mary Welsh - represented both his mirror and his straight man, seeking to appease his torments and contradictions and to accompany him to the end of his dreams.
Documentary about the IG Farben Building in Frankfurt.
Based on unfinished 1954 novel by the German author Thomas Mann. It is a parody of Goethe's autobiography Poetry and Truth, particularly in its pompous tone.
In the late 1970s the German secret service fights against RAF terrorism and searches for constitutional enemies in the public service. Teacher Brasch implicates secret service agent Körner and the government in the suicide of a young teen. As a result Brasch and the exposed Körner are fired.
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.
A young man seeks freedom and eventually gets conformed. To escape society, he wanders south. After some adventures he returns to his lover, where he expects a civil career.
The three daughters of the Dessau merchant Sellmann move with their father to Prague in 1936, where he accepted a position as director of the Böhmische Landesbank. For the three different women begins a new life, which accompanies the film over a period of ten years.
After the death of the owner of the house Lina Braake is living in, the house is accrued to the bank. During the complete refurbishment of the building, the 81-year old woman is thrown out of her flat and is put in an old people′s home. There she meets 84-year old Gustaf. Together, the lively seniors come up with a plan to trick the bank with a smart credit fraud and take their revenge. They need the money to buy a country house on Sardinia and leave Germany for good. Although their coup proves to be successful, the bank soon finds Lina. But due to her old age she cannot be tried anymore.
Eva is a single freelance painter. She is in love with a married man. She pretends that she never waits for him, and if he suddenly turns up she acts as if she is surprised. In reality the unresolved relationship is making her so depressed that her work is the only thing that is saving her. In an attempt to break her addiction she enters into a relationship with another man. But the balance she is looking for eludes her, as now she has to choose between the two. But Eva can't: she wants to have an entire life, not part of one. In the form of a sort of filmic diary, Eva now attempts to sort out the puzzle, which is her life.
