Bijukumar Damodaran
After a village in Kerala is flooded, A scheduled caste family which doesn't get any support from government migrates to Himachal Pradesh in search of job & struggles to adapt in a totally new environment conditions.
A Bollywood filmmaker and his crew gets stranded in a remote Himalayan village due to torrential downpours. How the intense experiences under siege, affect the filmmaker's thoughts and priorities forms the central theme of the film.
Set in a beautiful Himalayan valley, it’s a journey of a neglected and abandoned mute boy, who loses his mother at birth and is furiously neglected by his father. When his father goes behind bars, the boy stares at a lonely and deserted life ahead. His relationship with an elderly Buddhist monk helps him to detach from his voiceless suffering and to explore the bond that each creation shares with nature. With nowhere to go, he joins a Budhist monastery even as he fights an inner battle of unrequited love.
A special battalion of police is deployed by the government to do away with Maoist menace (A banned Left organization) in a tribal village near forest. The police forcibly occupy a tribal primary school for their camp. One day, the police are on lookout for some people in the forest near the school at night. A policeman follows a person deep into the forest and nabs the person. The person arrested happens to be a woman. He tries to come out of the forest with the arrested person, but he loses his way in the wild. The woman knows the path to get out of the forest but she is not willing to show him the way. Thus, both the hunter and the hunted are stranded in the thick forest. Power, Crime, Man, Woman, the Hunter, the Hunted... all such equations change utterly and are no more what they used to be. The film has been very un-expected resemblance with Maoist hunt and killing happened last month in Kerala.
Docu-fiction about the harmful effects caused by the unethical use of the pesticide Endosulfan in the plantations of Kasaragode district of Kerala.
Film tells the story of marginalized people in Kerala through the life of a father who working as a temporary cleaner and his Eight year old son.
A burglar, in a bid to rob an old man, gets stranded on an island with a little boy, a beautiful deaf-mute girl and a man with a stutter. Marooned, he is now forced to confront living with nature.
The film is about terrorist organizations operating in India and how they recruit young Keralites. It stars Prithviraj, Indrajith and Master Govardhan in the lead roles. The film's story revolves around a doctor (Prithviraj) with a haunting past. He witnessed his wife (Malavika) and five-year-old son die in an explosion at a market in Delhi.
Saira is a 2005 Indian film starring Navya Nair and Nedumudi Venu. The film marks the directorial debut of Dr. Biju. It was the opening in the Tous Les Cinemas du Monde (World Cinema) section of 2007 Cannes Film Festival.[1][2] It also participated in 21 other international film festivals. It was also selected at the Indian Panorama 2006.
‘Adrishya Jalakangal’ is said to be an unabashed depiction of what war and its consequences truly look like. “Adrishya Jalakangal is an attempt to look at the social menace of war from a common man’s point of view and be a strong artistic signature against war,” the director said.
