Bill Robinson
A documentary film about dancing on the screen, from it's orgins after the invention of the movie camera, over the movie musical from the late 20s, 30s, 40s 50s and 60s up to the break dance and the music videos from the 80s.
Dancing great Bill Williamson sees his face on the cover of Theatre World magazine and reminisces: Just back from World War I, he meets lovely singer Selina Rogers at a soldiers' ball and promises to come back to her when he "gets to be somebody." Years go by, and Bill and Selina's rising careers intersect only briefly, since Selina is unwilling to settle down. Will she ever change her mind? Concludes with a big all-star show hosted by Cab Calloway.
"Let's Scuffle" is a short subject -- a single song-and-dance number -- that appears to have been cut from a feature-length movie: to be precise, a 'race film'. (This was the term used by American cinema exhibitors in the 1940s and earlier for any movie with an all-black cast, intended primarily for distribution in black neighbourhoods at a time when many American cinemas were segregated.) The song-and-dance performer here is none other than the great Bill Robinson.
Rebecca's Uncle Harry leaves her with Aunt Miranda who forbids her to associate with show people. But neighbor Anthony Kent is a talent scout who secretly set it up for her to broadcast.
A group of prison inmates pass the time playing football and romancing ladies in this prison escape crime musical screwball comedy that was apparently a wacky spoof of the crime movies that were so popular in the 1930s. It seems to be completely forgotten today, except by major film buffs.
Penny helps her idealistic architect father get his dream of a slum clearance project; The little miss dances with Corporal Jones.
At the Indianapolis Speedway mobsters try to bump off a young racer just as they did his dad. Junk yard owner tap dances.
A female journalist travels to a new neighborhood after getting a (false) lead and is surprised by what she finds.
Virgie Cary's father, a rebel officer, sneaks back to his rundown plantation to see his dying wife and is arrested. A Yankee officer takes pity and sets up an escape. Everyone is captured and the officers are to be executed. Virgie and Uncle Billy beg President Lincoln to intercede.
Horse trainer Steve Tapley is caught between the feuding Martingale and Shattuck families. He sides with young Nancy Martingale and her grandfather Ezra, and the feud is to be resolved by a horse race between the favorites of each family. Unfortunately, the Martingale's horse, Greyboy, only runs well in mud. And it hasn't rained in a long time.
The wisp of a storyline involves two-bit radio station owner Spud Miller, who doubles as the station's sole announcer while his comic partner Smiley serves as the house crooner. On the verge of bankruptcy, Spud is receptive to the wacky notions of George and Gracie, who've just invented a television device which can pick up and transmit any signal, any time, anywhere.
After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years pass and Elizabeth returns to her home town with her husband and young daughter. The little girl charms her crusty grandfather and tries to patch things up between him and her mother.
A wealthy young man falls hard for a beautiful showgirl, and her wily father quickly realizes the naïve boy would make the perfect investor for his daughter's new show. Comedy with music.
A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.
Bill "Bojangles" Robinson made his movie acting debut in this 1932 film, featuring Putney Dandridge, James Baskett (Oscar winner for "Song of the South"), Cotton Club dancer Anita Boyer, Henri Wassell, Alma Smith, Bob Sawyer, and composer/bandleader Eubie Blake and his orchestra.
