Billy Dix
A series of grisly murders plague a small mountain community and the sheriff suspects a local scientist whom he dislikes. Together with a former professor and the professor's pretty daughter, the scientist sets about solving the crimes and discovers the killer is an oversized 16th century conquistador, resurrected by a lightning bolt from his mountain grave.
When Aaron Baring (Jim Davis) signs on as wagon master for a group of settlers headed to Montana's Powder River Valley, his dictatorial style soon creates problems. When the settlers reach their destination, Baring unwisely declares war on the local Indians. When savvy frontier scout Jim Henry (Bill Williams) tries to promote cooperation between the natives and the newly arrived settlers, Baring responds by having Williams whipped.
One-armed war veteran John J. Macreedy steps off a train at the sleepy little town of Black Rock. Once there, he begins to unravel a web of lies, secrecy, and murder.
At the end of the Civil War, Sam White returns home to his ranch in the Texas ranch -The Panhandle - to find it in the hands of a gang of outlaws
The owner of a silver mine, having repeatedly been the victim of the Silver Bandit, sends his clerk Spade Cooley who can neither ride nor fight west to investigate. The Sheriff has been unable to catch the bandit but when Spade finds him he will have to both ride and fight to bring him in.
Produced, written, and directed by the veteran Elmer Clifton (here for obscure reasons billed Elmer S. Pond), Red Rock Outlaw had the audacity to feature its novice star, Bob Gilbert (who also wrote the original story), as identical cousins -- one good, the other bad. The good Gilbert, a rancher, enjoys a campfire singalong with the members of s stranded girls' band, falling in love with Carolina (Ione Nixon), a bleach-blonde looker, along the way. The bad cousin, meanwhile, is scheming with neighboring rancher Jim Martin (Forrest Mathews) to have nice Bob killed so they can combine their properties. Produced in 16 mm back in 1946 or 1947 and released on States' Rights by Screen Features, Inc., Red Rock Outlaw was merely an excuse to showcase a series of country & western specialty acts, including Wanda Cantlon, who, according to an onscreen credit, introduced the song "Alimony" and supplied choreography.
Marshals Lash and Fuzzy are sent to get the goods on Duce Rago. To join Rago's gang, Lash decides to pose as an outlaw by wearing the known belt buckle of a notorious outlaw.
Driving a herd of cattle to market, Jimmy finds the trail has been fenced off by an old friend of his. While the two sides try to settle the matter peaceably, a man from each outfit get together to try and start a range war between them figuring they will end up with the cattle. When cattle are rustled, Jimmy finds the clue, horses with shoes that make tracks that look like cattle.
Despite his unprepossessing screen personality, singing cowboy Jimmy Wakely was starred in a series of Monogram westerns, one of which was West of the Alamo. Wakely and comedy sidekick Lee "Lasses" White play a pair of government agents who work undercover to solve a series of baffling crimes. It comes to no one's surprise that the criminal mastermind is the town's leading citizen, in this case banker Clay Bradford (Jack Ingram). As was typical in the Wakely westerns, West of the Alamo is approximately 25 percent action and 75 percent musical. Among the guest warblers this time out is the Arthur Smith Trio, headed by a gospel singer who'd later emcee a popular religious TV talk show.
Jimmy Wakely wishes to sell to the government a group of wild mustangs which he has captured and trained for rancher Matt Blake. The competition is Flora Carter, the owner of a near-by ranch. The army colonel in charge decides to buy the winning horses of a cross-country race. Flora has her henchmen, led by Sam Phelps resort to foul means in order to try to win the race.
