Biz Markie
A mid-western couple is transferred to Washington DC for work and meet the neighbors, a super-intense couple. As their friendships develop, confusion unfolds in this country mice meet city mice adventure.
A freak weather system turns its deadly fury on New York City, unleashing a Sharknado on the population and its most cherished, iconic sites - and only Fin and April can save the Big Apple.
Yo Gabba Gabba! is an American children's television show that airs on the Nick Jr. cable network in the United States and the Nick Jr. networks in the United Kingdom & Ireland, Italy, France and Australia as well as Treehouse TV network in Canada and RTE2 on RTÉjr in Ireland. The show stars five costumed toys-come-to-life and their friend DJ Lance Rock, who explore a single topic in each episode through songs and short storylines in the half-hour program while teaching children life and social skills. It also encourages viewers to move along with and dance with the characters in the program. The show is noted for its indie-culture guest stars and bands, and for drawing visual inspiration from 8-bit video games and H. R. Pufnstuff. Created by Christian Jacobs and Scott Schultz, the show is produced by The Magic Store Productions and Wild Brain. The series premiered August 20, 2007 on Nickelodeon as part of its Nick Jr. block, and began broadcasting in reruns on February 23, 2008 on the Nick Jr. TV Channel. On April 30, 2008 the television show received a Daytime Emmy nomination for Outstanding Achievement in Costume Design/Styling.
Celebrity Fit Club is a reality television series which follows eight overweight celebrities as they try to lose weight. This show is based on the British version, which aired on the ITV Network from 2002 until 2006. The American version was executive produced by Richard Hall for Granada in Seasons 2-5.
"5 Sides of a Coin" is a comprehensive overview of the worldwide cultural movement of Hip-Hop.
The human beat box is one of the key elements in the development of Hip Hop culture, alongside Dj-ing, Graffiti, Breakdancing, and MC-ing. Unfortunately, its contribution has been largely overlooked, as has the fun, expressive, human, and spontaneous dimension of Hip Hop that it represents. Over 30 practitioners of this art form discuss their techniques and the evolution of their craft, through interviews, live performances, archival footage, and animation.
Yankerville's puppet citizens -- voiced by celebrities and stand-up comedians -- make real calls to real people, whether they like it or not. They make all the crank phone calls you wish you'd made when you were a kid.
Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.
New York, 1986: a city of big dreams and equally big problems. Like New York itself, hip-hop music encompassed both of these human conditions. But hip-hop and its cultural birthplace shared other important characteristics, too: the desire to always be original, a hustle-to-survive ambition, and — if the stars aligned — the ability to come out on top, no matter what the odds. Big Fun in the Big Town is about hip-hop when artistry in the game was still at its center. When skills, not hype, got you your first record deal. When Run-DMC took the reins from Doug E Fresh and Grandmaster Flash, paving the way for hundreds of other hitmakers to follow. When a chart-topping LL Cool J still lived with his Grandmother. When the Latin Quarter was the club to be at on any weekend night. And when artists from all backgrounds could taste their own pop chart dreams, just beyond their reach but still seemingly attainable.
